A Midsummer's Night Dream arrow Created with Sketch. Bibliography

A-C

  • Abbott, E[dwin] A. A Shakespearian Grammar. Rev. & enl. 1870. (1st ed. 1869; rpt. New York: Dover, 1966, 2003.)
  • Abel, Lionel. Metatheatre: A New View of Dramatic Form. New York, 1963.
  • Absher, Tom. Men and the Goddess: Feminine Archetypes in Western Literature. Rochester, Vt., 1990.
  • Acheson, Arthur. Shakespeare’s Sonnet Story, 1592–1598. 1922.
  • Ackerman, Alan L., Jr. A Spirit of Giving in A Midsummer Night’s Dream. Shakespeare’s Comedies of Love. Ed. Karen Bamford & Ric Knowles. Toronto, 2008. Pp. 110–25.
  • Adams, Ernest. Shakespeariana. 5 N&Q 10 (1878), 404–5.
  • Adams, James N. The Latin Sexual Vocabulary. Baltimore, 1982.
  • Adams, Joseph Quincy. A Life of William Shakespeare. Boston, 1923.
  • Addison, Joseph. The Spectator 419, 1 July 1712. The Spectator. Ed. Donald F. Bond. Vol. 3. Oxford, 1965. 5 vols. Pp. 570–3.
  • Adelman, Janet. Male Bonding in Shakespeare’s Comedies. Shakespeare’s "Rough Magic": Renaissance Essays in Honor of C. L. Barber. Ed. Peter Erickson & Coppélia Kahn. Newark, Del., 1985. Pp. 73–103.
  • Adolf, Helen. The Ass and the Harp. Speculum 25 (1950), 49–57.
  • Agate, James. Brief Chronicles: A Survey of the Plays of Shakespeare and the Elizabethans in Actual Performance. 1943.
  • Ainger, Alfred. Lectures and Essays. 2 vols. 1905.
  • Akrigg, George P. V. Shakespeare and the Earl of Southampton. 1968.
  • Alden, Raymond M. Shakespeare. New York, 1922.
  • Alden, Raymond M. A Shakespeare Handbook. Rev. Oscar James Campbell. New York, 1932.
  • Alexander, Marguerite. A Reader’s Guide to Shakespeare and His Contemporaries. New York, 1979.
  • Alexander, Peter. Shakespeare. OUP, 1964.
  • Alexander, Peter. Shakespeare’s Life and Art. 1939.
  • Allen, George (1808–76). Contributor to >v1895.
  • Allen, John A. Bottom and Titania. SQ 18 (1967), 107–17.
  • Altimont, Alan J. The Meaning of Nedar in A Midsummer Night’s Dream. N&Q 54 (2007), 275–7.
  • Alwyn, Josie. The Artful Disorder of the Dream World. A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Longman Critical Essays. 1991. Pp. 97–105.
  • Anders, H. R. D. J. Randglossen zu Shakespeare’s Belesenheit. SJ 62 (1926), 159–62.
  • Anders, H. R. D. J. Shakespeare’s Books. Schriften der Deutschen Shakespeare-Gesellschaft 1. Berlin, 1904. (Rpt. New York: AMS, 1965.)
  • Anderson, Linda. A Kind of Wild Justice: Revenge in Shakespeare’s Comedies. Newark, Del., 1987.
  • Anderson, Mark K. Beauty and Bottom’s Dream. Shakespeare Oxford Newsletter 33 (1997/1998), 19–21.
  • Anderson, Ruth L. Elizabethan Psychology and Shakespeare’s Plays. Univ. of Iowa Humanistic Stud. 3.4. Iowa City, 1927. (Rpt. New York: Haskell House, 1964.)
  • Andreas, James. From Festivity to Spectacle: The Canterbury Tales, Fragment I and A Midsummer Night’s Dream. UCrow 3 (1980), 19–28.
  • Andreas, James. Remythologizing The Knight’s Tale: A Midsummer Night’s Dream and The Two Noble Kinsmen. ShY 2 (1991), 49–67.
  • Andrews, John F. The Pavier Quartos of 1619—Evidence for Two Compositors. Vanderbilt diss. 1971.
  • Andrews, John F. The Two Compositors in the Pavier Quartos: Implications for Bibliographical Investigation of the First Folio. Paper delivered at Sh. Assn. of America, 30 Mar. 1973, and privately circulated.
  • Andrews, John F. Supplement to The Two Compositors in the Pavier Quartos: Implications for Bibliographical Investigation of the First Folio. Paper delivered at Sh. Assn. of America, 30 Mar. 1973, and privately circulated.
  • Andrews, John F. Unresolved Bibliographical Problems in the Shakespeare First Folio. Paper delivered at MLA, 27 Dec. 1973, and privately circulated with a supplement.
  • Andrews, Michael C. Titania on Enforced Chastity. N&Q 31 (1984), 188–9.
  • Annandale, Thomas (1838–1907). Contributor to irv.
  • Anon. Contributor to Bullen (ed. 1905).
  • Anon. Contributor to cam1.
  • Anon. Contributor to cam2.
  • Anon. Contributor to capn.
  • Anon. Contributor to Grey, Zachary.
  • Anon. Contributor to hal.
  • Anon. Contributor to Johnson (ed. 1771).
  • Anon. Contributor to Moberly (ed. 1881).
  • Anon. Contributor to Peck, Francis.
  • Anon. Contributor to stau.
  • Anon. Contributor to mtheo1.
  • Anon. Contributor to v1895.
  • Anon. Contributor to Wilson, Daniel.
  • Anon. Contributor to Wright Shakespeariana.
  • Anon. An Answer to Certain Passages in Mr. W—’s Preface to his Edition of Shakespear, Together with Some Remarks on the Many Errors and False Criticisms in the Work Itself. 1748.
  • Anon. The Bee. The Progress of Human Life. Ed. John Evans. Chiswick, 1818.
  • Anon. Caribbeana. Containing Letters and Dissertations, Together with Poetical Essays, on Various Subjects and Occasions; Chiefly Wrote by Several Hands in the West-Indies, etc. 2 vols. 1741.
  • Anon. The Dramatic Souvenir. 1833.
  • Anon. An Examen of the New Comedy, call’d The Suspicious Husband with some Observations upon our Dramatick Poetry and Authors. 1747.
  • Anon. The Folly of Priest-Craft. A Comedy. 1690.
  • Anon. The Henry Irving Shakespeare. The Times. London. 5 Jan. 1891, 4.
  • Anon. Literary and Graphical Illustrations of Shakspeare, and the British Drama. 1831.
  • Anon. The Midsummer Night’s Dream. TLS (18 Dec. 1924), 857–8.
  • Anon. New Exegesis of Shakespeare. Edinburgh, 1859.
  • Anon. Notes on William Shakespeare’s A Midsummer Night’s Dream. 1966.
  • Anon. Pyramus and Thisbe. The Era. n.p.
  • Anon. Shakspere’s Delineations of Female Friendship. Knight’s Penny Magazine 10 (1841), 109–10.
  • Anon. Shakespeare’s Puck. The Shakespeare Society’s Papers 1:24 (1844), 69–70. (Rpt. Nendeln, Liechtenstein: Kraus Reprint Ltd., 1966.)
  • Ansari, A[sloob] A. Shakespeare’s Allegory of Love. AJES 3 (1978), 44–62.
  • Aquino, Deborah T. C. The Sense of an Ending in Shakespeare’s Early Comedies. JRMMRA 7 (1986), 109–21.
  • Aquino, Deborah T. C. Toward a Star that Danced: Woman as Survivor in Shakespeare’s Early Comedies. SRASP 11 (1986), 50–61.
  • Arber, Edward. A Transcript of the Register of the Company of Stationers of London 1554–1640. 5 vols. 1875–1894.
  • Archer, Edward. An Exact and Perfect Catalogue of all Ther Plaies that Were Ever printed; Together, with All the Authors Names; and What are Comedies, Histories, Interludes, Masks, Pastorels, Tragedies. …Appended to Phil. Massinger, Tho. Middleton, William Rowley. The Excellent Comedy, called The Old Law: or A New Way to Please You. 1656. (Rpt. in The Shakspere Allusion Book, ed. John Munro. 2 vols. OUP, 1932. Vol. 2. Pp. 59–61.)
  • A[rkwright?], G[odfrey?] E. P. The Death Songs of Pyramus and Thisbe. 10 N&Q 5 (1906), 341–3. 401–3.
  • Armistead, Donna L. Shakespeare and the Green World: Images of Flight and Fancy. Theatron (St. Louis). Fall (2002), 52–61.
  • Armitage, David. The Dismemberment of Orpheus: Mythic Elements in Shakespeare’s Romances. ShS 39 (1987), 123–33.
  • Armstrong, Cecil F. Shakespeare to Shaw. 1913.
  • Armstrong, Edward A. Shakespeare’s Imagination: A Study of the Psychology of Association and Inspiration. 1946. (New ed., Lincoln, Neb., 1963.)
  • Arnold, Matthew. The Study of Celtic Literature. Part IV. Conclusion. The Cornhill Magazine 14 (1866), 110–28.
  • Arnold, Morris L. The Soliloquies of Shakespeare. New York, 1911.
  • Arnold, Oliver. The King of Comedy: The Role of the Ruler and the Rule of Law in Shakespeare’s Comedies. Genre 31 (1998), 1–31.
  • Arnold, Paul. Clef pour Shakespeare: Ésotérisme de l’œuvre shakespearienne. Paris, 1977.
  • Arnold, Paul. Ésotérisme de Shakespeare. Paris, 1955.
  • Aronson, Alex. Psyche & Symbol in Shakespeare. Bloomington, Ind., 1972.
  • Aronstein, Phillipp. Das Englische Renaissancedrama. Leipzig, 1929.
  • Arthos, John. Shakespeare’s Use of Dream and Vision. Totowa, N.J., 1977.
  • Ashton, John W. Conventional Material in Munday’s John a Kent and John a Cumber. PMLA 40 (1934), 752–61.
  • Asimov, Isaac. The Greek, Roman, and Italian Plays. Volume 1 of Asimov’s Guide to Shakespeare. Garden City, N.Y., 1970.
  • Assmann, Aleida. Spirits, Ghosts, Demons in Shakespeare and Milton. Litteraria Pragensia 13 (2003), 53–67.
  • Atherton, J. S. Shakespeare’s Latin, Two Notes. N&Q 196 (1951), 337.
  • Atherton, John. William Shakespeare: A Midsummer Night’s Dream. Guides to English Literature. 1962.
  • Auden, W. H. The Dyer’s Hand, and Other Essays. New York, 1948.
  • Auden, W. H. A Midsummer Night’s Dream. 1946. (Rpt. in Lectures on Shakespeare. Ed. Arthur Kirsch. Princeton, 2000. Pp. 53–62.)
  • Auden, W. H. Music in Shakespeare. Encounter 9 (1957), 31–44.
  • Bacon, Delia. The Philosophy of Shakespeare’s Plays Unfolded. 1857.
  • Baildon, H. Bellyse, ed. The Lamentable Tragedy of Titus Andronicus. The Arden Shakespeare. 1904.
  • Bailey, John. Shakespeare. 1929.
  • Bailey, Samuel. On the Received Text of Shakespeare’s Dramatic Writings and Its Improvement. 2 vols. 1862–6.
  • Baker, George P. The Development of Shakespeare as a Dramatist. New York, 1907.
  • Baker, George P. John Lyly. From the Beginnings to Shakespeare. Ed. Charles M. Gayley. 1903. Vol. 1 of Representative English Comedies. Pp. 263–76.
  • Baker, H. P. A New View & Life of Shakespeare. [1923].
  • Baker, Susan. Chronotope and Repression in A Midsummer Night’s Dream. A Midsummer Night’s Dream: Critical Essays. Ed. Dorothea Kehler. New York, 1998. Pp. 345–68.
  • Baldensperger, Fernand. La Vie et l’oeuvre de William Shakespeare. Montreal, [1945].
  • Baldwin, Charles Sears. Renaissance Literary Theory and Practice: Classicism in the Rhetoric and Poetic of Italy, France, and England 1400–1600. Ed. D. L. Clark. Gloucester, Mass., 1959. (First pub. 1939.)
  • Baldwin, T[homas] W. On the Literary Genetics of Shakspere’s Plays, 1592–1594. Urbana, Ill., 1959.
  • Baldwin, T[homas] W. The Organization and Personnel of the Shakespearean Company. Princeton, 1927.
  • Baldwin, T[homas] W. Shakspere’s Five-Act Structure. Urbana, Ill., 1947.
  • Baldwin, T[homas] W. William Shakspere’s Small Latine & Lesse Greeke. 2 vols. Urbana, Ill., 1944.
  • Ball, Robert Hamilton. Shakespeare on Silent Film: A Strange Eventful History. 1968.
  • Ballmann, Otto. Chaucers Einfluss auf das Englische Drama in Zeitalter der Königen Elizabeth und der beiden ersten Stuart-Könige. Anglia 25 (1902), 1–85.
  • Barber, C[esar] L. Shakespeare’s Festive Comedy. Princeton, 1959. (Rpt. Cleveland & New York: Meridian, 1963.)
  • Barber, C[esar] L, & Richard P. Wheeler. The Whole Journey: Shakespeare’s Power of Development. Berkeley, 1986.
  • Barbour, Charles M. Up Against a Symbolic Painted Cloth: A Midsummer Night’s Dream at the Savoy, 1914. Educational Theatre Journal 27 (1975), 521–8.
  • [Barclay, James]. An Examination of Mr. Kenrick’s Review of Mr. Johnson’s Edition of Shakespeare. 1766.
  • Barish, Jonas. Mixed Prose and Verse in Shakespearean Comedy. English Comedy. Ed. Michael Cordner, Peter Holland, & John Kerrigan. Cambridge, 1994. Pp. 55–67.
  • Barkan, Leonard. Diana and Actaeon: The Myth as Synthesis. ELR 10 (1980), 317–59.
  • Barkan, Leonard. The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism. New Haven, 1986.
  • Barnet, Sylvan. A Short Guide to Shakespeare. New York, 1974.
  • Barnett, T. Duff. Notes on Shakespeare’s Play of A Midsummer Night’s Dream. 1887.
  • Barthel, Carol. Prince Arthur and Bottom the Weaver: The Renaissance Dream of the Fairy Queen. With a Commentary by Walter R. Davis. Spenser: Classical, Medieval, Renaissance, and Modern. Proceedings from a Special Session at the Twelfth Conference on Medieval Studies in Kalamazoo, Michigan, 5–8 May 1977. Ed. David A. Richardson. Cleveland, 1977. Pp. 72–91.
  • Bartlett, Henrietta, & A. W. Pollard. A Census of Shakespeare’s Plays in Quarto, 1594–1709. 1939.
  • Barton, Anne. The London scene: City and Court. The Cambridge Companion to Shakespeare. Ed. Margreta de Grazia & Stanley Wells. Cambridge, 2001. Pp. 115–28.
  • Barton, Anne. A Midsummer Night’s Dream. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, 1974. Pp. 217–21.
  • Barton, Dunbar Plunket. Links between Ireland and Shakespeare. Dublin, [1947].
  • Baruzzo, Barbara. Le Metamorfosi di Ovidio e A Midsummer Night’s Dream di W. Shakespeare: Il linguaggio come gioco di forme. Textus 6 (1993), 77–103.
  • Baruzzo, Barbara. Ten Little Fabulae: Ovidian Tales of Love and Metamorphosis in A Midsummer Night’s Dream. CahiersE 45 (1994), 21–31.
  • Baskervill, Charles Read. The Elizabethan Jig. Chicago, 1929. (Rpt. New York: Dover, 1965.)
  • Baskervill, Charles Read. Some Evidence for Early Romantic Plays in England. MP 14 (1916–17), 229–51, 467–512.
  • Bassnett, Susan. Shakespeare: The Elizabethan Plays. New York, 1993.
  • Bate, Jonathan. The Genius of Shakespeare. New York: OUP, 1998.
  • Bate, Jonathan.Ovid and the Mature Tragedies: Metamorphosis in Othello and King Lear. ShS 41 (1989), 133–44.
  • Bate, Jonathan. Ovid and the Sonnets; or, Did Shakespeare Feel the Anxiety of Influence? ShS 42 (1990), 65–76.
  • Bate, Jonathan. Shakespeare and the English Romantic Imagination. OUP, 1986.
  • Bate, Jonathan. Shakespeare and Ovid. OUP, 1993.
  • Bate, Jonathan, ed. The Romantics on Shakespeare. 1992.
  • Bate, Jonathan, ed. Titus Andronicus. 1995.
  • Baten, Anderson M. The Philosophy of Shakespeare. Kingsport, Tenn., 1937.
  • Bates, Catherine. Love and Courtship. The Cambridge Companion to Shakespearean Comedy. Ed. Alexander Leggatt. Cambridge, 2002. Pp. 102–22.
  • Bather, F. A. The Puns of Shakespeare. Noctes Shaksperianae. Ed. Charles Halford Hawkins. Winchester, 1887. Pp. 67–91.
  • Batten, Charles. On Double and Jewel in Midsummer Night’s Dream, Act IV. sc. I. The Academy 10 (1876), 12.
  • Baxter, John. Growing to a Point: Mimesis in A Midsummer Night’s Dream. ESC 22 (1996), 17–33.
  • Baxter, John. Present Mirth: Shakespeare’s Romantic Comedies. QQ 72 (1965), 52–77.
  • Bayne, Ronald. Lesser Elizabethan Dramatists. The Cambridge History of English Literature. Ed. A. F. Ward & A. R. Waller. Vol. 5. Cambridge, 1910. Pp. 309–35.
  • Baynes, Thomas S. New Shakspearian Interpretations. The Edinburgh Review 136 (1872), 335–73.
  • Baynes, Thomas S. Shakespeare Studies and Essay on English Dictionaries. 1894. New ed. 1896.
  • Baynes, Thomas S. What Shakespeare Learnt at School. II. Fraser’s Magazine. 21 (1880), 83–102.
  • Beattie, James. Untitled passage quoted in Great Men’s Views on Shakespeare. Ed. Charles C. Cattell. Birmingham, 1879. Pp. 25–6.
  • Beaurline, L. A. Jonson and Elizabethan Comedy. San Marino, 1978.
  • Becket, Andrew. Shakspeare’s Himself Again. 2 vols. 1815.
  • Bednarz, James P. Imitations of Spenser in A Midsummer Night’s Dream. RenD 14 (1983), 79–102.
  • Bednarz, James P. Marston’s Subversion of Shakespeare and Jonson: Histriomastix and the War of the Theaters. MRDE 6 (1993), 103–28.
  • Beerbohm, Max. Around Theatres. 2 vols. New York, 1930.
  • Beerbohm, Max. At Her Majesty’s. The Saturday Rev. 89 (1900), 77–8. (Rpt. in More Theatres 1898–1903. New York, 1969. Pp. 230–3.)
  • Beerbohm, Max. Oxford Revisited. The Saturday Rev. 87 (1899), 203–4. (Rpt. in More Theatres 1898–1903. New York, 1969. Pp. 113–16.)
  • Beiner, G. Comedy as Heuristic Fiction: A Midsummer Night’s Dream in the Context of Shakespearean Comedy. BEALB 3 (1985), 57–110.
  • Beiner, G. Shakespeare’s Agonistic Comedy: Poetics, Analysis, Criticism. Rutherford, N.J., 1993.
  • Beisly, Sidney. Shakspere’s Garden. 1864.
  • Bell, John, compiler. Annotations by Sam. Johnson & Geo. Steevens, and Various Commentators, upon Midsummer Night’s Dream, Written by Will. Shakspere. 1787.
  • Bell, William. Shakespeare’s Puck and His Folkslore. 3 vols. 1852–64. (Rpt. New York: AMS, 1971.)
  • Bellringer, Alan W. The Act of Change in A Midsummer Night’s Dream. ES 64 (1983), 201–17.
  • Belsey, Catherine. Disrupting Sexual Difference: Meaning and Gender in the Comedies. Alternative Shakespeares. Ed. John Drakakis. 1985. Pp. 166–90.
  • Belsey, Catherine. A Midsummer Night’s Dream: A Modern Perspective. The New Folger Library Shakespeare: A Midsummer Night’s Dream. Ed. Barbara A. Mowat & Paul Werstine. New York, 1993. Pp. 181–90.
  • Belsey, Catherine. Peter Quince’s Ballad: Shakespeare, Psychoanalysis, History. Deutsche Shakespeare-Gesellschaft/Deutsche Shakespeare-Gesellschaft West Jahrbuch (1994), 65–82.
  • [Belsham, William.] Essays, Philosophical, Historical, and Literary. 1789.
  • Bennett, E.T. Note on the russet-pated Chough of Shakespeare. The Zoological Journal 5 (1832–4), 496.
  • Benson, [Constance]. Mainly Players: Bensonian Memories. 1926.
  • Bensusan, S. L. William Shakespeare: His Homes and Haunts. [1910].
  • Bentley, Gerald Eades. The Jacobean and Caroline Stage. 7 vols. OUP, 1941–68.
  • Bentley, Gerald Eades. The Profession of Player in Shakespeare’s Time, 1590–1642. Princeton, 1984.
  • Berg, Kent T. van den. Playhouse and Cosmos: Shakespearean Theater as Metaphor. Newark, Del., 1985.
  • Bergeron, David M. Plays within Plays in Shakespeare’s Early Comedies. Teaching Shakespeare. Ed. Walter Edens, Christopher Durer, Walter Eggers, Duncan Harris, & Keith Hull. Princeton, 1977. Pp. 153–73.
  • Berkowitz, Henry. A Dream of Happiness. Discourse Philadelphia (18 Jan. 1895), n. pag.
  • Berlin, Normand. The Base String: The Underworld in Elizabethan Drama. Rutherford, N.J., 1968.
  • Berry, Edward. Laughing at Others. The Cambridge Companion to Shakespearean Comedy. Ed. Alexander Leggatt. New York, 2002. Pp. 123–38.
  • Berry, Edward. Shakespeare’s Comic Rites. Cambridge, 1984.
  • Berry, Francis. The Shakespeare Inset: Word and Picture. New York, 1965.
  • Berry, Philippa. Of Chastity and Power: Elizabethan Literature and the Unmarried Queen. 1989.
  • Berry, Ralph. On Directing Shakespeare: Interviews of Contemporary Directors. New York, 1977.
  • Berry, Ralph. Shakespearean Comedy and Northrop Frye. EIC 22 (1972), 33–40.
  • Berry, Ralph. Shakespeare and Social Class. Atlantic Highlands, N.J., 1988.
  • Berry, Ralph. Shakespeare’s Comedies: Explorations in Form. Princeton, 1972.
  • Berryman, Charles. Atwood’s Narrative Quest. Journal of Narrative Technique 17 (1987), 51–6.
  • Berryman, John. All’s Well. Berryman’s Shakespeare. Ed. John Haffenden. New York, 1999. 81–99.
  • Bethell, S[amuel] L. Shakespeare and the Popular Dramatic Tradition. 1944.
  • Bethurum, Dorothy. The Immortal Word-Smith. SR 36 (1928), 62–75.
  • Bethurum, Dorothy. Shakespeare’s Comment on Mediaeval Romance in Midsummer Night’s Dream. MLN 60 (1945), 85–94.
  • Bevington, David. But We Are Spirits of Another Sort: The Dark Side of Love and Magic in A Midsummer Night’s Dream. Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies Summer 1975. Ed. Siegfried Wenzel. 7 (1978), 80–92.
  • Bevington, David. Determining the Indeterminate: The Oxford Shakespeare. SQ 38 (1987), 501–19.
  • Bevington, David. Shakespeare’s Professional Career: Poet and Playwright. His Work. Ed. John F. Andrews. New York, 1985. Vol. 2 of William Shakespeare: His World, His Work, His Influence. 3 vols. Pp. 309–29.
  • Bevington, David. Shakespeare vs. Jonson on Satire. Shakespeare 1971: Proceedings of the World Shakespeare Congress, Vancouver, August 1971. Ed. Clifford Leech & J. M. R. Margeson. Toronto, 1972. Pp. 107–22.
  • Bevington, David. Tudor Drama and Politics. Cambridge, Mass., 1968.
  • Biancotti, Angiolo. Guglielmo Shakespeare. Torino, 1957.
  • Bicks, Caroline. Midwiving Subjects in Shakespeare’s England. Aldershot, 2003.
  • Bierwirth, Gerhard. Shakespeare’s Appeal: A Midsummer-Night’s Dream and the Problem of the Great Books. JSL (Winter 1973/1974), 68–76.
  • Bijvoet, Maya C. Liebestod: The Function and Meaning of the Double Love-Death. 1988.
  • Billington, Sandra. Mock Kings in Medieval Society and Renaissance Drama. OUP, 1991.
  • Bilton, Peter. Commentary and Control in Shakespeare’s Plays. New York, 1974.
  • Birch, William J. An Inquiry into the Philosophy and Religion of Shakspere. 1848.
  • Birenbaum, Harvey. The Art of Our Necessities: Form and Consciousness in Shakespeare. New York, 1989.
  • Birkinshaw, Catharine. Past the Wit of Man: A Midsummer Night’s Dream’s Debt to Praise of Folly. ShSA 5 (1992), 43–58.
  • Bishop, T. G. Shakespeare and the Theatre of Wonder. Cambridge, 1996.
  • Biswas, Dinesh C. Shakespeare’s Treatment of His Sources in the Comedies. Calcutta, 1971.
  • Bitot, Michel. Réflexions sur la représentation du temps dans A Midsummer Night’s Dream. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 29–35.
  • Bjørnson, Bjørnstjerne. A Defense, 1865. Shakespeare in Europe. Ed. Oswald LeWinter. New York, 1963. Pp. 286–95.
  • Black, Ebenezer C., Agnes K. Black, & Jennie Y. Freeman. An Introduction to Shakespeare. Boston, 1930.
  • Black, James. The Monster in Shakespeare’s Landscape. ETh VIII. Ed. G. R. Hibbard. Port Credit, Ont., 1982. Pp. 51–68.
  • Black, Matthew. A Midsummer Night’s Dream: An Outline Guide to the Play. New York, 1965.
  • Blackstone, Mary Anna. The Eighth Fairy: Stage Music and A Midsummer Night’s Dream to 1800. Univ. of New Brunswick diss., 1977.
  • Blackstone, William (1723–80). Contributor to Malone 1780, v1785, hal, and Tomlins, Tho[ma]s Edlyne.
  • Blaise, Anne-Marie Miller. Degrés de présence et spectre du possible dans A Midsummer Night’s Dream. Lectures d’une œuvre A Midsummer Night’s Dream de William Shakespeare. Ed. Christine Sukic. Nantes, 2002. Pp. 77–95.
  • Blake, N[orman] F. A Grammar of Shakespeare’s Language. Basingstoke, 2002.
  • Blakeway, John B. (1765–1826). Contributor to v1821.
  • Blanc, Pauline. Very Tragical Mirth: The Mechanicals’ Dramaturgy in A Midsummer Night’s Dream. Lectures d’une œuvre A Midsummer Night’s Dream de William Shakespeare. Ed. Christine Sukic. Nantes, 2002. Pp. 11–25.
  • Blayney, Peter W. M. Private contributor to Richard Knowles 2020
  • Blayney, Peter W. M. The Alleged Popularity of Playbooks. SQ 56 (2005), 33–50.
  • Blayney, Peter W. M. Compositor B and the Pavier Quartos: Problems of Identification and Their Implications. 5 Library 27 (1972), 179–206.
  • Blayney, Peter W. M. Nicholas Okes and the First Quarto. Cambridge, 1982. Vol. 1 of The Texts of King Lear and their origins.
  • Blayney, Peter W. M. The Publication of Playbooks. A New History of Early English Drama. Ed. John D. Cox & David Scott Kastan. New York, 1997. Pp. 383–422.
  • Blits, Jan H. The Soul of Athens: Shakespeare’s A Midsummer Night’s Dream. Lanham, Md. 2003.
  • Bloom, Harold. Shakespeare: The Invention of the Human. New York, 1998.
  • Bloom, Harold. Introduction. William Shakespeare’s A Midsummer Night’s Dream. Ed. Harold Bloom. Modern Critical Interpretations. New York, 1987. Pp. 1–5.
  • Blount, Dale M. Modifications in Occult Folklore as a Comic Device in Shakespeare’s A Midsummer Night’s Dream. FCS 9 (1984), 1–17.
  • B[lount], T[homas]. Glossographia. 1656. (Rpt. Menston: Scolar, 1969.)
  • Bluestone, Max. An Anti-Jewish Pun in A Midsummer-Night’s Dream, [TLN 908]. N&Q 198 (1953), 325–9.
  • Blumenthal, Walter Hart. Paging Mr. Shakespeare: A Critical Challenge. New York, 1961.
  • Blythe, David-Everett. Shakespeare’s A Midsummer Night’s Dream. Expl 55 (1996–7), 8–10.
  • Blythe, Ronald. Four Villages. Essex Review 59 (1950), 212–15.
  • Boaden, James. On the Sonnets of Shakespeare. 1837.
  • Boardman, George N. Shakespeare: Five Lectures. New York, 1908.
  • Boas, Frederick S. Queen Elizabeth in Drama and Related Studies. 1950.
  • Boas, Frederick S. Shakspere and His Predecessors. 1896.
  • Boas, Frederick S. University Drama in the Tudor Age. OUP, 1914. (Rpt. New York: Benjamin Blom, 1966.)
  • Bodenstedt, Friedrich. Shakespeare’s Frauencharakters. Berlin, 1874.
  • Boehrer, Bruce. Bestial Buggery in A Midsummer Night’s Dream. The Production of English Renaissance Culture. Ed. David Lee Miller & Sharon O’Dair. Ithaca, N.Y., 1994. Pp. 123–50.
  • Boehrer, Bruce. Economies of Desire in A Midsummer Night’s Dream. ShakS 32 (2004), 99–117.
  • Boehrer, Bruce. Shakespeare Among the Animals: Nature and Society in the Drama of Early Modern England. New York, 2002.
  • Bonazza, Blaze O. Shakespeare’s Early Comedies: A Structural Analysis. 1966.
  • Bond, R. Warwick, ed. The Complete Works of John Lyly. 3 vols. 1902.
  • Bonnard, George A. Shakespeare’s Purpose in A Midsummer Night’s Dream. SJ 92 (1956), 268–79.
  • Boock, Ursala. Traum und Tag in Shakespeares A Midsummer Night’s Dream. SJW 117 (1981), 68–84.
  • Booth, Stephen. Speculations on Doubling in Shakespeare’s Plays. Shakespeare: The Theatrical Dimension. Ed. Philip C. McGuire & David A. Samuelson. New York, 1979. Pp. 103–31.
  • Borchers, Arthur. Der Charakterkontrast in den Dramen Shakespeares bis Henry IV. Halle, 1912.
  • Bord, Janet. Mazes and Labyrinths of the World. 1976.
  • Borinski, Ludwig. Shakespeare’s Comic Prose. ShS 8 (1955), 57–68.
  • Bosch, Maria del Carme. Venus, Eneas, August: Una nuova lectura de l’Eneida. Estuda Balearics 2 (1982), 101–16.
  • Bouchard, Denis. Bottom, transcription poétique de légendes antiques et courtoises, en passant par Shakespeare. Lire Rimbaud: Approches critiques. Ed. Paul Perron & Sergio Villani. Toronto, 2000. Pp. 225–38.
  • Boughner, Daniel C. The Braggart in Renaissance Comedy. Minneapolis, 1954.
  • Bourne, Henry. Antiquitates Vulgares; or, the Antiquities of the Common People. Newcastle, 1725.
  • Bowden, Henry Sebastian. The Religion of Shakespeare. 1899.
  • Bowen, Julia A. Swift Hart and Soft Heart: Elizabeth I and the Iconography of Lyly’s Gallathea and Shakespeare’s A Midsummer Night’s Dream. SPWVSRA 20 (1997), 42–58.
  • Bowers, Rick. Thomas Phaer and the London Literati. N&Q 41 (1994), 33–5.
  • Boyle, Robert, S. J. Because It Hath No Bottom: Literature and Infinity. C&L 31 (1982), 17–24.
  • Bradbrook, Muriel C. The Cause of Wit in Other Men. ShSA 1 (1987), 10–18.
  • Bradbrook, Muriel C. Elizabethan Stage Conditions. Cambridge, 1932. (Rpt. 1968.)
  • Bradbrook, Muriel C. English Dramatic Form: A History of Its Development. 1965.
  • Bradbrook, Muriel C. The Growth and Structure of Elizabethan Comedy. 1955.
  • Bradbrook, Muriel C. Shakespeare and Elizabethan Poetry. 1951.
  • Bradbrook, Muriel C. Shakespeare the Craftsman. 1969.
  • Bradbrook, Muriel C. Shakespeare: The Poet in his World. New York, 1978.
  • Bradby, Godfrey Fox. About Shakespeare and His Plays. 1926.
  • Bradley, A. C. Oxford Lectures on Poetry. 1909.
  • Bradley, A. C. Shakespearean Tragedy. 1904. (2nd ed. 1905, rpt. 1951.)
  • Bradley, Henry. Shakespeare’s English. Shakespeare’s England: An Account of the Life & Manners of His Age. Vol. 2 OUP, 1916. 2 vols. Pp. 539–74.
  • Bradshaw, Graham. Shakespeare’s Skepticism. New York, 1987.
  • Brae, Andrew E. (d. 1881). Conjector in cam1.
  • Brand, John. Observations on the Popular Antiquities of Great Britain. 1848–9. (Rpt. New York: AMS, 1970.)
  • Brandes, George. William Shakespeare: A Critical Study. Tr. William Archer et al. 2 vols. 1898. (Ger. ed. 1896.)
  • Brandl, Alois. Shakespeare Leben—Umwelt—Kunst. Wittenberg Bez. Halle, [1929].
  • Brennecke, Ernest. Shakespeare in Germany, 1590–1700. Chicago, 1964.
  • Brereton, Austin. A Midsummer-Night’s Dream. The Theatre n.s. 2 (1880), 110–13.
  • Brewer, D. S. Shakespearean Comedy: Structure and Character-Types. Estudios Sobre los Generos Literarios 1 (1975), 119–129.
  • Bridges-Adams, William. The Irresistible Theatre. Cleveland, 1957.
  • Briggs, Katharine M. The Anatomy of Puck. 1959.
  • Briggs, Katharine M. The Fairies in Tradition and Literature. 1967.
  • Brink, Bernhard ten. Five Lectures on Shakespeare. Tr. Julia Franklin. New York, 1895.
  • Brink, Bernhard ten. A Midsummer Night’s Dream. New Shakspeare Society's Transactions 1877–79. (Rpt. Vaduz: Kraus Rpt. Ltd., 1965). Appendix 4, 55–6.
  • Brink, Bernhard ten. Über den Sommernachtstraum. SJ 13 (1878), 92–110.
  • Brinkmann, Karl. Erlaüterungen zu Shakespeares Ein Sommernachtstraum. 2nd ed. Hollfeld, 1964.
  • Brissenden, Alan. Shakespeare and Dance. Stratford Papers 1968–69: Shakespeare in the New World. Ed. B. A. W. Jackson. Shannon, 1972. Pp. 85–96.
  • Brissenden, Alan. Shakespeare and the Dance. Atlantic Highlands, 1981.
  • Brissenden, Alan, ed. The Oxford Shakespeare: As You Like It. OUP, 1994.
  • Bristol, Michael D. Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England. New York, 1985.
  • Brook, Peter. The Shifting Point. New York, 1987.
  • Brook, Peter. See also Croyden, Margaret.
  • Brooke, Charles F. Tucker. Shakespeare Remembers His Youth in Stratford. Essays on Shakespeare and other Elizabethans. New Haven, 1948.
  • Brooke, Charles F. Tucker. The Tudor Drama. New York, 1911.
  • Brooke, Christopher N. L. The Medieval Idea of Marriage. OUP, 1989.
  • Brooke, Stopford. English Literature. 1877.
  • Brooke, Stopford. On Ten Plays of Shakespeare. New York, 1905.
  • Brooks, Alden. Will Shakspere and the Dyer’s Hand. New York, 1943.
  • Brooks, Harold F. A Notorious Shakespearian Crux: Midsummer Night’s Dream, [TLN 2010]. N&Q 17 (1970), 125–7.
  • Brown, Arthur. The Play within a Play: An Elizabethan Dramatic Device. E&S n.s. 13 (1960), 35–58.
  • Brown, Arthur. Shakespeare’s Treatment of Comedy. Shakespeare’s World. Ed. James Sutherland & Joel Hurstfield. New York, 1964. Pp. 79–95.
  • Brown, Charles Armitage. Shakespeare’s Autobiographical Poems. 1838.
  • Brown, Ivor. How Shakespeare Spent the Day. 1963.
  • Brown, Ivor. Shakespeare. Garden City, N.Y., 1949.
  • Brown, Ivor. A Word in your Ear. 1942.
  • Brown, J. M. An Early Rival of Shakespere. The New Zealand Magazine 6 (1877), 97–133.
  • Brown, James. Bible Truths with Shakspearean Parallels. 1862.
  • Brown, James N. A Calendar, a Calendar! Look in the Almanac. N&Q 225 (1980), 162–5.
  • Brown, Jane K. Discordia Concors On the Order of A Midsummer Night’s Dream. MLQ 48 (1987), 20–41.
  • Brown, John Russell. Discovering Shakespeare: A New Guide to the Plays. New York, 1981.
  • Brown, John Russell. The Interpretation of Shakespeare’s Comedies: 1900–1953. ShS 8 (1955), 1–13.
  • Brown, John Russell. Mr. Pinter’s Shakespeare. CritQ 5 (1963), 251–65.
  • Brown, John Russell. The Presentation of Comedy: The First Ten Plays. Shakespearian Comedy. Stratford-upon-Avon Stud. 14. 1972. Pp. 9–30.
  • Brown, John Russell. Shakespeare and His Comedies. [1957].
  • Brown, John Russell. Shakespeare and the Theatrical Event. New York, 2002.
  • Brown, John Russell. Shakespeare’s Plays in Performance. Harmondsworth, 1967.
  • Brown, Sarah Annes. The Metamorphosis of Ovid: From Chaucer to Ted Hughes. New York, 1999.
  • Brownlow, Frank. Southwell and Shakespeare. KM 80: A Birthday Album for Kenneth Muir, Tuesday, 5 May, 1987. Liverpool, 1987. P. 27.
  • Brownlow, Frank. Two Shakespearean Sequences. Pittsburgh, 1977.
  • Brunetti, Giuseppe. Trasformazioni di Teseo. A Midsummer Night’s Dream: Dal testo alla scena. Ed. Mariangela Tempera. Bologna, 1991. Pp. 77–85.
  • Brunner, Karl. William Shakespeare. Tübingen, 1957.
  • Bruster, Douglas. Comedy and Control: Shakespeare and the Plautine Poeta. CompD 24 (1990–1991), 217–31. Rpt. Drama and the Classical Heritage. Ed. Clifford Davidson et al. New York, 1993. Pp. 117–31.
  • Bruster, Douglas. Female-Female Eroticism and the Early Modern Stage. RenD n.s. 24 (1993), 1–32.
  • Bruster, Douglas. Quoting Shakespeare: Form and Control in Early Modern Drama. Lincoln, Neb., 2000.
  • Bryant, Joseph A., Jr. Hippolyta’s View: Some Christian Aspects of Shakespeare’s Plays. N.p., 1961.
  • Bryant, Joseph A., Jr. The Importance of A Midsummer Night’s Dream. Ball State Teachers College Forum (1964), 3–9.
  • Bryant, Joseph A., Jr. Shakespeare and the Beauteous Part of Man. Kalamazoo, Mich., 1965.
  • Bryant, Joseph A., Jr. Shakespeare and the Uses of Comedy. Lexington, Ky., 1986.
  • Buccola, Regina M. Shakespeare’s Fairy Dance with Religio-Political Controversy in The Merry Wives of Windsor. Shakespeare and the Culture of Christianity in Early Modern England. Ed. Dennis Taylor & David N. Beauregard. New York, 2003. Pp. 159–79.
  • Bucknill, John C. The Medical Knowledge of Shakespeare. 1860. (Rpt. New York: AMS, 1971.)
  • Büchner, Alexandre. Les comédies de Shakspeare. Caen, 1865.
  • Buland, Mable. The Presentation of Time in the Elizabethan Drama. New York, 1912. (Rpt. New York: Haskell House, 1966).
  • Bulloch, John. Studies on the Text of Shakespeare: With Numerous Emendations and Appendices. 1878.
  • B[ullokar], J[ohn]. An English Expositor. 1616. (Rpt. Menston: Scolar, 1969.)
  • Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare. 8 vols. 1957–75. Vol. 1. Early Comedies, Poems, Romeo and Juliet. 1957. (2nd imp. with some amendments, 1961.) Vol. 6. Other Classical Plays. 1966.
  • Bullough, Geoffrey. Shakespeare’s Earlier Country Comedies. AJES 4 (1979), 93–107.
  • Bullough, Geoffrey. Shakespeare the Elizabethan. PBA 50 (1964), 121–41.
  • Bundy, Murray W. Shakespeare and Elizabethan Psychology. JEGP 23 (1924), 516–49.
  • Burke, Kenneth. Why A Midsummer Night’s Dream? [Lecture delivered 1972; with an editor’s note by Scott L. Newstok.] SQ 57 (2006), 293–308.
  • Burnand, Sir Francis Cowley. (1836–1917). MS notes in Folger Library copy 6 of irv.
  • Burney, Dr. Charles (1726–1814), musicologist, playwright. Contributor to v1773, mal, v1793.
  • Burns, Edward. Two of Both Kinds Makes up Four: The Human and the Mortal in A Midsummer Night’s Dream. Divers Toyes Mengled: Essays on Medieval and Renaissance Culture/Études sur la culture européenne au Moyen Age et à la Renaissance. Ed. Michel Bitot, Roberta Mullini, & Peter Happé. Tours, 1996. Pp. 299–309.
  • Burton, William Evans. Some Account of the Grand Performance at Burton’s Theatre, Chambers Street, of Shakspeare’s Beautiful Comedy of Midsummer Night’s Dream. New York, 1854.
  • Bush, Douglas. Classical Myth in Shakespeare’s Plays. Elizabethan and Jacobean Studies Presented to Frank Percy Wilson in Honour of his Seventieth Birthday. Ed. Herbert Davis & Helen Gardner. OUP, 1959. Pp. 65–85.
  • Bush, Douglas. Mythology and the Renaissance Tradition in English Poetry. Minneapolis, 1932.
  • Bush, Douglas. The Tedious Brief Scene of Pyramus and Thisbe. MLN 46 (1931), 144–7.
  • Bush, Geoffrey. Shakespeare and the Natural Condition. Cambridge, Mass., 1956.
  • C., H. C. Plautus and Shakespeare. 4 N&Q 5 (1870), 594.
  • Cady, Frank W. Shakespeare Views Old Age. Univ. California Chron. 31 (1929), 19–30.
  • Cairncross, Andrew S., ed. The Arden Shakespeare: King Henry VI Part II. 1957.
  • Cairncross, Andrew S. Compositors C and D of the Shakespeare First Folio. PBSA 65 (1971), 41–52.
  • Cairncross, Andrew S. Compositors E and F of the Shakespeare First Folio. PBSA 66 (1972), 369–406.
  • Cairncross, Andrew S. Spinner (M.N.D., [TLN 671]; Romeo, I.iv.62). N&Q n.s. 22 (1975), 166–7.
  • Calderwood, James L. A Midsummer Night’s Dream. New York, 1992.
  • Calderwood, James L. A Midsummer Night’s Dream: Anamorphism and Theseus’ Dream. SQ 42 (1991), 409–30.
  • Calderwood, James L. A Midsummer Night’s Dream: The Illusion of Drama. MLQ 26 (1965), 506–22.
  • Calderwood, James L. Shakespeare and the Denial of Death. Amherst, 1987.
  • Calderwood, James L. Shakespearean Metadrama: The Argument of the Play in Titus Andronicus, Love’s Labour’s Lost, Romeo and Juliet, A Midsummer Night’s Dream and Richard II. Minneapolis, 1971.
  • Callaghan, Dympna. Shakespeare Without Women: Representing Gender and Race on the Renaissance Stage. 2000.
  • Calthorpe, Fitzroy A. G. A Fair Vestal Throned by West. Baconiana 26 (1942), 171–2.
  • Calvert, George H. Shakespeare: A Biographic Aesthetic Study. Boston, 1879.
  • Calvert, Walter. Sir Henry Irving and Miss Ellen Terry. 1897.
  • Cambillard, [Charles]. Le songe d’une nuit d’été: Thème astrologique. EA 3 (1939), 118–26.
  • Cameron, G. M. Robert Wilson and the Plays of Shakespeare. Riverton, New Zealand, 1982.
  • Campbell, John. Shakespeare’s Legal Acquirements Considered. 1859.
  • Campbell, Josie P. Farce as Function in Medieval and Shakespearean Drama. UCrow 3 (1980), 11–18.
  • Campbell, Oscar James. Shakespeare and the New Critics. Joseph Quincy Adams Memorial Studies. Ed. James G. McManaway, Giles E. Dawson, & Edwin E. Willoughby. Washington, D. C., 1948. Pp. 81–96.
  • Campbell, Paul Newell. Form and the Art of Theatre. Bowling Green, Ohio, 1984.
  • Campbell, Thomas. Notice sur Le songe d’une nuit d’été. Oeuvres choisies de Shakspeare. Tr. F. Michel. 3 vols. Paris, 1846?.
  • Campbell, Thomas. Remarks on the Life and Writings of William Shakespeare. Lives of British Dramatists. Ed. Thomas Campbell, William Gifford, et al. Philadelphia, 1846. Vol. 1. Pp. 17–100.
  • Canning, Albert S. G. Shakespeare Studied in Eight Plays. 1903.
  • Capell, Edward. Notes and Various Readings to Shakespeare. 3 vols. 1783. (Vol. 1, pt. 1 issued separately 1774. Rpt. 3 vols. New York: Burt Franklin, 1970.)
  • Carlsen, Hanne. What Fools These Mortals Be! Ovid in A Midsummer Night’s Dream. A Literary Miscellany Presented to Eric Jacobsen. Ed. Graham D. Caie & Holger Norgaard. Copenhagen, 1988.
  • Carroll, D. Allen. Two Notes on Demetrius and Lysander. CahiersE 64 (2003), 53–5.
  • Carroll, William C. The Metamorphoses of Shakespearean Comedy. Princeton, 1985.
  • Carson, Neil. Shakespeare and the Dramatic Image. Mirror up to Shakespeare: Essays in Honour of G. R. Hibbard. Ed. J. C. Gray. Toronto, 1984. Pp. 34–43.
  • Carter, Sarah. From the Ridiculous to the Sublime: Ovidian and Neoplatonic Registers in A Midsummer Night’s Dream. EMLS 12 (2006), 2:1–31.
  • Cartwright, Robert. The Footsteps of Shakspere. 1862.
  • Cartwright, Robert. New Readings in Shakspere; or, Proposed Emendations of the Text. 1866.
  • Cartwright, Robert. Shakspere and Jonson: Dramatic, Versus Wit-Combats. 1864.
  • Casey, Janet Galligani. Hounds and Echo in Conjunction: Musical Structure in A Midsummer Night’s Dream. StHum 21 (1994), 31–44.
  • Caulfield, John. A Collection of the Vocal Music in Shakespeare’s Plays. 2 vols. [1864?].
  • Cawdrey, Robert. A Table Alphabeticall. 1604. (Rpt. Amsterdam: Theatrum Orbis Terrarum; New York: Da Capo Press, 1970.)
  • Cazamian, Louis. The Development of English Humor. Durham, NC, 1952. (1st ed. 1930.)
  • Cazamian, Louis. L’Humour de Shakespeare. Paris, [1945].
  • Cecil, David. The Fine Art of Reading and Other Literary Studies. New York, 1957.
  • Cercignani, Fausto. Shakespeare’s Works and Elizabethan Pronunciation. OUP, 1981.
  • Chalmers, George. A Supplemental Apology for the Believers in the Shakspeare-Papers. 1799. (Rpt. Frank Cass & Co. 1971.)
  • Chambers, E[dmund] K. The Court. Shakespeare’s England: An Account of the Life & Manners of His Age. OUP, 1916. Vol. 1. Pp. 79–111.
  • Chambers, E[dmund] K. The Disintegration of Shakespeare. The British Academy Annual Lecture. 1924.
  • Chambers, E[dmund] K. The Elizabethan Stage. 4 vols. OUP, 1923. (Rpt. with corrections 1945, 1951, 1961, & 1974.)
  • Chambers, E[dmund] K. The Occasion of A Midsummer Night’s Dream. A Book of Homage to Shakespeare. Ed. Israel Gollancz. OUP, 1916. Pp. 154–60. (Rpt. Shakespearean Gleanings. OUP, 1944.)
  • Chambers, E[dmund] K. Rev. of cam3. MLR 20 (1925), 340–5.
  • Chambers, E[dmund] K. Shakespeare: A Survey. 1925.
  • Chambers, E[dmund] K. William Shakespeare: A Study of Facts and Problems. 2 vols. OUP, 1930.
  • Chambrun, Clara Longworth de. Shakespeare, Actor-Poet. New York, 1927.
  • Chambrun, Clara Longworth de. Shakespeare retrouvé: Sa vie. Son oeuvre. Paris, 1947. (Rev. & tr. by the author as Shakespeare: A Portrait Restored. 1957.)
  • Champion, Larry S. Evolution of Shakespeare’s Comedy: A Study in Dramatic Perspective. Cambridge, Mass., 1970.
  • Champion, Larry S. A Midsummer Night’s Dream: The Problem of Source. Papers on Language and Literature 4 (1968), 13–19.
  • Chaplyn. Otherwise unidentified contributor to cam2.
  • Chappell, W[illiam]. The Ballad Literature and Popular Music of the Olden Time. 2 vols. 1859. (First pub. 17 parts, 1855–9. Rpt., introd. F. W. Sternfeld, New York: Dover, 1965.)
  • Charlton, H. B. A Midsummer Night’s Dream. BJRL 17 (1933), 46–66.
  • Charlton, H. B. Romanticism in Shakespearian Comedy. BJRL 14 (1930), 340–60.
  • Charlton, H. B. Shakespearian Comedy. 1938.
  • Charney, Maurice. All of Shakespeare. New York, 1993.
  • Charney, Maurice. Shakespeare on Love and Lust. New York, 2000.
  • Chasles, Philarète. Études sur W. Shakspeare, Marie Stuart, et l’Arétin. Paris, [1851].
  • Chaudhuri, Sukanta. Men, Monsters and Fairies: From A Midsummer Night’s Dream to The Tempest. Yearly Review (Dept. of English, Delhi) 4 (1990), 26–42.
  • Chaudhuri, Sukanta. Renaissance Pastoral and Its English Developments. OUP, 1989.
  • Cheatham, George. Imagination, Madness, and Magic: The Taming of the Shrew as Romantic Comedy. Iowa State Journal of Research 59 (Feb. 1985), 221–32.
  • Chedworth, John. Notes upon Some of the Obscure Passages in Shakespeare’s Plays. 1805.
  • Cheney, David R. Animals in A Midsummer Night’s Dream. DA 15 (1955), 2188.
  • Cheney, Donald. The Circular Argument of The Shepheardes Calender. Unfolded Tales: Essays on Renaissance Romance. Ed. George M. Logan & Gordon Teskey. Ithaca, N.Y., 1989. Pp. 137–61.
  • Chesterton, George K. A Midsummer Night’s Dream. Good Words 45 (1904), 621–26.
  • Chesterton, George K. On Stage Costume. The Uses of Diversity. 1920. Pp. 132–7. (Rpt. Chesterton on Shakespeare. Ed. Dorothy Collins. N.p., 1971. Pp. 121–5.)
  • Chetwood, William Rufus. The British Theatre. 1750.
  • Chiang, Hsiao-chen. Animal References in A Midsummer Night’s Dream. Studies in Language and Literature (National Taiwan Univ.) 7 (1996), 155–78.
  • Choe, Jaisou. Shakespeare’s Art as Order of Life. New York, 1965.
  • Christopher, Joe R. The Central Symbol and Theme of A Midsummer Night’s Dream. Journal of Myth, Fantasy and Romanticism 4.1–2 (1996), 10–14.
  • Chute, Marchette. An Introduction to Shakespeare. New York, 1951.
  • Cibber, [Theophilus]. Dissertations on Theatrical Subjects. 1756.
  • Clapp, Henry A. Time in Shakespeare’s Comedies. The Atlantic Monthly 55 (1885), 386–403, 543–61.
  • Clark, Cumberland. Shakespeare and the Supernatural. 1931. (Rpt. N.p.: Folcroft Library Editions, 1972.)
  • Clark, Eva Turner. The Man Who Was Shakespeare. New York, 1937.
  • Clark, Eva Turner. Shakespeare’s Plays in the Order of Their Writing. 1930.
  • Clarke, Bruce. Allegories of Writing: The Subject of Metamorphosis. Albany, 1995.
  • Clarke, Charles Cowden. Shakespeare-Characters: Chiefly Those Subordinate. 1863.
  • Clarke, Charles Cowden, & Mary Cowden Clarke. The Shakespeare Key. 1879. (Rpt. New York: Ungar, n.d.)
  • Clarke, James F. Address. Tercentenary Celebration of the Birth of Shakspeare. Boston, 1864. Pp. 11–52.
  • Clarke, Mary Cowden. Shakespeare’s Self as Revealed in His Writings. Shakespeariana 3 (1886), 145–57.
  • Clary, Frank Nicholas. Imagine No Worse of Them: Hippolyta on the Ritual Threshold in Shakespeare’s A Midsummer Night’s Dream. Ceremony and Text in the Renaissance. Ed. Douglas F. Rutledge. Newark, Del., 1996. Pp. 155–66.
  • Clayton, F. W. The Hole in the Wall: A New Look at Shakespeare’s Latin Base for A Midsummer Night’s Dream. Exeter, 1979.
  • Clayton, Tom. Fie What a Question’s That If Thou Wert Near a Lewd Interpreter: The Wall Scene in A Midsummer Night’s Dream. ShakS 7 (1974), 101–13.
  • Clayton, Tom. Shakespeare at the Guthrie: A Midsummer Night’s Dream. SQ 36 (1986), 229–37.
  • Clayton, Tom. So Quick Bright Things Come to Confusion: Or, What Else Was A Midsummer Night’s Dream About? Shakespeare: Text and Theater. Essays in Honor of Jay L. Halio. Ed. Lois Potter & Arthur Kinney. Newark, Del., 1999. Pp. 62–91.
  • Clemen, Wolfgang H. English Tragedy before Shakespeare. 1955.
  • Clemen, Wolfgang H. Shakespeare’s Dramatic Art. 1972.
  • Clubb, Louise George. Italian Drama in Shakespeare’s Time. New Haven, 1989.
  • Clubb, Louise George. Italian Stories on the Stage. The Cambridge Companion to Shakespearean Comedy. Ed. Alexander Leggatt. New York, 2002. Pp. 32–46.
  • Clubb, Louise George. The Making of the Pastoral Play: Some Italian Experiments between 1573 and 1590. Petrarch to Pirandello. Ed. J. Molinaro. Toronto, 1973. Pp. 45–72.
  • Clubb, Louise George. Shakespeare’s Comedy and Late Cinquecento Mixed Genres. Shakespearean Comedy. Ed. Maurice Charney. New York, 1980. Pp. 129–39.
  • Cody, Richard. The Landscape of the Mind. OUP, 1969.
  • Cody, Richard. The Pastoral Element in Shakespeare’s Early Comedies. Univ. of Minnesota diss., 1961.
  • Coghill, Nevill. The Basis of Shakespearian Comedy. E&S n.s. 3 (1950), 1–28.
  • Coghill, Nevill. Shakespeare’s Professional Skills. Cambridge, 1964.
  • Coghill, Nevill. Shakespeare’s Reading in Chaucer. Elizabethan and Jacobean Studies Presented to Frank Percy Wilson. Ed. Herbert Davis & Helen Gardner. OUP. 1959. Pp. 86–99.
  • Coghill, Nevill. Wags, Clowns and Jesters. More Talking of Shakespeare. Ed. John Garrett. 1959. Pp. 1–16.
  • Cohen, M. Dian’s Bud in A Midsummer Night’s Dream, [TLN 1588]. N&Q n.s. 30 (1983), 118–20.
  • Cohen, Ralph Alan. The Strategy of Misdirection in A Midsummer Night’s Dream and Bartholomew Fair. RenP (1982), 65–75.
  • Cohen, Robert. Quince’s Moon—Disfiguring Reality in A Midsummer Night’s Dream. OSSt 12 (1989), 53–60.
  • Cohn, Ruby. Beckett’s Theater Resonance. Samuel Beckett: Humanistic Perspectives. Ed. Morris Beja, S. E. Gontarski, & Pierre Astier. [Columbus, Ohio], 1983. Pp. 3–15.
  • Cole, Howard C. A Quest of Inquirie: Some Contexts of Tudor Literature. Indianapolis, 1973.
  • Coleman, Hamilton. Shakespeare and the Bible. New York, 1955.
  • Coleman, John. Players and Playwrights I Have Known: A Review of the English Stage from 1840 to 1880. 2 vols. Philadelphia, 1890.
  • Coleridge, Hartley. Lives of Massinger and Ford. Lives of British Dramatists. Ed. Thomas Campbell, William Gifford, et al. Vol. 2. Philadelphia, 1846. 2 vols. Pp. 293–345.
  • Coleridge, Samuel Taylor. Contributor to Walker, Willam S. (1860).
  • Coleridge, Samuel Taylor. Lectures. Shakespearean Criticism. Ed. Thomas Middleton Raysor. 2 vols. Rev. ed. London & New York, 1960. (Delivered in 1817. 1st ed. 1930.)
  • Coleridge, Samuel Taylor. Marginal note. C. 1813. Coleridge’s Criticism of Shakespeare. Ed. R. A. Foakes. Detroit, 1989.
  • Colley, John Scott. Bartholomew Fair: Ben Jonson’s A Midsummer Night’s Dream. CompD 11 (1977), 63–72.
  • Collier, J. Payne. Notes and Emendations to the Text of Shakespeare’s Plays, from Early Manuscript Corrections in a Copy of the Folio, 1632. 2nd ed., Rev. & enl. 1853. (1st ed. 1852. Rpt. New York, 1853; New York: Burt Franklin, 1970.)
  • Collins, David G. Beyond Reason in A Midsummer Night’s Dream: Stratford, 1981. Iowa State Journal of Research 57 (1982), 131–42.
  • Collins, John Churton. Studies in Shakespeare. 1904. (Rpt. New York: AMS, 1973.)
  • Colman, E[rnest] A. M. The Dramatic Use of Bawdy in Shakespeare. 1974.
  • Colman, George, ed. The Comedies of Terence. 1765, 2nd ed. 2 vols. 1768.
  • Colonna, Francesco. Hypnerotomachia Poliphili (1499). Ed. Giovanni Pozzi & Lucia A. Ciapponi. 2 vols. Padova, 1980. (1st ed. 1968.)
  • Colonna, Francesco. Hypnerotomachia Poliphili: The Strife of Love in a Dream. Tr. Joscelyn Godwin. New York, 1999.
  • Colonna, Francesco. Hypnerotomachia: The Strife of Loue in a Dreame. 1592.
  • Colthorpe, Marion. Queen Elizabeth I and A Midsummer Night’s Dream. N&Q 34 (1987), 205–7.
  • The Companion to the Play-house. 2 vols. 1764.
  • Comtois, M. E. The Comedy of the Lovers in A Midsummer Night’s Dream. Essays in Literature 12 (1985), 15–25.
  • Comtois, M. E. The Hardiness of A Midsummer Night’s Dream. ETJ 32 (1980), 305–11.
  • Comtois, M. E. The Making of Farce out of Fancy at the Center of A Midsummer Night’s Dream. On Stage Studies: The Annual Publication of the Colorado Shakespeare Festival 5 (1981), 44–55.
  • Conlan, J. P. The Fey Beauty of A Midsummer Night’s Dream: A Shakespearean Comedy in Its Courtly Context. ShakS 32 (2004), 118–72.
  • Conn, Naomi. The Promise of Arcadia: Nature and the Natural Man in Shakespeare’s Comedies. Shakespeare Encomium. Ed. Anne Paolucci. New York, 1964. Pp. 113–22.
  • Constantin-Weyer, Maurice. Shakespeare. Paris, 1929.
  • Cook, Albert. Shakespeare’s Enactment: The Dynamics of Renaissance Theatre. Chicago, 1976.
  • Cook, Albert S. The Hunting Passage in Midsummer Night’s Dream. The Nation 78 (1904), 494–5.
  • Cook, Albert S. Shakspere as a Translator of Ariosto. The Academy 917 (1889), 356–7.
  • Cook, Dutton. Nights at the Play: A View of the English Stage. 1883.
  • Cook, Elizabeth. Seeing Through Words: The Scope of Late Renaissance Poetry. New Haven, 1986.
  • Cooper, Helen. Jacobean Chaucer: The Two Noble Kinsmen and Other Chaucerian Plays. Refiguring Chaucer in the Renaissance. Ed. Theresa M. Krier. Gainesville, FL, 1998. Pp. 189–209.
  • Cooper, Helen. Shakespeare and the Middle Ages. Cambridge, 2006.
  • Cooper, Thomas. Dictionarivm historicum & poeticum propria locorum & personarum vocabula breuiter complectens. Appended to Thesavrvs Lingvae Romanæ & Britannicæ. 1565. (Rpt. Menston: Scolar, 1969.)
  • Cope, Jackson I. The Theater and the Dream: From Metaphor to Form in Renaissance Drama. Baltimore, 1973.
  • Corbould, E[lvina] M., & Louise Rossi. Side-Lights on Shakspere. 1897.
  • Corson, Hiram. An Introduction to the Study of Shakespeare. Boston, 1889.
  • Cotgrave, Randle. A Dictionarie of the French and English Tongues. 1611. (Rpt. Menston: Scolar, 1968.)
  • Coullie, Judith Lütge. Jack Shall Have Jill: The Ideology of Love in A Midsummer Night’s Dream. ShSA 5 (1992), 59–68.
  • Coursen, H. R. Shakespearean Comedy and the Moral Limits of Art. C&L 26.4 (1977), 4–12.
  • Coursen, H. R. Shakespearean Performance as Interpretation. Newark, Del., 1992.
  • Courthope, W[illiam] J. A History of English Poetry. 4: Development and Decline of the Poetic Drama: Influence of the Court and the People. 1903.
  • Cowling, George H. A Preface to Shakespeare. 1925.
  • Cowling, George H. Shakespearean Comedy. Shelley and Other Essays. Melbourne, 1936. Pp. 109–30.
  • Cox, John D. Homely Matter and Multiple Plots in Peele’s Old Wives Tale. TSLL 20 (1978), 330–46.
  • Cox, Richard H. Shakespeare: Poetic Understanding and Comic Action (A Weaver’s Dream). The Artist and Political Vision. Ed. Benjamin R. Barber & Michael J. Gargas McGrath. New Brunswick, N.J., 1982. Pp. 165–92.
  • Cox, Roger L. Shakespeare’s Comic Changes: The Time-Lapse Metaphor as Plot Device. Athens, GA, 1991.
  • Crabb Robinson, Henry. The London Theatre, 1811–1866: Selections from the Diary of Henry Crabb Robinson. Ed. Eluned Brown. 1966.
  • Craig, D. H. The Idea of the Play in A Midsummer Night’s Dream and Bartholomew Fair. Jonson and Shakespeare. Ed. Ian Donaldson. Atlantic Highlands, N.J., 1983. Pp. 89–100.
  • Craig, Hardin. An Interpretation of Shakespeare. New York, 1948.
  • Craig, Hardin. A New Look at Shakespeare’s Quartos. Stanford, 1961.
  • Craig, Hardin. Shakespeare’s Revisions. Baltimore, 1931.
  • Craig, W[illiam] J. Contributor to ard1.
  • Craik, T[homas] W. The Tudor Interlude. Leicester, 1958.
  • Crane, Milton. Shakespeare’s Prose. Chicago, 1951.
  • Crane, Thomas F. Italian Social Customs of the Sixteenth Century and Their Influence on the Literatures of Europe. Cornell Stud. in Eng. 5. New Haven, 1920. (Rpt. New York: Russell & Russell, 1971.)
  • Creaser, John. Forms of Confusion. The Cambridge Companion to Shakespearean Comedy. Ed. Alexander Leggatt. Cambridge, 2002. Pp. 81–101.
  • Crehan, Joseph Hugh, S. J. Shakespeare and the Sarum Ritual. The Month 32 (1964), 47–50.
  • Creighton, Charles. Shakespeare’s Story of His Life. 1904.
  • Cressy, David. Travesties and Transgressions in Tudor and Stuart England: Tales of Discord and Dissension. OUP, 2000.
  • Crewe, Jonathan. Hidden Designs: The Critical Profession and Renaissance Literature. 1986.
  • Croce, Benedetto. Ariosto, Shakespeare and Corneille. Tr. Douglas Ainslie. [1920].
  • Croce, Benedetto. Shakespeare. Bari, 1948. (1st ed. 1925.)
  • Crook, Richard F. Shakespeare: Midsummer Night’s Dream, [TLN 1304]. 11 N&Q 9 (1914), 106–7.
  • Crosby, Ernest. Shakespeare’s Attitude toward the Working Classes. Tolstoy on Shakespeare. New York, 1906. Pp. 127–65. (First pub. 1900? Also pub. separately Syracuse, N.Y., [1903].)
  • Crosman, Robert. What is the Dream in A Midsummer Night’s Dream? Connotations 7 (1997/98), 1–17.
  • Crossley, Robert. Education and Fantasy. CE 37 (1975), 281–93.
  • Crouch, J. H. Colorado Shakespeare Festival, 1974. SQ 25 (1974), 422–4.
  • Croyden, Margaret. A Hidden Dream of Sex and Love. The New York Times, 17 Jan. 1971, sec. 2: 1+.
  • Croyden, Margaret. Conversations with Peter Brook, 1970–2000. New York, 2003.
  • Crump, Geoffrey H. A Guide to the Study of Shakespeare’s Plays. 1925.
  • Cunliffe, John W. (1865–1946). Contributor to B[rooke], ed. 1914.
  • Cunliffe, John W. Gascoigne and Shakspere. MLR 4 (1909), 231–3.
  • Cunliffe, John W. The Masque in Shakspere’s Plays. Archiv 125 (1910), 71–82.
  • Cuningham, Henry. Hot Ice and Wondrous Strange Snow. TLS (24 June 1920), 402.
  • Cunningham, Peter, ed. Extracts from the Accounts of the Revels at Court, in the Reigns of Queen Elizabeth and King James I. Sh. Soc. Pubs. 7. 1842.
  • Curry, John V. Deception in Elizabethan Comedy. Chicago, 1955.
  • Cutts, John P. The Fierce Vexation of a [Midsummer Night’s] Dreame. SQ 14 (1963), 183–5.
  • Cutts, John P. The Shattered Glass: A Dramatic Pattern in Shakespeare’s Early Plays. Detroit, 1968.

D-F

  • D., J. Shakspeariana. 6 N&Q 2 (1880), 304–5.
  • Daiches, David. A Critical History of English Literature. 2 vols. 1960.
  • Danford, William Kelly. Selection and Scoring of Music for All Musical Cues in the Comedies of Shakespeare. Ohio State Univ. diss., 1962.
  • Danford, William Kelly. Shakespeare’s Songbook. Azica, 2004. CD.
  • Daniel, P[eter] A. Notes and Conjectural Emendations of Certain Doubtful Passages in Shakespeare’s Plays. 1870.
  • Daniel, P[eter] A. Scraps. New Shakspere Society’s Transactions 1887–92. (Rpt. Vaduz: Kraus Rpt. Ltd., 1965.) P. 246.
  • Daniel, P[eter] A. Time-Analysis of the Plots of Shakspere’s Plays. New Shakspere Society’s Transactions 1877–79. (Rpt. Vaduz: Kraus Rpt. Ltd.) Pp. 117–346.
  • Daniell, David. Shakespeare and the Traditions of Comedy. The Cambridge Companion to Shakespeare Studies. Ed. Stanley Wells. Cambridge, 1986. Pp. 101–21.
  • Darmesteter, James. Shakespeare. Paris, 1889.
  • Dash, Irene. Women’s Worlds in Shakespeare’s Plays. Newark, Del., 1997.
  • D[avenport], A[rnold]. Weever, Ovid, and Shakespeare. N&Q 194 (1949), 524–5.
  • David, Richard. The Comedies. The Living Shakespeare. Ed. Robert Gittings. 1960. Pp. 84–99.
  • David, Richard. The Janus of Poets. Cambridge, 1935.
  • David, Richard. Plays Pleasant and Unpleasant. ShS 8 (1955), 132–8.
  • David, Richard, ed. The Arden Shakespeare. Love’s Labour’s Lost. 1951.
  • Davidson, Clifford. What Hempen Home-Spuns Have We Swagg’ring Here? Amateur Actors in A Midsummer Night’s Dream and the Coventry Civic Plays and Pageants. ShakS 19 (1987), 87–99.
  • Davies, H. Neville. Making the Devil an Ass: Ben Jonson and the Metamorphosis of Shakespeare. Contexts of Renaissance Comedy. Ed. Janet Clare & Roy T. Eriksen. Oslo, 1997. Pp. 153–84.
  • Davies, Robertson. Changing Fashions in Shakespearean Production. Stratford Papers on Shakespeare. Ed. B. W. Jackson. Toronto, 1963. Pp. 66–116.
  • Davies, Robertson. A Midsummer Night’s Dream. The Stratford Scene 1958–1968. Ed. Peter Raby. Toronto, 1968. Pp. 180–2.
  • Davies, Robertson. Shakespeare’s Boy Actors. 1939.
  • Davies, Stevie. The Feminine Reclaimed: The Idea of Woman in Spenser, Shakespeare, and Milton. Lexington, Ky., 1986.
  • Davis, Lloyd. Rhetoric and Comic Personation in Shakespeare’s Comedies. A Companion to Shakespeare’s Works. Vol. 3: The Comedies. Ed. Richard Dutton & Jean Howard. Oxford, 2003. Pp. 200–22.
  • Davis, Philip. Sudden Shakespeare: The Shaping of Shakespeare’s Creative Thought. New York, 1996.
  • Dawson, Anthony. Indirections: Shakespeare and the Art of Illusion. Toronto, 1978.
  • Dawson, Anthony. Much Ado About Signifying. SEL 22 (1982), 211–21.
  • Dawson, Anthony. Watching Shakespeare: A Playgoers’ Guide. New York, 1988.
  • Dawson, George. Shakespeare and Other Lectures. Ed. George St. Clair. 1888.
  • Dawson, Giles. A Gentleman’s Purse. YR 30 (1950), 631–46.
  • Day, Martin S. History of English Literature to 1660. Garden City, N.Y., 1963.
  • Dean, Basil. Seven Ages: An Autobiography 1888–1927. 1970.
  • de Armas, Frederick A. The Apocalyptic Vision of La vida es sueno: Calderon and Edward Fitz-Gerald. CLS 23 (Summer 1986), 119–40.
  • Debax, Jean-Paul. Libertés et Contraintes Structurales dans A Midsummer Night’s Dream. Cycnos 5 (1989), 27–38.
  • Defaye, Claudine. Détours et bouffonneries dans trois comédies romanesques de Shakespeare. Le Détours. Ed Liliane Louvel. (La Licorne 54.) Poitiers, [2000]. Pp. 139–51.
  • de la Mare, Walter. Introduction. A Midsummer Night’s Dream. Scholar’s Library. Ed. C[yril] Aldred. 1935.
  • de la Mare, Walter. Pleasures and Speculations. 1940.
  • Delattre, Floris. English Fairy Poetry from the Origins to the Seventeenth Century. 1912.
  • Delgado, Ana Maria. Ficça­o e realidade nas late comedies de Shakespeare. Biblos (Coimbra) 58 (1982), 367–75.
  • Demaray, John G. All … Trouble, Wonder, and Amazement: Shakespeare’s The Tempest and the New Courtly Hieroglyphics. Shakespeare’s Universe: Renaissance Ideas and Conventions. Essays in honour of W. R. Elton. Ed. John M. Mucciolo. Brookfield, Vt., 1996. Pp. 135–43.
  • Demetz, Peter. The Elm and the Vine: Notes toward the History of a Marriage Topos. PMLA 73 (1958), 521–32.
  • Dent, Alan. World of Shakespeare: Animals and Monsters. Reading, 1972.
  • Dent, Alan. World of Shakespeare: Plants. Reading, 1971.
  • Dent, Edward J. Shakespeare and Music. A Companion to Shakespeare Studies. Ed. Harley Granville-Barker & G. B. Harrison. New York, 1934. Pp. 137–61.
  • Dent, R[obert] W. Imagination in A Midsummer Night’s Dream. SQ 15 (1964), 115–29.
  • Dent, R[obert] W. Shakespeare’s Proverbial Language: An Index. Berkeley & London, 1981.
  • De Ornellas, Kevin. Fearful Wild Fowl: Misrepresenting Nature in Filmed Midsummer Night’s Dreams. Shakespeare on Screen: A Midsummer Night’s Dream. Ed. Sarah Hatchuel & Nathalie Vienne-Guerrin. Rouen, 2004. Pp. 129–49.
  • Desai, Chintamani N. Shakespearean Comedy. Agra, 1952.
  • Desai, R. W. England, the Indian Boy, and the Spice Trade in A Midsummer Night’s Dream. ShN 48 (1998), 3–4, 26, 39–40, 42.
  • de Selincourt, [Ernest]. Shakespeare and Realism. From the Stratford-upon-Avon Herald, 24 Mar. 1911. Summary of Papers Read before the Shakespeare Club. Session 1910–11.
  • Desmet, Christy. Disfiguring Women with Masculine Tropes: A Rhetorical Reading of A Midsummer Night’s Dream. A Midsummer Night’s Dream: Critical Essays. Ed. Dorothea Kehler. New York, 1998. Pp. 299–329.
  • Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge, 1984. (Rpt. 1988.)
  • Dessen, Alan C, & Leslie Thomson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge, 1999.
  • Devlin, Diana. Sweet Bully Bottom: An Assessment of Bottom’s Role in A Midsummer Night’s Dream. A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Longman Critical Essays. 1991. Pp. 85–95.
  • Dey, E. Merton. A Midsummer Night’s Dream, [213–20]. 9 N&Q 4 (1899), 454.
  • Dey, E.Merton. A Midsummer Night’s Dream, [406–7, 444–47, 1047, 1605]. 9 N&Q 8 (1901), 480–1.
  • Díaz García, Jesús. El sueño del gobernante (Estudio de las relaciones familiares en A Midsummer Night’s Dream, de Shakespeare). CHA 397 (1983), 51–80.
  • Dibdin, Charles. A Complete History of the English Stage. 5 vols. [1797–1800]. (Rpt. Garland Publishing, 1970.)
  • DiGangi, Mario. The Social Relations of Shakespeare’s Comic Households. The Comedies. Ed. Richard Dutton & Jean E. Howard. Malden, Mass., 2003. Vol. 3 of A Companion to Shakespeare’s Works. 4 vols. Pp. 90–113.
  • Dillingham, William B. Bottom: The Third Ingredient. EUQ 12 (1956), 230–7.
  • Dillon, Janette. Elizabethan Comedy. The Cambridge Companion to Shakespearean Comedy. Ed. Alexander Leggatt. Cambridge, 2002. Pp. 47–63.
  • Dobbs, Leonard. Shakespeare Revealed. [1948].
  • Dobson, E[ric] J. English Pronunciation 1500–1700. 2nd ed. 2 vols. OUP, 1968. (1st ed. 1957.)
  • Dobson, Michael. Shakespeare and Amateur Performance: A Cultural History. Cambridge, 2011.
  • Dobson, Michael. Shakespeare as a Joke: The English Comic Tradition, A Midsummer Night’s Dream and Amateur Performance. ShS 56 (2003), 117–25.
  • Dobson, Michael. Shakespeare Performances in England, 2002. ShS 56 (2003), 256–86.
  • Dobson, Michael. Shakespeare Performances in England, 2003. ShS 57 (2004), 258–89.
  • Dobson, Michael. Shakespeare Performances in England, 2005. ShS 59 (2006), 298–337.
  • Dodoens, Rembert. A Niewe Herball … Translated out of French into English by H. Lyte. 1578.
  • Donaldson, E. Talbot. The Swan at the Well: Shakespeare Reading Chaucer. New Haven, 1985.
  • Doob, Penelope Reed. The Idea of the Labyrinth from Classical Antiquity through the Middle Ages. Ithaca, N.Y., 1990.
  • Doran, Madeleine. Endeavors of Art: A Study of Form in Elizabethan Drama. Madison, 1954.
  • Doran, Madeleine. A Midsummer Night’s Dream: A Metamorphosis. The Rice Institute Pamphlet 46 (1960), 113–35.
  • Doran, Madeleine. Shakespeare as an Experimental Dramatist: The Word Is Boldly. Shakespeare Celebrated. Ed. Louis B. Wright. Ithaca, N.Y., 1966. Pp. 61–88.
  • Doran, Madeleine. Shakespeare’s Dramatic Language: Essays. Madison, 1976.
  • Doran, Madeleine. Titania’s Wood. Rice Univ. Stud. 60 (1974), 55–70.
  • Doran, Madeleine. Yet Am I Inland Bred. Shakespeare 400. Ed. James G. McManaway. New York, 1964. Pp. 99–114.
  • Douce, Francis (1757–1834). Contributor to v1793.
  • Douce, Francis. Illustrations of Shakespeare, and of Ancient Manners. 2 vols. 1807.
  • Dowden, Edward (1843–1913). Contributor to irv and C[raig] (ed. 1911).
  • Dowden, Edward. Introduction to Shakespeare. Rev. ed. 1893.
  • Dowden, Edward. Shakspere. Literature Primers. New York, 1877.
  • Dowden, Edward. Shakspere: A Critical Study of His Mind and Art. 1875. (Frequently rpt.)
  • Drake, Nathan, ed. Memorials of Shakspeare; or, Sketches of His Character and Genius. 1828.
  • Drake, Nathan. Shakspeare and His Times. 2 vols. 1817.
  • Draper, John W. Court vs. Country in Shakespeare’s Plays. JEGP 33 (1934), 222–32.
  • Draper, John W. The Date of A Midsommer Nights Dreame. MLN 53 (1938), 266–8. Rpt. 1961.
  • Draper, John W. The Queen Makes a Match and Shakespeare a Comedy. YES 2 (1972), 61–7.
  • Draper, John W. Stratford to Dogberry: Studies in Shakespeare’s Earlier Plays. [Pittsburgh], 1961.
  • Draper, Ronald. Appearance and Reality in A Midsummer Night’s Dream. A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Longman Critical Essays. 1991. Pp. 30–40.
  • Draper, Ronald. York Notes on A Midsummer Night’s Dream. Harlow, Essex, 1980.
  • Dreher, Diane Elizabeth. Domination and Defiance: Fathers and Daughters in Shakespeare. Lexington, Ky., 1986.
  • Driscoll, James P. Identity in Shakespearean Drama. Lewisburg, Pa., 1983.
  • Dryden, John. The Authors Apology for Heroique Poetry; and Poetique Licence. The State of Innocence and Fall of Man: An Opera. 1677. The Plays. Ed. Vinton A. Dearing. Berkeley, 1994. Vol. 12. of The Works of John Dryden 20 vols. 1956–2000. Pp. 86–97.
  • Dryden, John. To the Marquiss of Halifax. 1691. King Arthur. The Works of John Dryden. Ed. Vinton A. Dearing. Vol. 16. The Plays Berkeley, 1996. Pp. 3–8.
  • Dubrow, Heather. The Message from Marcade: Parental Death in Tudor and Stuart England. Attending to Women in Early Modern England. Ed. Betty S. Travitsky & A. F. Seeff. Newark, Del., 1994. Pp. 147–67.
  • Dubrow, Heather. Shakespeare and Domestic Loss: Forms of Deprivation, Mourning, and Recuperation. Cambridge, 1999.
  • Duff, William. Critical Observations on the Writings of the most Celebrated Original Geniuses in Poetry. 1770. (Rpt. New York: Garland, 1971.)
  • Duffin, Ross W. Shakespeare’s Songbook. New York, 2004.
  • Duffin, Ross W. Shakespeare’s Songbook. New York, 2004. CD.
  • Duffy, Maureen. The Erotic World of Faery. 1972.
  • Dufour, Gérard. Le songe d’une nuit d’été et le sacré. Aspects du sacré dans la littérature anglo-américaine. [Reims], 1979. Pp. 21–31.
  • Duncan-Jones, Katherine. Pyramus and Thisbe: Shakespeare’s Debt to Moffett Cancelled. RES 32 (1981), 296–301.
  • Duncan-Jones, Katherine. Ungentle Shakespeare. 2001.
  • Dundas, Judith. Pencils Rhetorique: Renaissance Poets and the Art of Painting. Newark, Del., 1993.
  • Dundas, Judith. The Spider and the Bee. Urbana and Chicago, 1985.
  • Dunkin, Paul S. Issues of The Fairy Queen, 1692. The Library 26 (1945), 297–304.
  • Dunlop, John. The History of Fiction. 3 vols. Edinburgh, 1814.
  • Dunn, Allen. The Indian Boy’s Dream Wherein Every Mother’s Son Rehearses His Part: Shakespeare’s A Midsummer Night’s Dream. ShakS 20 (1988), 15–32.
  • Dunn, Hough-Lewis. The Circle of Love in Hoffmann and Shakespeare. SIR 11 (1972), 113–37.
  • Dupas, Jean-Claude. A Midsummer Night’s Dream: Les bifurcations du Songe. Théâtre de cour, théâtre de ville, théâtre de rue. Ed. Robert Horville, Olinda Kleiman, & Godeleine Lopez. Villeneuve d’Ascq, 2001. Pp. 79–92.
  • Dusinberre, Juliet. Shakespeare and the Nature of Women. New York, 1975.
  • Dutton, Richard. William Shakespeare: A Literary Life. New York, 1989.
  • Dyce, Alexander. A Few Notes on Shakespeare; with Occasional Remarks on the Emendations of the Manuscript-Corrector in Mr. Collier’s Copy of the Folio 1632. 1853.
  • Dyce, Alexander. Remarks on Mr. J. P. Collier’s and Mr. C. Knight’s Editions of Shakespeare. 1844. (Rpt. New York: AMS, 1972.)
  • Dyce, Alexander. Strictures on Mr. Collier’s New Edition of Shakespeare, 1858. 1859.
  • Dyer, T. F. Thiselton. Folk-Lore of Shakespeare. 1883. (Rpt. New York: Dover, 1966.)
  • Dymkowski, Christine. Harley Granville-Barker: A Preface to Modern Shakespeare. Cranbury, N.J., 1986.
  • Eagleton, Terry. William Shakespeare. New York, 1986.
  • Eaton, T[hamar] R. Shakespeare and the Bible. [1860]. (Rpt. New York: AMS, 1972; 1st ed. 1858.)
  • Ebblewhite, E. A. Bottom the Weaver. 7 N&Q 1 (1886), 24.
  • Ebsworth, J[oseph] W. Shakspeariana. 5 N&Q 10 (1878), 284–285, 383.
  • Eccles, Mark. Shakespeare’s Use of Look How and Similar Idioms. JEGP 42 (1943), 386–400.
  • Eckhardt, Eduard. Das Englische Drama im Zeitalter der Reformation und der Hochrenaissance. Berlin, 1928.
  • Eckhoff, Lorentz. Shakespeare: Spokesman of the Third Estate. Oslo Studies in English 3. Oslo, 1954.
  • Economou, George D. Hercules in the Mind: Mythographic Tradition and the References in Hamlet. The Mythographic Art: Classical Fable and the Rise of the Vernacular. Ed. Jane Chance. Gainesville, Florida, 1990. Pp. 246–56.
  • Edgecombe, Roger S. Shakespeare’s A Midsummer Night’s Dream. Expl 58 (1999–2000), 181–4.
  • Edgecombe, Roger S. Shakespeare’s A Midsummer Night’s Dream 2.1. Expl 59 (2000–1), 5–7.
  • Edgecombe, Roger S. Shakespeare’s A Midsummer Night’s Dream. Expl 59 (2000–1), 176–8.
  • Edinborough, Arnold. Artistic Success in Canada. SQ 11 (1960), 455–9.
  • Edmunds, John. Shakespeare Breaks the Illusion. CQ 23 (1981), 3–18.
  • Edwards, Michael. Shakespeare et la comédie de l’émerveillement. Paris, 2003.
  • Edwards, Philip. The Rapture of the Sea. Shakespearean Continuities: Essays in Honour of E. A. J. Honigmann. Ed. John Batchelor et al. New York, 1997. Pp. 175–89.
  • Edwards, Philip. Shakespeare and the Confines of Art. 1968.
  • Edwards, Philip. Shakespeare: A Writer’s Progress. OUP, 1986.
  • [Edwards, Thomas.] A Supplement to Mr. Warburton’s Edition of Shakespear. Being the Canons of Criticism, and Glossary. 1748. (Rpt. New York: AMS, 1972; 2nd ed. 1748; 3rd ed. 1750; 5th ed.: The Canons of Criticism, and Glossary, 1753; 6th ed. 1758; 7th ed. 1765, rpt. London: Cass, 1970.)
  • Egan, Maurice Francis. The Ghost in Hamlet and Other Essays in Comparative Literature. Chicago, 1906.
  • Ehnenn, Jill. An Attractive Dramatic Exhibition?: Female Friendship. Shakespeare’s Women, and Female Performativity in 19th-Century Britain. WS 26 (1997), 315–41.
  • Eicher, Thomas. Heine, Shakespeare und der Sommernachtstraum: Intertextuelles zur Traummetapher im Atta Troll. Heine Jahrbuch (Stuttgart) 33 (1994), 9–22.
  • Eichhoff, Theodor. Unser Shakespeare. 4 vols. Halle, 1903.
  • Eichler, Albert. Das Hofbühnenmässige in Shakespeare’s Midsummer Night’s Dream. SJ 61 (1925), 39–51.
  • Elam, Keir. Shakespeare’s Universe of Discourse. Cambridge, 1984.
  • Eliot, T. S. Apology for the Countess of Pembroke. Harvard Lecture, 1932. The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England. 1933; 1980.
  • Ellacombe, Henry N. The Plant-Lore & Garden-Craft of Shakespeare. Exeter, 1878. (2nd ed. 1884, rpt. New York: AMS, 1973; 3rd ed. rev. London and New York, 1896).
  • Ellacombe, Henry N. The Seasons of Shakspere’s Plays. The New Shakspere Society’s Transactions 1880–86. (Rpt. Vaduz: Kraus Reprint Ltd., 1965.). Pp. 67–76.
  • [Elliott, Mrs. M. L.] Shakspeare’s Garden of Girls. 1885.
  • Ellis, Herbert H. Shakespeare’s Lusty Punning in Love’s Labour’s Lost. The Hague, 1973.
  • Ellis, Sylvia C. Seeing Straight and Seeing Too Much in A Midsummer Night’s Dream. English Review 6.2 (1995), 2–5.
  • Ellis-Fermor, Una. The Frontiers of Drama. 2nd ed. 1964. (1st ed. 1945.)
  • Ellis-Fermor, Una. The Nature of Plot in Drama. E&S (1960), 65–81.
  • Ellis-Fermor, Una. Shakespeare’s Drama. Ed. Kenneth Muir. New York, 1980.
  • Ellison, Florence R. Fairy Folk in A Midsummer Night’s Dream. Journal of South West Essex Technical College 1 (1942), 99–101.
  • Elson, J. J., ed. The Wits, or, Sport Upon Sport. Ithaca, N.Y., 1932.
  • Elton, Charles I. William Shakespeare His Family and Friends. 1904.
  • Elton, W. R. Shakespeare and the Thought of His Age. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S. Schoenbaum. Cambridge, 1971.
  • Elworthy, F[rederic] T. Piert. 9 N&Q 4 (1899), 461.
  • Elze, Karl. Midsummer Night’s Dream. Athenæum 2087 (1867), 537–8.
  • Elze, Karl. Zum Sommernachtstraum SJ 3 (1868), 150–74. Tr. L. Dora Schmitz with author’s rev. and additions in Essays on Shakespeare. 1874. Pp. 30–66.
  • Emerson, Oliver F. Legends of Cain, Especially in Old and Middle English. PMLA 21 (1906), 831–929.
  • Emery, John. The Theme of A Midsummer Night’s Dream. The English Leaflet 59.2–3 (1960), 1–3.
  • Émery, Léon. La vision shakespearienne du monde et de l’homme. Lyon, [1957].
  • Empson, William. Fairy Flight in A Midsummer Night’s Dream. London Review of Books (25 October 1979), 5–9.
  • Empson, William. The Spirits of the Dream. The Drama. Ed. John Haffenden. Cambridge, 1994. Vol. 2 of Essays on Renaissance Literature. Pp. 170–248, 271–87.
  • Engelen, Julia. Die Schauspieler-Ökonomie in Shakespeares Dramen. SJ 62 (1926), 36–97.
  • Engle, Lars. Shakespearean Pragmatism: Market of His Time. Chicago, 1993.
  • Erickson, Peter. Representations of Blacks and Blackness in the Renaissance. Criticism 35 (1993), 499–527.
  • Erlich, Bruce. Queenly Shadows: On Mediation in Two Comedies. ShS 35 (1982), 65–77.
  • Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge, 2003.
  • Evans, A[lfred] J. Shakespeare’s Magic Circle. Westport, Conn., 1956.
  • Evans, Bertrand. Shakespeare’s Comedies. OUP, 1960.
  • Evans, Gareth Lloyd. Shakespeare. Vol. 2, 1587–98. Edinburgh, 1969.
  • Evans, G. Blakemore, ed. Shakespearean Prompt-Books of the Seventeenth Century. 8 vols. Charlottesville, Va., 1960–96.
  • Evans, Ifor. The Language of Shakespeare’s Plays. 1952.
  • Evans, Malcolm. Deconstructing Shakespeare’s Comedies. Alternative Shakespeares. Ed. John Drakakis. 1985. Pp. 67–94.
  • Evans, T. M. The Vernacular Labyrinth: Mazes and Amazement in Shakespeare and Peele. SJH (1980), 165–73.
  • Everett, Barbara. Much Ado About Nothing. CritQ 3 (1961), 319–55.
  • Evett, David. Literature and the Visual Arts in Tudor England. Athens, Ga., 1990.
  • Ewbank, Inga-Stina. Shakespeare’s Poetry. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S. Schoenbaum. Cambridge, 1971. Pp. 99–115.
  • F. Horaz und Shakespeare. SJH 9 (1874), 336.
  • Faas, Ekbert. Shakespeare’s Poetics. New York, 1986.
  • Faber, M. D. Hermia’s Dream: Royal Road to A Midsummer Night’s Dream. L&P 22 (1972), 179–90.
  • Faillet, Georges [Fagus]. Essai sur Shakespeare. Amiens, 1923.
  • Fairchild, Arthur H. R. Shakespeare and the Arts of Design. Columbia, Mo., 1937. (Rpt. New York: Blom, 1972.)
  • Falk, Florence. Dream and Ritual in A Midsummer Night’s Dream. CompD 14 (1980), 263–79.
  • Farjeon, Herbert. The Shakespearean Scene: Dramatic Criticisms. [1949].
  • Farmer, Alan B., & Zachary Lesser. The Popularity of Playbooks Revisited. SQ 56 (2005), 1–32.
  • Farmer, Alan B. Structures of Popularity in the Early Modern Book Trade. SQ 56 (2005), 206–13.
  • Farmer, Richard (1735–97). Contributor to v1773, v1778, v1785, v1793, mstv1, v1821 .
  • Farmer, Richard. An Essay on the Learning of Shakespeare. Cambridge, 1767.
  • Farnham, Willard. The Shakespearean Grotesque: Its Genesis and Transformations. OUP, 1971.
  • Farrand, Margaret L. An Additional Source for A Midsummer Night’s Dream. SP 27 (1930), 233–43.
  • Farrell, Kirby. Play, Death, and Heroism in Shakespeare. Chapel Hill, 1989.
  • Farrell, Kirby. Shakespeare’s Creation: The Language of Magic and Play. Amherst, Mass., 1975.
  • Farrell, Kirby. Thinking Through Others: Prosthetic Fantasy and the Cultural Moment. MR 37 (1996), 213–35.
  • Fauré, Nathalie. Pastorale et mélancolie dans A Midsummer Night’s Dream. A Midsummer Night’s Dream. Ed. Henri Suhamy. Paris, 2002. Pp. 72–84.
  • Fawcett, Sharon. The Imagination of Awakening: Endings of Some of Shakespeare’s Comic Plays. Burnaby, BC, 1973.
  • Farzààd, M[a’hūd]. Woodbine and Honeysuckle. Hertford, 1946.
  • Feely, Joseph Martin. A Cypher Idyll anent The Little Westerne Flower. Rochester, N.Y., 1942.
  • Felheim, Marvin, & Philip Traci. A Midsummer Night’s Dream. Realism in Shakespeare’s Romantic Comedies: O Heavenly Mingle. Lanham, Md., 1980. Pp. 79–102.
  • Felperin, Howard. O’erdoing Termagant: An Approach to Shakespearean Mimesis. YR 63 (1974), 372–91.
  • [Felton, Samuel]. Imperfect Hints towards a New Edition of Shakespeare. 1787.
  • Fender, Stephen. Shakespeare: A Midsummer Night’s Dream. 1968.
  • Fergusson, Francis. Shakespeare: The Pattern in His Carpet. New York, 1970.
  • Fergusson, Francis. Trope and Allegory: Themes Common to Dante and Shakespeare. Athens, Ga., 1977.
  • Ferrara, Fernando. Shakespeare e la commedia. Bari, 1964.
  • Feuillerat, Albert. Documents Relating to the Office of the Revels in the Time of Queen Elizabeth. Louvain, 1908. (Rpt. Vaduz: Kraus, 1963.)
  • Fiedler, Leslie. The Defense of the Illusion and the Creation of Myth Device and Symbol in the Plays of Shakespeare. English Institute Essays 1948. New York, 1949. Pp. 74–94.
  • Field, Barron. Conjectures on Some of the Corrupt or Obscure Passages of Shakespeare. The Shakespeare Society’s Papers 2 (1845), 40–61.
  • Figgis, Darrell. Shakespeare: A Study. New York, 1912.
  • Finch, G. J. Shakespeare and the Nature of Metaphor. ArielE 12 (1981), 3–19.
  • Findlay, Alison. Linguistic Flesh: A Feminist Approach to A Midsummer Night’s Dream. FolioS 4.1 (1997), 5–20.
  • Finkenbrink, Dr. An Essay on the Date, Plot, and Sources of Shakspere’s A Midsummer Night’s Dream. Part I. On the Date. Wissenschaftliche Beilage zum 31. Jahresberichte des Realgymnasiums zu Mülheim a.d. Ruhr, 1884.
  • Finney, Gretchen Ludke. Musical Backgrounds for English Literature: 1580–1650. New Brunswick, N.J., [1962].
  • Fisher, Peter F. The Argument of A Midsummer Night’s Dream. SQ 8 (1957), 307–10.
  • Fitzgerald, Percy. Shakespearean Representation: Its Laws and Limits. 1908.
  • Flathe, J[ohann] L. F. Shakspeare in seiner Wirklichkeit. 2 vols. Leipzig, 1863–4.
  • Fleay, Frederick G. A Biographical Chronicle of the English Drama. 2 vols. 1891.
  • Fleay, Frederick G. A Chronicle History of the Life of William Shakespeare, Player, Poet, and Playmaker. 1886.
  • Fleay, Frederick G. Introduction to Shakespearian Study. 1877.
  • Fleay, Frederick G. On A Midsummer Night’s Dream. Robinson’s Epitome of Literature 3 (1879), 56–7.
  • Fleay, Frederick G. On Metrical Tests Applied to Shakespeare. In C. M. Ingleby, Occasional Papers on Shakespeare: Being the Second Part of Shakespeare the Man and the Book. 1881. Pp. 50–141.
  • Fleay, Frederick G. On Metrical Tests As Applied to Dramatic Poetry: Part I. Shakspere. The New Shakspere Society’s Transactions Series 1 (1874), 1–22. (Rpt. Kraus Reprint Ltd., New York, 1965.)
  • Fleay, Frederick G. Shakespeare Manual. 1876. Corr. issue 1878.
  • Flint, Kate. A Midsummer Night’s Dream: The Power of Transformation. A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Longman Critical Essays. 1991. Pp. 9–19.
  • Florio, John. A Worlde of Wordes. 1598. Expanded ed. Queen Anna’s New World of Wordes. 1611.
  • Fluchère, Henri. Shakespeare: Dramaturge élisabéthain. [Toulouse], 1948. (Tr. Guy Hamilton. Shakespeare and the Elizabethans. New York, 1956.)
  • Flügel, Ewald. Pyramus and Thysbe. Anglia 12 (1889), 13–20.
  • Fly, Richard. Shakespeare’s Mediated World. Amherst, Mass., 1976.
  • Fly, Richard. Shakespeare’s Poetics: Deconstruction and Reconstruction. ELWIU 9 (1982), 3–14.
  • Foakes, R[eginald] A. Atavism and Anticipation in Shakespeare’s Style. III. EIC 6 (1957), 455–7.
  • Foakes, R[eginald] A.Cutting the Bard Down to Size. Teaching with Shakespeare: Critics in the Classroom. Ed. Bruce McIver & Ruth Stevenson. Newark, 1994. Pp. 60–77.
  • Foakes, R[eginald] A. Forms to his Conceit: Shakespeare and the Uses of Stage Illusion. PBA 66 (1980), Pp. 103–119.
  • Foakes, R[eginald] A. The Owl and the Cuckoo: Voices of Maturity in Shakespeare’s Comedies. Shakespearean Comedy. Ed. Malcolm Bradbury & David Palmer. Stratford-upon-Avon Stud. 14. 1972. Pp. 121–41.
  • Foakes, R[eginald] A, ed. The Comedy of Errors. New Arden Sh. 1962.
  • Folkes, Martin (1690–1754). Contributor to theo1.
  • Ford, Jane M. Patriarchy and Incest from Shakespeare to Joyce. Gainesville, Fla., 1998.
  • Forey, Madeleine. Bless Thee, Bottom, Bless Thee! Thou Art Translated!: Ovid, Golding, and A Midsummer Night’s Dream. MLR 93 (1998), 321–9.
  • Forker, Charles R. Fancy’s Images: Contexts, Settings, and Perspectives in Shakespeare and His Contemporaries. Carbondale, Ill., 1990.
  • Forker, Charles R. A Midsummer Night’s Dream and Chapman’s Homer: An Unnoticed Shakespeare Allusion. N&Q 203 (1958), 524.
  • Fortescue, J. W. Sports and Pastimes. § 1. Hunting. Shakespeare’s England: An Account of the Life & Manners of His Age. 2 vols. OUP, 1916. 2:334–50.
  • Foss, George R. What the Author Meant. 1932.
  • Foster, Donald W. Shakespeare’s A Midsummer Night’s Dream. Expl 43 (1984), 14–16.
  • Foster, Leslie D. The Relation of Act Five to the Structure of A Midsummer Night’s Dream. MichA 8 (1975–6), 191–206.
  • Frame, Jeffrey D. Now Will I to the Chink, To Spy … : Scopophilia as Gender Sport in A Midsummer Night’s Dream. UCrow 19 (1999), 50–61.
  • Franke, Wolfgang. The Logic of Double Entendre in A Midsummer Night’s Dream. PQ 58 (1979), 282–97.
  • Fränkel, Ludwig. Aufschluss über Pyramus und Thisbe in Schweden. SJ 34 (1897), 373–4.
  • Franz, Wilhelm. Die sprache Shakespeares in vers und prosa. Shakespeare-Grammatik in 4. Aufl. Halle a. S., 1939. (pub. as Shakespeare-Grammatik in 1898–9. 2nd ed., 1924; 4th ed. incl. all material from Orthographie, Lautgebung und Wortbildung in den Worken Shakespeares mit Aussprachproden, Heidelberg, 1905, & Shakespeare’s Blankvers, 2. Aufl., Tübingen, 1935.)
  • Fraser, John. The Supernatural in Shakespeare. Mind in Nature 1 (July 1885), 68–9.
  • Fraser, Russell A. Shakespeare’s Poetics in Relation to King Lear. 1962.
  • Frattaroli, Elio J. The Lunatic, the Lover, and the Poet: A Study of Shakespeare’s Conception of Creativity. Adolescent Psychiatry 15 (1988), 221–46.
  • Freake, Douglas. A Midsummer Night’s Dream as a Comic Version of the Theseus Myth. A Midsummer Night’s Dream: Critical Essays. Ed. Dorothea Kehoer. New York, 1998. Pp. 259–74.
  • Freedman, Barbara. Staging the Gaze: Postmodernism, Psychoanalysis, and Shakespearean Comedy. Ithaca, N.Y., 1991.
  • Freedman, Penelope. Power and Passion in Shakespeare’s Pronouns: Interrogating You and Thou. Aldershot, 2007.
  • French, Marilyn. Shakespeare’s Division of Experience. New York, 1981.
  • Freud, Sigmund. Draft N. Notes (III). (31 May 1897). The Origins of Psycho-Analysis: Letters to Wilhelm Fliess, Drafts and Notes: 1887–1902. Ed. Marie Bonaparte, Anna Freud, & Ernst Kris. Tr. Eric Mosbacher & James Strachey. New York, 1954. Pp. 207–10.
  • Friedenreich, Kenneth. Shakespeare, Marlowe, and Mummers. AN&Q 18 (1979), 50–1.
  • Friesen, Herm[ann] Freih[errn] von. Shakspere-Studien. 3 vols. Vienna, 1874–6.
  • Fripp, Edgar I. Shakespeare: Man and Artist. 2 vols. OUP, 1938.
  • Fripp, Edgar I. A Shakespeare Problem. TLS (16 Aug. 1928), 593.
  • Fripp, Edgar I. Shakespeare Studies, Biographical and Literary. OUP, 1930. (Rpt. New York: AMS, 1975.)
  • Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, 1957.
  • Frye, Northrop. The Argument of Comedy. EIE 1948. New York, 1949. Pp. 58–73.
  • Frye, Northrop. The Collected Works of Northrop Frye. 30 vols. Ed. Troni Y. Grande & Garry Sherbert. Toronto, 2010.
  • Frye, Northrop. A Midsummer Night’s Dream. Northrop Frye on Shakespeare. Ed. Robert Sandler. New Haven, 1986. Pp. 34–50.
  • Frye, Northrop. The Myth of Deliverance: Reflections on Shakespeare’s Problem Comedies. Toronto, 1983.
  • Frye, Northrop. A Natural Perspective. New York, 1965.
  • Frye, Northrop. Nature and Nothing. Essays on Shakespeare. Ed. Gerald W. Chapman. Princeton, 1965. Pp. 35–58.
  • Frye, Northrop. Recognition in The Winter’s Tale. Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig. Ed. Richard Hosley. Columbia, Mo., 1962. Pp. 235–46. (Rpt. in Shakespeare’s Later Comedies: An Anthology of Modern Criticism, ed. D. J. Palmer, Baltimore, 1971, and in Frye, Fables of Identity, New York, [1963].)
  • Frye, Northrop. Shakespeare’s Experimental Comedy. Stratford Papers on Shakespeare. Ed. B. W. Jackson. Toronto, 1962. Pp. 2–14.
  • Frye, Roland Mushat. Shakespeare: The Art of the Dramatist. Boston, 1970.
  • Fuhrich-Leisler, Edda, & Gisela Prossnitz. Max Reinhardt in Amerika. Salzburg, 1976.
  • Fuller Maitland, J. A., & W. Barclay Squire, eds. The Fitzwilliam Virginal Book. 2 vols. 1899. (Rpt. New York: Dover, 1963.)
  • Fullom, S. W. History of William Shakespeare, Player and Poet: With New Facts and Traditions. 2nd ed. 1864.
  • Fulton, Robert C., III. Timon, Cupid, and the Amazons. ShakS 9 (1976), 283–99.
  • Furnivall, Frederick J. Contributor to Wright Shakespeariana.
  • Furnivall, Frederick J. On Puck’s Swifter than the Moon’s Sphere, and Shakspere’s Astronomy. The New Shakspere Society’s Transactions 1877–79. [1879]. (Rpt. Vaduz: Kraus Reprint Ltd., 1965.) Pp. 431–50.
  • Furnivall, Frederick J. Response to G. H. Overend, Player and Player-Trainer 1528–9. The New Shakspere Society’s Transactions 1877–79. [1879]. (Rpt. Vaduz: Kraus Reprint Ltd., 1965.) Pp. 428–9.
  • Furnivall, Frederick J. Scraps. The New Shakspere Society’s Transactions 1875–76 [1876]. (Rpt. Vaduz: Kraus Reprint Ltd., 1965.) P. 313.

G-I

  • Gabler, Hans Walter. Zur Funktion dramatischer und literarischer Parodie im elisabethanischen Drama. Reinheim, 1966.
  • Gaehde, Christian. Shakespeare und seine Zeit: eine Einfuhrung in das Leben und die Werke des Dichters. Leipzig, 1931.
  • Galway, Margaret. Flyting in Shakspere’s Comedies. ShAB 10 (1935), 183–91.
  • Gamal, Saad M. A Midsummer Night’s Dream and Romeo and Juliet: Some Parallels. Cairo Studies in English (1963–66), 109–17.
  • Garber, Marjorie B. Coming of Age in Shakespeare. 1981.
  • Garber, Marjorie B. Dream in Shakespeare: From Metaphor to Metamorphosis. New Haven, 1974.
  • Garber, Marjorie B. Shakespeare After All. New York, 2004.
  • Gardette, Raymond. Le décor mythique du songe. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 81–94.
  • Gardette, Raymond. Le songe d’une nuit d’été: Mythe et dramaturgie. A Midsummer Night’s Dream. Ed. Henri Suhamy. Paris, 2002.
  • Gardner, Martin. The Ambidextrous Universe. New York, 1964.
  • Garner, Shirley Nelson. A Midsummer Night’s Dream: Jack Shall Have Jill/Naught Shall Go Ill. WS 9 (1981), 47–63.
  • Garner, Shirley Nelson. The Taming of the Shrew Inside or Outside of the Joke? Bad Shakespeare: Revaluations of the Shakespeare Canon. Ed. Maurice Charney. Rutherford, N.J., 1988. Pp. 105–19.
  • Garrison, David. Góngora and the Pyramus and Thisbe Myth from Ovid to Shakespeare. Newark, Del., 1994.
  • Gascoigne, George. The Complete Works. Ed. John W. Cunliffe. 2 vols. Cambridge, 1907–10.
  • Gascoigne, George. The Whoole Woorkes of G. Gascoigne: Compyled into One Volume. (Includes The pleasure at Kenelworth Castle.) London, 1587.
  • Gates, Barbara T. Thomas’ in my Craft or Sullen Art. Expl. 32 (1974), 68.
  • Gaubert, Hélène Anna. La dramaturgie de Shakespeare, vue dans son oeuvre. Montréal, 1945.
  • Gaw, Allison. John Sincklo as One of Shakespeare’s Actors. Anglia 49 (1926), 289–303.
  • Gearin-Tosh, Michael. The World of A Midsummer Night’s Dream. A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Longman Critical Essays. 1991. Pp. 51–61.
  • Geckle, Gordon. Rev. of MND, National Th., dir. Robert Lepage, 1992. ShakB 11.2 (1993), 27–8.
  • Genée, Rudolph. Shakespeare, sein Leben und seine Werke. Hildburghausen, 1872.
  • Generosa, Sister M. Apuleius and A Midsummer-Night’s Dream: Analogue or Source, Which? SP 42 (1945), 198–204.
  • Genest, John. Some Account of the English Stage from the Restoration in 1660 to 1830. 10 vols. 1832. (Rpt. New York: Burt Franklin, 1965.)
  • Gerard, John. The Herball or Generall Historie of Plantes. 1597.
  • Gerrard, Ernest A. Elizabethan Drama and Dramatists 1583–1603. OUP, 1928.
  • Gerstner-Hirzel, Arthur. The Economy of Action and Word in Shakespeare’s Plays. Bern, 1957.
  • Gertz, Sunhee Kim. Authorial Audiences in Shakespeare’s A Midsummer Night’s Dream. Semiotica 106.1–2 (1995), 153–70.
  • Gertz, Sunhee Kim. Chaucer to Shakespeare, 1337–1580. Basingstoke & New York, 2001.
  • Gervais, David. Shakespeare and the Night: The Dream, Macbeth and Racine. English 51 (2002), 15–25.
  • Gervinus, G[eorg] G. Shakespeare Commentaries. Tr. F[anny]. E. Bunnett. 2 vols. 1863. New ed. rev. Introd. F.J. Furnival 1880 (Rpt. New York: AMS, 1971. 1st Ger. ed. Leipzig, 1849–50.)
  • Gibinska, Marta. Antithesis and Character: Women in Shakespeare’s Comedies. SJ 134 (1998), 82–96.
  • Gibson, J. Paul. Shakespeare’s Use of the Supernatural. Cambridge, 1908.
  • Gifford, William, ed. The Works of Ben Jonson. 9 vols. 1816.
  • Gil Polo, Gaspar. See Montemayor, Jorge de.
  • [Gildon, Charles.] Remarks on the Plays of Shakespear and The Glossary. In supplementary vol. 7 (1710) added to Nicholas Rowe, ed., The Works of Shakespear, 6 vols., 1709. Pp. lxviii–lxxii, 257–444. (Rpt. New York: AMS, 1967.)
  • Giles, Henry. Human Life in Shakespeare. Boston, 1868.
  • Gillespie, Stuart. Shakespeare’s Books: A Dictionary of Shakespeare’s Sources. 2001.
  • Gillet, Louis. Shakespeare: Les comédies. La Revue Hebdomadaire 39 (1930), 281–302, 417–428.
  • Gilman, Ernest B. The Curious Perspective: Literary and Pictorial Wit in the Seventeenth Century. New Haven, 1978.
  • Girard, René. Bottom’s One-Man Show. The Current in Criticism: Essays on the Present and Future of Literary Theory. Ed. Clayton Koelb & Virgil Lokke. West Lafayette, Ind., 1987. Pp. 99–122.
  • Girard, René. Myth and Identity Crisis in A Midsummer Night’s Dream. The Frontiers of Literary Criticism. Ed. David Malone. Los Angeles, 1974. Pp. 121–48.
  • Girard, René. Myth and Ritual in Shakespeare: A Midsummer Night’s Dream. Textual Strategies: Perspectives in Post-Structuralist Criticism. Ed. Josué V. Harari. Ithaca, N.Y., 1979. Pp. 189–212.
  • Girard, René. Shakespeare’s Theory of Mythology. PCLS 11 [1980], 107–24.
  • Girard, René. A Theater of Envy: William Shakespeare. New York, 1991.
  • Girardin, M. Saint-Marc. Cours de littérature dramatique. Vol. 3. Paris, 1855. 4 vols.
  • Glasgow, R[upert] D. V. Madness, Masks, and Laughter: An Essay on Comedy. Madison, 1995.
  • Goddard, Harold C. The Meaning of Shakespeare. Chicago, 1951. (Rpt. 1962.)
  • Godfrey, Howard. Some Puns on Musical Terms in A Midsummer Night’s Dream. N&Q 40 (1993), 179–80.
  • Godshalk, William Leigh. Bottom’s Hold or Cut Bow-Strings (A Midsummer Night’s Dream [371]). N&Q 42 (1995), 315–16.
  • Godshalk, William Leigh. Patterning in Shakespearean Drama: Essays in Criticism. The Hague, 1973.
  • Gohlke, Madelon. I Wooed Thee with My Sword: Shakespeare’s Tragic Paradigms. Representing Shakespeare: New Psychoanalytic Essays. Ed. Murray M. Schwartz & Coppélia Kahn. Pp. 170–87. Baltimore, 1980. Pp. 170–87. (Also in The Woman’s Part: Feminist Criticism of Shakespeare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene, & Carol Thomas Neely. Urbana, Ill., 1980. Pp. 150–70.)
  • Goldberg, Jonathan. Shakespearean Inscriptions: The Voicing of Power. Shakespeare & the Question of Theory. Ed. Patricia & Geoffrey Hartman. 1985. Pp. 116–37.
  • Golder, John, & Richard Madelaine, eds. O Brave New World: Two Centuries of Shakespeare on the Australian Stage. Sydney, 2001.
  • Goldstein, Leonard. A Midsummer Night’s Dream and Historical Consciousness. Wissenschaftliche Zeitschrift der pädagogischen Hochschule Karl Liebknecht Potsdam 25 (1981), 321–4.
  • Goldstein, Melvin. Identity Crises in a Midsummer Nightmare: Comedy as Terror in Disguise. PsyR 60 (1973), 169–204.
  • Gooch, Bryan N. S., & David Thatcher. A Shakespeare Music Catalogue. 5 vols. OUP, 1991.
  • Gooch, Paul W. Margaret, Bottom, Paul and the Inexpressible. Word and World 6 (1986), 313–25.
  • Goodlet, John. Shakspere’s Debt to John Lilly. Englische Studien 5 (1882), 356–63.
  • Gordon, George. Shakespeare’s English. Soc. for Pure Eng. Tracts 29. OUP, 1928.
  • Gordon, Robert, of Straloch. Straloch Lute Book (The Straloch Manuscript). MS. National Library of Scotland, Adv. MS 5.2.18. (Rpt. Ed. Wayne Cripps, Fort Worth, 1995.)
  • Gould, George. Corrigenda and Explanations of the Text of Shakspere. 1881. (2nd. ed. enl. 1884. With additions, 1887.)
  • Goy-Blanquet, Dominique. Cadavre exquis. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 95–104.
  • Grace, William J. Approaching Shakespeare. New York, 1964.
  • Grafton, Anthony. Education and Apprenticeship. William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. Vol. 1. New York, 1985. 3 vols. Pp. 55–65.
  • Graham, Kenneth. The Tangible Dream. Essays on English and American Literature and a Sheaf of Poems. Ed. J. Bakker, J. A. Verleun, J. v. d. Vriesenaerde, & J. C. van Meurs. Amsterdam, 1987. Pp. 35–53.
  • Granville-Barker, Harley. The Exemplary Theatre. New York, 1969. (1st ed. 1922.)
  • Granville-Barker, Harley. More Prefaces to Shakespeare. Princeton, 1974.
  • Granville-Barker, Harley. On Dramatic Method. 1931.
  • Granville-Barker, Harley. Preface to A Midsummer Night’s Dream: An Acting Edition. 1914. Pp. iii–x. (Rpt. in More Prefaces to Shakespeare. Ed. Edward M. Moore. Princeton, 1974. Pp. 33–9.)
  • Granville-Barker, Harley. Shakespeare’s Dramatic Art. A Companion to Shakespeare Studies. Ed. Harley Granville-Barker & G. B. Harrison. New York, 1955. Pp. 45–87. (First pub. 1934.)
  • Graves, R. B. Lighting the Shakespearean Stage, 1567–1642. Carbondale, Ill., 1999.
  • Gray, Arthur. How Shakespeare Purged Jonson. Cambridge, 1928.
  • Gray, Henry D. The Evolution of Shakespeare’s Heroine. JEGP 12 (1913), 122–37.
  • Gray, Thomas. Letter to Mason. C. December 1751. The Works of Thomas Gray. Ed. J. Mitford. 5 vols. 1835–43. (Rpt. Shakespeare: The Critical Heritage. Ed. Brian Vickers. Vol. 3 (1733–1752). 1975. Pp. 447–9.)
  • Green, Douglas E. Preposterous Pleasures: Queer Theories and A Midsummer Night’s Dream. A Midsummer Night’s Dream: Critical Essays. Ed. Dorothea Kehler. New York, 1998. Pp. 369–97.
  • Green, H. M. A Midsummer Night’s Dream: A Popular Lecture for the Australian English Association. Privately printed by Australasian Medical Publishing Co., Ltd., 1933.
  • Green, Henry. Shakespeare and the Emblem Writers. 1870. (Rpt. New York: Burt Franklin, n.d.)
  • Green, Roger Lancelyn. Shakespeare and the Fairies. Folk-Lore 73 (1962), 89–103.
  • Greenblatt, Stephen. Hamlet in Purgatory. Princeton, 2001.
  • Greenblatt, Stephen. Shakespeare. YR 63 (1974), 447–53.
  • Greene, Gayle, & Coppelia Kahn. Changing Subjects: The Making of Feminist Literary Criticism. 1993.
  • Greene, Robert. Friar Bacon and Friar Bungay. Ed. J.A. Lavin. 1969.
  • Greene, Thomas. Ceremonial Play and Parody in the Renaissance. Urban Life in the Renaissance. Ed. Susan Zimmerman & Ronald Weissman. Newark, Del., 1968.
  • Greenfield, Peter H. All For Your Delight/We Are Not Here: Amateur Players and the Nobility. RORD 28 (1985), 173–80.
  • Greenfield, Thelma N. The Induction in Elizabethan Drama. Eugene, Ore., 1969.
  • Greenfield, Thelma N. A Midsummer Night’s Dream and The Praise of Folly. CL 20 (1968), 236–244.
  • Greenfield, Thelma N. Our Nightly Madness: Shakespeare’s Dream Without The Interpretation of Dreams. A Midsummer Night’s Dream: Critical Essays. Ed. Dorothea Kehler. New York, 1998. Pp. 331–44.
  • Greenhill, J[ames], W[illiam] A. Harrison, & F[rederick] J. Furnivall, comps. A List of All the Songs & Passages in Shakespeare which Have Been Set to Music. Rev. ed. The New Shakespeare Society Pubs. Ser. 8, No. 3. 1884.
  • Greenwood, Maria Katarzyna. Garlands of Derision: The Thematic Imagery in Chaucer’s The Knightes Tale and Shakespeare’s A Midsummer Night’s Dream. Tudor Theatre: For Laughs(?) Pour rire (?): Puzzling Laughter in Plays of the Tudor Age. Rires et problèmes dans le théâtre des Tudor. Bern, 2002.
  • Greer, Germaine. Love and the Law. Politics, Power, and Shakespeare. Ed. Frances McNeely Leonard. Arlington, Tex., 1981. Pp. 29–45.
  • Greer, Germaine. Shakespeare. New York, 1986.
  • Greg, W[alter] W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. 1939–59.
  • Greg, W[alter] W. Licensers for the Press, &c. to 1640. OUP, 1962.
  • Greg, W[alter] W. On Certain False Dates in Shakespearian Quartos. 2 Library 9 (1908), 113–31, 381–409.
  • Greg, W[alter] W. The Editorial Problem in Shakespeare. OUP, 1942 (2nd ed. 1951; 3rd ed. 1954).
  • Greg, W[alter] W. The First Folio and Its Publishers. 1623–1923 Studies in the First Folio Written for the Shakespeare Association in Celebration of the First Folio Tercentenary. 1924. Pp. 12–56.
  • Greg, W[alter] W. The Shakespeare First Folio: Its Bibliographical and Textual History. OUP, 1955.
  • Gregor, Joseph. Shakespeare, der Aufbau eines Zeitalters. Wien, 1935.
  • Gregory, George. Letters on Literature, Taste, and Composition. 2 vols. 1808.
  • Grene, Nicholas. Shakespeare, Jonson, Molière: The Comic Contract. Totowa, N.J., 1980.
  • Grey, Zachary. A Word or Two of Advice to William Warburton; a Dealer in Many Words. By a Friend. 1746.
  • Grey, Zachary. Critical, Historical, and Explanatory Notes on Shakespeare. 2 vols. 1754. (Rpt. New York: AMS, 1973.)
  • Griffin, Alice. Rebels and Lovers: Shakespeare’s Young Heroes and Heroines: A New Approach to Acting and Teaching. New York, 1976.
  • Griffith, [Elizabeth]. The Morality of Shakespeare’s Drama Illustrated. 1775. (Rpt. Eighteenth Century Sh. 14. London: Cass, 1971.)
  • Griffiths, Eric. Wittgenstein and the Comedy of Errors. English Comedy. Ed. Michael Cordner et al. Cambridge, 1994. Pp. 288–316.
  • Griffiths, Trevor. A Neglected Pioneer Production: Madame Vestris’ A Midsummer Night’s Dream at Covent Garden, 1840. SQ 30 (1979), 386–96.
  • Griffiths, Trevor. Tradition and Innovation in Harley Granville Barker’s A Midsummer Night’s Dream. TN 30 (1976), 78–87.
  • Grindon, Leo H. The Shakspere Flora. Manchester, 1883.
  • Grivelet, Michel. Shakespeare et the play within the play. RSH 145 (1972), 35–52.
  • Grosart, Alexander B., ed. The Complete Works in Verse and Prose of Edmund Spenser. 10 vols. 1882–4.
  • Grossman, Allen. Orpheus/Philomela: Subjection and Mastery in the Founding Stories of Poetic Production and in the Logic of our Practice. Triquarterly 77 (1989–90), 229–48.
  • Grote, David. The Best Actors in the World: Shakespeare and His Acting Company. Westport, Conn., 2002.
  • Guest, Edwin. A History of English Rhythms. 2 vols. 1838.
  • Guest, Harry. Aspects of the Dream: Shakespeare, Purcell and Britten. ShY (Lewiston, N.Y.) 4 (Spring 1994), 197–212.
  • Gui, Weston A. Bottom’s Dream. AI 9 (1952), 251–305.
  • Guidi, Augusto. Struttura e personaggi nel Sogno della notte di mezza estate. Firenze, 1963.
  • Guilfoyle, William R. Shakespearian Botany. (1883.) In H. H. Furness, Newspaper Cuttings, Combined Notes Vol. 2. In Furness Library, Univ. of Pennsylvania.
  • Guilhamet, Leon. A Midsummer Night’s Dream as the Imitation of an Action. SEL 15 (1975), 257–71.
  • Guillory, John. Poetic Authority: Spenser, Milton, and Literary History. New York, 1983.
  • Guinle, Francis. The Concord of This Discord: La structure musicale du Songe d’une nuit d’été. Saint-Étienne, 2003.
  • Guizot, François Notice sur Le songe d’une nuit d’été. In Œuvres complètes de Shakspeare. Tr. Letourneur. Nouvelle édition. Vol. 4. Paris, 1821. 13 vols. 1821–2. Pp. 151–5.
  • Guizot, François. Shakspeare and His Times. New York, 1852.
  • Gundolf, Friedrich. Shakespeare, sein Wesen und Werk. Vol. 1. Berlin, 1928. 2 vols.
  • Gurr, Andrew. Playgoing in Shakespeare’s London. Cambridge, 1987.
  • Gurr, Andrew. The Shakespeare Company, 1594–1642. Cambridge, 2004.
  • Gurr, Andrew. William Shakespeare: The Extraordinary Life of the Most Successful Writer of All Time. New York, 1995.
  • Gurr, Andrew, & Mariko Ichikawa. Staging in Shakespeare’s Theatres. OUP, 2000.
  • Guthrie, Tyrone. A Life in the Theatre. New York, 1959.
  • H., A. Midsummer Night’s Dream. 7 N&Q 3 (1887), 42.
  • Haast, H[einrich] F. von. John Macmillan Brown Lectures. Wellington, New Zealand, 1943.
  • Habicht, Werner. Verbal Echoes and Dramatic Construction. Some Shakespearean Observations. SJH (1980), 123–31.
  • Hackett, Helen. A Midsummer Night’s Dream. A Companion to Shakespeare’s Works. Ed. Richard Dutton & Jean Howard. Vol. 3. Oxford, 2003. 3 vols. Pp. 338–57.
  • Hackett, Helen. William Shakespeare: A Midsummer Night’s Dream. Writers and Their Work. Plymouth, 1997.
  • Hagstrum, Jean H. Esteem Enlivened by Desire: The Couple from Homer to Shakespeare. Chicago, 1992.
  • Haight, Elizabeth H. Apuleius and His Influence. New York, 1927.
  • Hailes, Lord (Sir David Dalrymple, Bart.). Critical Remarks on the Late Editions of Shakespeare’s Plays. The Edinburgh Magazine 4 (1786), 354–61.
  • Hale, David G. Bottom’s Dream and Chaucer. SQ 36 (1985), 219–20.
  • Hale, John K. The Shakespeare of the Comedies: A Multiple Approach. Bern, 1996.
  • Hale, John K. Shakespeare’s A Midsummer Night’s Dream [TLN 476]. Expl 57 (1998–9), 200.
  • Hales, John W. Chaucer and Shakespeare. The Quarterly Review 134 (1873), 225–55.
  • Hales, John W. Notes and Essays on Shakespeare. 1884.
  • Halio, Jay. A Midsummer Night’s Dream. New York, 1994.
  • Halio, Jay. A Midsummer Night’s Dream. The Comedies. Ed. Joseph Rosenblum. Westport, Conn., 2005. Vol. 2 of Shakespeare: A Comprehensive Guide for Students. Pp. 398–427.
  • Halio, Jay. A Midsummer Night’s Dream: A Guide to the Play. Greenwood Guides to Shakespeare. Westport, Conn., 2003.
  • Halio, Jay. Nightingales That Roar, Morrises Filled with Mud: The Dramatic Language of A Midsummer Night’s Dream. ShN 26 (November 1976), [35] i.e. 43.
  • Halio, Jay. Nightingales That Roar: The Language of A Midsummer Night’s Dream. Traditions and Innovations: Essays on British Literature of the Middle Ages and the Renaissance. Ed. David G. Allen & Robert A. White. Newark, Del., 1990. Pp. 137–49.
  • Halio, Jay. The Staging of A Midsummer Night’s Dream, 1595–1895. Shakespeare’s Universe: Renaissance Ideas and Conventions. Essays in Honour of W. R. Elton. Ed. John Mucciolo. Aldershot, 1996.
  • Hall, H[enry] T. Shaksperean Fly-Leaves and Jottings. New & enl. ed. 1871. (Rpt. New York: AMS, 1970. 1st ed. 1869.)
  • Hall, Jonathan. Anxious Pleasures: Shakespearean Comedy and the Nation-State. Teaneck, N.J., 1995.
  • Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca, N.Y., 1995.
  • Hall, Peter. TV Shakespeare. The Washington Post. 9 Feb. 1969, Sec. K, p. 7.
  • Hallam, Henry. Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries. 4 vols. 1839–40. (5th ed. 3 vols. 1873.)
  • Halliday, Frank E. The Enjoyment of Shakespeare. 1952.
  • Halliday, Frank E. The Life of Shakespeare. 1961.
  • Halliday, Frank E. The Poetry of Shakespeare’s Plays. 1954.
  • Halliwell[-Phillipps], James Orchard. A Dictionary of Archaic and Provincial Words. 2 vols. 1847; 3rd ed. 1855.
  • Halliwell[-Phillipps], James Orchard. A Few Observations on the Composition of the Midsummer Night’s Dream. The Shakespeare Society’s Papers 4 (1849), 129–32.
  • Halliwell[-Phillipps], James Orchard. Illustrations of the Fairy Mythology of A Midsummer Night’s Dream. 1845.
  • Halliwell[-Phillipps], James Orchard. An Introduction to Shakespeare’s Midsummer Night’s Dream. 1841. (Rpt. Folcroft, Pa.: Folcroft Library Editions, 1977.)
  • Halliwell[-Phillipps], James Orchard. Memoranda on the Midsummer Night’s Dream. Including Introduction.—A.D. 1855. Brighton, 1879.
  • Halliwell[-Phillipps], James Orchard. Outlines of the Life of Shakespeare. 4th ed., 1884.
  • Halliwell[-Phillipps], James Orchard. The fifth edition. 1885.
  • Halpin, Nicholas J. The Dramatic Unities on Shakespeare. Dublin, 1849.
  • Halpin, Nicholas J. Oberon’s Vision in the Midsummer-Night’s Dream, Illustrated by a Comparison with Lylie’s Endymion. 1843.
  • Halstead, William P. Shakespeare as Spoken: A Collation of 5000 Acting Editions and Promptbooks of Shakespeare. Vol. 3. Ann Arbor, 1978.
  • Hamilton, A[lbert] C. The Early Shakespeare. San Marino, Calif., 1967.
  • Hamlet Works. Ed. Bernice Kliman et al. (www.hamletworks.org).
  • Hammerle, Karl. Das Laubenmotiv bei Shakespeare und Spenser und die Frage: Wer waren Bottom und die little western flower? Anglia 71 (1953), 310–30.
  • Hammerle, Karl. Ein Muttermal des Deutschen Pyramus und die Spenserechos in A Midsummer Night’s Dream. Anglistiche Studien: Friedrich Wild zum siebzigsten Geburtstag. Ed. Karl Brunner et al. Wien, 1958. Pp. 52–66.
  • Hammerle, Karl. The Poet’s Eye [TLN 1804]: Zur Auffassung Shakespeares vom Wesen des Dichters. Innsbrucker Beiträge zur Kultur-Wissenschaft 1 (1953), 101–7.
  • Hammerle, Karl. Shakespeares platonisches wende. Anglo-Americana: Festschrift zum 70, Geburstag von Dr. Leo Hibler-Lebmannsport. Herausgebegen von Dr. Karl Brunner. Wiener Beiträge für englischen Philologie, 42. Wien, 1955. Pp. 62–71.
  • Hammerle, Karl. Das Titanialager des Sommernachtstraumes als Nachhall des Topos vom locus amoenus. SJ 90 (1954), 279–84.
  • Hammond, Eleanor Prescott. A Pyramus-and-Thisbe Play of Shakespeare’s Time. The Drama: A Quarterly Review 5 (1915), 288–300.
  • Hankins, John E. Backgrounds of Shakespeare’s Thought. Hamden, Conn., 1978.
  • Hankins, John E. The Character of Hamlet. Chapel Hill, 1941. (Rpt. Freeport, N.Y., 1971.)
  • Hankins, John E. Shakespeare’s Derived Imagery. Lawrence, Kan., 1953.
  • Hanna, Sara. Shakespeare’s Greek World: The Temptations of the Sea. Playing the Globe: Genre and Geography in English Renaissance Drama. Ed. John Gillies & Virginia Mason Vaughan. Madison, 1989. Pp. 107–28.
  • Hapgood, Robert. Shakespeare the Theatre-Poet. OUP, 1988.
  • Harbage, Alfred. Annals of English Drama. Rev. Samuel Schoenbaum. 1964.
  • Harbage, Alfred. As They Liked It. New York, 1947. (Rpt. 1961.)
  • Harbage, Alfred. Conceptions of Shakespeare. Cambridge, Mass., 1966.
  • Harbage, Alfred. Love’s Labor’s Lost and the Early Shakespeare. PQ 41 (1962), 18–36. (Rpt. Shakespeare Without Words. Cambridge, Mass., 1972. Pp. 117–42.)
  • Harbage, Alfred. Shakespeare and the Rival Traditions. New York, 1952. (Rpt. New York: Barnes & Noble, 1968.)
  • Harbage, Alfred. Theatre for Shakespeare. Toronto, 1955.
  • Harbage, Alfred. William Shakespeare: A Reader’s Guide. New York, 1963; 1967.
  • Harder, Kelsie B. Places, Landscapes, and Environments in Literature. Literary Onomastics Studies 13 (1986), 41–64.
  • Hardill, Alan. Shakespeare and the Lost Myth. 2nd (rev.) ed. West Yorkshire, England: Ariadne Books, 2002; 2004.
  • Harding, F[rank] J. W. Fantasy, Imagination and Shakespeare. BJA 4 (1964), 305–20.
  • Hardman, David. What About Shakespeare? 1938.
  • Hardy, Barbara. The Story within the Story: Fantasy and Fable. SJ 142 (2006), 34–45.
  • Hare, Elissa. Enchanted Shows: Vision and Structure in Elizabethan and Shakespearean Comedy About Magic. New York, 1988.
  • Harness, William (1790–1869). Editor of ShN. Contributor to col1 and dyce1.
  • Harries, Frederick J. Shakespeare and the Welsh. 1919.
  • Harris, Jonathan Gil. Puck / Robin Goodfellow. Fools and Jesters in Art, Literature, and History. Ed. Vicki K. Janik. Westport, Conn., 1998.
  • Harrison, George B. Shakespeare. 1927.
  • Harrison, George B. Shakespeare at Work, 1592–1603. 1933.
  • Harrison, George B. The Story of Elizabethan Drama. Cambridge, 1924. (Rpt. New York: Octagon, 1973.)
  • Harrison, Thomas P., Jr. Flower Lore in Spenser and Shakespeare: Two Notes. MLQ 7 (1946), 175–8.
  • Harrison, Thomas P., Jr. Romeo and Juliet, A Midsummer Night’s Dream: Companion Plays. TSLL 13 (1971), 209–13.
  • Harrison, Thomas P., Jr. Shakespeare and Marlowe’s Dido, Queen of Carthage. TxSE 35 (1956), 57–63.
  • Harrison, Thomas P., Jr. Shakespeare and Montemayor’s Diana. Studies in English, No. 6, Univ. of Texas Bull. 6 (1926), 72–120.
  • Harrison, Thomas P., Jr. Shakespeare’s Glowworms. SQ 22 (1971), 395–6.
  • Hart, H. C. Midsummer Night’s Dream, [TLN 1855–7]. 10 N&Q 3 (1905), 425.
  • Hart, Hymen H. Done with Mirrors; or, Variations on a Theme. SRASP 11 (1986), 19–23.
  • Hart, John A. Dramatic Structure in Shakespeare’s Romantic Comedies. CaSE 2. Pittsburgh, 1980.
  • Harting, James E. The Birds of Shakespeare. 1871. (Rpt. Chicago: Argonaut, 1965.)
  • Hartman, Vicki Shahly. A Midsummer Night’s Dream: A Gentle Concord to the Oedipal Problem. AI 40 (1983), 355–69.
  • Hartnoll, Phyllis, ed. Shakespeare in Music. 1964.
  • Harwood, A[lfred] C. Shakespeare’s Prophetic Mind. [1964].
  • Hasler, Jörg. The Serpent’s Tongue: Shakespeare and the Actor. ES 60 (1979), 389–401.
  • Hasler, Jörg. Shakespeare’s Theatrical Notation: The Comedies. Bern, 1974.
  • Hassel, R. Chris Jr. Faith and Folly in Shakespeare’s Romantic Comedies. Athens, Georgia, 1980.
  • Hassel, R. Chris Jr. Saint Paul and Shakespeare’s Romantic Comedies. Thought 46 (1971), 371–88.
  • Hassel, R. Chris Jr. Shakespeare’s Religious Language: A Dictionary. 2005.
  • Hastings, Charles. The Theatre: Its Development in France and England. 1902.
  • Hattaway, Michael, Boika Sokolova, & Derek Roper, eds. Shakespeare in the New Europe. Sheffield, 1994.
  • Hawkes, Terence. Meaning by Shakespeare. 1992.
  • Hawkins, Harriet. Fabulous Counterfeits: Dramatic Construction and Dramatic Perspectives in The Spanish Tragedy, A Midsummer Night’s Dream, and The Tempest. ShakS 6 (1970), 51–65.
  • Hawkins, Harriet. Likenesses of Truth in Elizabethan and Restoration Drama. OUP, 1972.
  • Hazlitt, William. Characters of Shakespear’s Plays. 1817.
  • Hazlitt, William. A View of the English Stage, or, a Series of Dramatic Criticisms. The Complete Works of William Hazlitt. Ed. P. P. Howe. 1967. Pp. 169–424.
  • Hazlitt, William C. Shakespear: Himself and His Work. 2nd ed. 1903. (First pub. 1902.).
  • Hazlitt, William C, ed. Shakespeare’s Library. 2nd ed. 4 vols in 6. 1875.
  • Healy, Thomas. New Latitudes: Theory and English Renaissance Literature. 1992.
  • Hearn, Lafcadio. Lectures on Shakespeare. Tokyo, 1928.
  • [Heath, Benjamin.] A Revisal of Shakspear’s Text. 1765.
  • Heine, Gerhard. Shakespeares Sommernachtstraum und Romeo und Julia. Bernburg, 1907.
  • Hemingway, Samuel B. The Relation of A Midsummer Night’s Dream to Romeo and Juliet. MLN 26 (1911), 78–80.
  • Henderson, Diana. Passion Made Public: Elizabethan Lyric, Gender, and Performance. Urbana, Ill., 1995.
  • Henderson, John (1747–85). Contributor to v1785.
  • Hendricks, Margo. Obscured by Dreams: Race, Empire, and Shakespeare’s A Midsummer Night’s Dream. SQ 47 (1996), 37–60.
  • Heninger, S. K., Jr. The Cosmographicall Glass. San Marino, 1977.
  • Heninger, S. K., Jr. Wondrous Strange Snow—Midsummer Night’s Dream, [TLN 1856]. MLN 68 (1953), 481–3.
  • Heninger, S. K., Jr. A World of Figures: Enargeiac Speech in Shakespeare. Fanned and Winnowed Opinions: Shakespearean Essays Presented to Harold Jenkins. Ed. John W. Mahon & Thomas A. Pendleton. New York, 1987. Pp. 216–30.
  • Henkel, Arthur, & Albrecht Schöne. Emblemata. Stuttgart, 1976.
  • Henley, Samuel (1740–1815). Contributor to mstv1, v1773, v1785, Bell (1787), v1793.
  • Henning, Standish. The Fairies of A Midsummer Night’s Dream. SQ 20 (1969), 484–6.
  • Hense, C[arl] C. John Lilly und Shakespeare. SJ 7 (1872), 238–300.
  • Hense, C[arl] C. Shakspeare’s Sommernachtstraum. Halle, 1851.
  • Henslowe, Philip. Henslowe’s Diary. Ed. R. A. Foakes & R. T. Rickert. Cambridge, 1961.
  • Henze, Richard. A Midsummer Night’s Dream: Analogous Image. ShakS 7 (1974), 115–23.
  • Heraud, John A. Shakspere: His Inner Life; as Intimated in His Works. 1865.
  • Herbert, T. Walter. Dislocation and the Modest Demand in A Midsummer Night’s Dream. RenP 1961. Durham, N.C., 1962. Pp. 31–6.
  • Herbert, T. Walter. Invitations to Cosmic Laughter in A Midsummer Night’s Dream. Shakespearean Essays. Ed. Alwin Thaler & Norman Sanders. Knoxville, Tenn., 1964. Pp. 29–39.
  • Herbert, T. Walter. Oberon’s Mazèd World. Baton Rouge, 1977.
  • Herbert, T. Walter. The Villain and the Happy End of Shakespeare Comedy. RenP (1966), 69–74.
  • Herendeen, Warren. The Midsummer Eves of Shakespeare and Christina Rossetti. VN 41 (1972), 24–6.
  • Herford, C[harles] H. Shakespeare. [1912].
  • Herford, C[harles] H. Shakespeare’s Treatment of Love and Marriage. 1921.
  • Herford, C[harles] H. A Sketch of Recent Shakespearean Investigation. 1923.
  • Herford, C[harles] H. A Sketch of the History of the English Drama in its Social Aspects. Cambridge, 1881.
  • Herford, C[harles] H. Studies in the Literary Relations of England and Germany in the Sixteenth Century. Cambridge, 1886.
  • Hermann, E. Ein Wort zur weiteren Begrundung und Berichtigung meiner Auffassung des Sommernachtstraums. Braunschweig, 1874.
  • Heron, Robert. See Pinkerton, John.
  • Herpich, Chas. A. A Faire Vestall, Throned by the West, Midsummer Night’s Dream, [TLN 535]. 10 N&Q 3 (1905), 425–6.
  • Herr, Jacob G. Scattered Notes on the Text of Shakespeare. Philadelphia, 1879.
  • Herrick, Marvin. Italian Comedy in the Renaissance. Urbana, Ill., 1960. (Rpt. Freeport, 1970.)
  • Herz, Judith Scherer. Play World and Real World: Dramatic Illusion and the Dream Metaphor. ESC 3 (1977), 386–400.
  • Heuscher, Julius E. Theseus and Hippolyta on the Couch. AJP 49 (1989), 319–27.
  • Heyman, Barbara B. Samuel Barber: The Composer and His Music. New York: OUP, 1992.
  • Hibbard, G[eorge] R. Adumbrations of The Tempest in A Midsummer Night’s Dream. ShS 31 (1978), 77–83.
  • Hibbard, G[eorge] R. Love, Marriage and Money in Shakespeare’s Theatre and Shakespeare’s England. ETh VI. Ed. G. R. Hibbard. Toronto, 1978. Pp. 134–55.
  • Hibbard, G[eorge] R. The Making of Shakespeare’s Dramatic Poetry. Toronto, 1981.
  • Hibbard, G[eorge] R, ed. Love’s Labour’s Lost. Oxford, 1990.
  • Hill, R. F. Delight and Laughter: Some Aspects of Shakespeare’s Early Verbal Comedy. ShakS 3 (1964), 1–21.
  • Hill, R. F. The Merchant of Venice and the Pattern of Romantic Comedy. ShS 28 (1975), 75–87.
  • Hillman, David. Puttenham, Shakespeare, and the Abuse of Rhetoric. SEL 36 (1996), 73–90.
  • Hillman, Richard. Shakespeare’s Romantic Innocents and the Misappropriation of the Romance Past: The Case of The Two Noble Kinsmen. ShS 43 (1991), 69–79.
  • Hinely, Jan Lawson. Expounding the Dream: Shaping Fantasies in A Midsummer Night’s Dream. Psychoanalytic Approaches to Literature and Film. Ed. Maurice Charney & Joseph Reppen. Rutherford, 1987. Pp. 120–38.
  • Hinman, Charlton. The Prentice Hand in the Tragedies of the Shakespeare First Folio: Compositor E. SB 9 (1957), 3–20.
  • Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare. 2 vols. OUP, 1963.
  • Hinman, Charlton. Shakespeare’s Text—Then, Now, and Tomorrow. ShS 18 (1965), 23–33.
  • Hinman, Charlton, ed. The First Folio of Shakespeare. The Norton Facsimile. 2nd ed., with a new introduction by Peter W. M. Blayney. New York & London, 1996. (1st ed. 1968.)
  • Hippisley, J. H. Chapters on Early English Literature. 1837.
  • Hirsch, John (1930–1989) & Leslie Thomson. Contributors to Brown (ed. 1996).
  • Hirsch, John. A Midsummer Night’s Dream. The Stratford Scene 1958–1968. Ed. Peter Raby. Toronto, 1968. Pp. 176–8.
  • Hirsch, William. Die menschliche Verantwortlichkeit und die moderne Suggestionslehre. Berlin, 1896.
  • Hirsh, James E. The Structure of Shakespearean Scenes. New Haven, 1981.
  • H[itchcock], E[than] A. Remarks on the Sonnets of Shakespeare. New York, 1865.
  • Hoadly, John (1711–1776). MS notes in Tonson ed. 1734.Bodleian Library, call no. Malone D. 181.
  • Hobson, Alan. Full Circle: Shakespeare and Moral Development. 1972.
  • Hodell, Charles W. Shakespeare’s Opening Scenes as Striking the Key-Note of Dramatic Action and Motive. Poet-Lore 6 (1894), 452–63.
  • Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare’s History. Princeton, 1991.
  • Hodgdon, Barbara. Gaining a Father: The Role of Egeus in the Quarto and Folio. RES n.s. 37 (1986), 534–42.
  • Höfele, Andreas. Erwachen in Shakespeares A Midsummer Night’s Dream. Archiv 228 (1991), 41–51.
  • Höfele, Andreas. Twentieth-Century Intertextuality and the Reading of Shakespeare’s Sources. Poetica 48 (1997), 211–27.
  • Hoeniger, F. David, ed. Pericles. The Arden Shakespeare. 1963.
  • Hoffman, Calvin. The Murder of the Man Who Was Shakespeare. New York, 1955.
  • Holbrook, Peter. Class X: Shakespeare, Class, and the Comedies. A Companion to Shakespeare’s Works. vol. 3. The Comedies. Ed. Richard Dutton & Jean Howard. Oxford, 2003. Pp. 67–89.
  • Holderness, Graham. A Midsummer Night’s Dream: Film and Fantasy. A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Longman Critical Essays. 1991. Pp. 63–70.
  • Holland, Hubert H. Shakespeare, Oxford, and Elizabethan Times. 1933.
  • Holland, Norman N. Freud on Shakespeare. PMLA 75 (1960), 163–73.
  • Holland, Norman N. Hermia’s Dream. Annual of Psychoanalysis 7 (1978), 369–89. (Rpt. Representing Shakespeare: New Psychoanalytic Essays. Ed. Murray M. Schwartz & Coppélia Kahn. Baltimore, 1979, 1980. Pp. 1–20.)
  • Holland, Norman N. The Shakespearean Imagination. New York, 1964.
  • Holland, Peter. Dreaming the Dream. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 9–27.
  • Holland, Peter. A Midsummer Night’s Dream, 1660–1800: Culture and the Canon. Le forme del teatro: Saggi sul teatro elisabettiano e della Restaurazione. Rome, 1994.
  • Holland, Peter. Shakespeare Performances in England, 1993–1994. ShS 48 (1995), 340–57.
  • Holland, Peter. Theseus’ Shadows in A Midsummer Night’s Dream. ShS 47 (1994), 139–51.
  • Holleran, James V. The Pyramus-Thisbe Theme in A Midsummer Night’s Dream. CEJ 3 (1967), 20–6.
  • Hollindale, Peter. A Midsummer Night’s Dream. Penguin Critical Stud. 1992.
  • Holloway, Julia Bolton. Apuleius and A Midsummer Night’s Dream: Bottom’s Metamorphoses. Tales Within Tales: Apuleius Through Time. Ed. Constance S. Wright & Julia Bolton Holloway. New York, 2000. Pp. 123–37.
  • Holmes, Martin. Shakespeare’s Public: The Touchstone of His Genius. 1960.
  • Holstun, James. Will You Rent Our Ancient Love Asunder?: Lesbian Elegy in Donne, Marvell, and Milton. ELH 54 (1987), 835–67.
  • Holt White. See White, Thomas Holt.
  • Holzknecht, Karl J. The Backgrounds of Shakespeare’s Plays. New York, 1950.
  • Homan, Delmar C. The Journal as Performance Explicator of Shakespeare. Kansas English 76 (1990), 20–5.
  • Homan, Sidney R. Directing Shakespeare: A Scholar on Stage. Athens, Ohio, 2004.
  • Homan, Sidney R. The Single World of A Midsummer Night’s Dream. BuR 17 (1969), 72–84.
  • Homan, Sidney R. What Do I Do Now? Directing A Midsummer Night’s Dream. Shakespearean Illuminations: Essays in Honor of Marvin Rosenberg. Ed. Jay L. Halio & Hugh Richmond. Newark, Del., 1998. Pp. 279–96.
  • Homan, Sidney R. When the Theater Turns to Itself. NLH 2 (1971), 407–17.
  • Homan, Sidney R. When the Theater Turns to Itself: The Aesthetic Metaphor in Shakespeare. Lewisburg, 1981.
  • Honan, Park. Shakespeare: A Life. New York, 1998.
  • Honigmann, E[rnst] A. J. Re-enter the Stage Direction: Shakespeare and Some Contemporaries. ShS 29 (1976), 117–25.
  • Honigmann, E[rnst] A. J. Shakespeare: The Lost Years. Manchester, 1985.
  • Honigmann, E[rnst] A. J. The Stability of Shakespeare’s Text. 1965.
  • Honigmann, E[rnst] A. J, ed. William Shakespeare: King John. The Arden Shakespeare. 1954.
  • Hopkins, Lisa. Dreamtime: A Midsummer Night’s Dream and the Classical Past. The Shakespearean International Yearbook 3: Where Are We Now in Shakespearean Studies? Ed. Graham Bradshaw et al. Aldershot, 2003. Pp. 193–205.
  • Hopkins, Lisa. The Female Hero in English Renaissance Tragedy. Basingstoke, 2002.
  • Hopkins, Lisa. The Shakespearean Marriage: Merry Wives and Heavy Husbands. Basingstoke, 1998.
  • Hoppin, James Mason. The Reading of Shakespeare. Boston, 1906.
  • Horn, R. L. A Note on Duke Theseus. SN 58 (1986), 67–9.
  • Hornby, Richard. The End of Acting: A Radical View. New York, 1992.
  • Horne, Herman Harrell. Shakespeare’s Philosophy of Love. Raleigh, N.C., 1945.
  • Hortmann, Wilhelm. Shakespeare on the German Stage: The Twentieth Century. Cambridge, 1998.
  • Howard, Skiles. Hands, Feet and Bottoms: Decentering the Cosmic Dance in A Midsummer Night’s Dream. SQ 44 (1993), 325–42.
  • Howard, Skiles. The Politics of Courtly Dancing in Early Modern England. Amherst, Mass., 1998.
  • Howard-Hill, T. H. The Compositors of Shakespeare’s Folio Comedies. SB 26 (1973), 61–106.
  • Howarth, Herbert. Shakespeare’s Gentleness. ShS 14 (1961), 90–7.
  • Howarth, Herbert. The Tiger’s Heart: Eight Essays on Shakespeare. 1970.
  • Hubler, Edward. The Range of Shakespeare’s Comedy. SQ 15 (1964), 55–66.
  • Hudson, Henry N. Introduction. Shakespeare’s A Midsummer Night’s Dream, with Introduction, and Notes Explanatory and Critical. Boston, 1882.
  • Hudson, Henry N. Lectures on Shakespeare. 2 vols. New York, 1848. (Rpt. New York: AMS, 1971.)
  • Hudson, Henry N. Shakespeare: His Life, Art, and Characters. 2 vols. 4th. ed., rev. Boston, 1872. (Rpt. New York: AMS, 1973. 1st ed. 1855.)
  • Hughes, Felicity A. Imagination. The Spenser Encyclopedia. Gen. ed. A. C. Hamilton. Toronto, 1990. Pp. 392–3.
  • Hughes, Felicity A. Milton, Shakespeare, Pindar and the Bees. RES n.s. 54 (1993), 220–30.
  • Hugo, Victor. William Shakespeare. Tr. A. Baillot. 1864. (Rpt. in The Philosophy of Shakespeare. Ed. Anderson M. Baten. Kingsport, Tenn., 1937. Pp. 237–536.)
  • Hulme, Hilda M. Explorations in Shakespeare’s Language. 1962.
  • Hulme, Hilda M. Three Notes: Troilus and Cressida, [ASL 5.7.11]; Midsummer Night’s Dream, [ASL 2.1.39]; Measure for Measure, [TLN 425]. JEGP 57 (1958), 721–5.
  • Hülsmann, Eduard. Shakespeare, sein Geist und seine Werke. Leipzig, 1856.
  • Hunt, Hugh. The Director in the Theater. 1954.
  • Hunt, Leigh. Imagination and Fancy. 1844.
  • Hunt, Maurice. The Countess of Pembroke’s Arcadia, Shakespeare’s A Midsummer Night’s Dream, and the School of Night: An Intertextual Nexus. Essays in Literature (Macomb, Ill.) 23 (1996), 3–20.
  • Hunt, Maurice. Individuation in A Midsummer Night’s Dream. SCRev 3 (1986), 1–13.
  • Hunt, Maurice. Old England, Nostalgia, and the Warwickshire of Shakespeare’s Mind. Connotation 7 (1997–8), 159–80.
  • Hunt, Maurice. A Speculative Political Allegory in A Midsummer Night’s Dream. CompD 34 (2000–1), 423–53.
  • Hunt, Maurice. The Voices of A Midsummer Night’s Dream. TSLL 34 (1992), 218–38.
  • Hunter, Dianne. Cultural Politics of Fantasy in Shakespeare’s Midsummer Night’s Dream. PsyArt 7 (2003), pp. 1–12.
  • Hunter, Edwin R. Shakspere and Common Sense. Boston, 1954.
  • Hunter, G[eorge] K. English Drama 1586–1642: The Age of Shakespeare. 1997.
  • Hunter, G[eorge] K. John Lyly: The Humanist as Courtier. 1962.
  • Hunter, G[eorge] K. Northrop Frye’s Green World: Escapism and Transcendence. Shakespeare: Le monde vert: Rites et renouveau. Ed. M. T. Jones-Davies. Paris, 1995. Pp. 39–47.
  • Hunter, G[eorge] K. William Shakespeare: The Late Comedies. 1962.
  • Hunter, Joseph. A Disquisition on the Scene, Origin, Date, etc. etc. of Shakespeare’s Tempest. A Letter to Benjamin Bright, Esq. 1839.
  • Hunter, Joseph. New Illustrations of the Life, Studies, and Writings of Shakespeare. 2 vols. 1845. (Rpt. New York: AMS, 1976.)
  • Hunter, Mark. Spiritual Values in Shakespeare. Speculum Religionis. Ed. F. C. Burkitt. OUP, 1929. Pp. 113–30.
  • Hunter, William B. The First Performance of A Midsummer Night’s Dream. N&Q 32 (1985), 45–7.
  • Hunter, William B. Milton’s Comus: Family Piece. Troy, N.Y., 1983.
  • Hunter, William B. New Readings of A Midsummer Night’s Dream. ANQ 15 (2002), 3–10.
  • Hunter, William B. Performance and Text: The Evidence of A Midsummer Night’s Dream. ANQ 11 (1998), 7–11.
  • Huon of Burdeux. See Lee, Sidney.
  • Hurdis, James. Cursory Remarks upon the Arrangement of the Plays of Shakespear. 1792.
  • Huston, J. Dennis. Bottom Waking: Shakespeare’s Most Rare Vision. SEL 13 (1973), 208–22.
  • Huston, J. Dennis. Shakespeare’s Comedies of Play. New York, 1981.
  • Hutchesson. Otherwise unidentified contributor to cam2.
  • Hutton, Virgil. A Midsummer Night’s Dream: Tragedy in Comic Disguise. SEL 25 (1985), 289–305.
  • Hyland, Peter. An Introduction to Shakespeare: The Dramatist in His Context. New York, 1996.
  • Iginla, Biodun. Woman and Metaphor. Enclitic 2.1 (1978), 27–37.
  • Imam, Syed Mehdi. Studies of Shakespeare’s Plays. Study No. 4: A Midsummer-Night’s Dream: Or Love-in-Idleness. Mother India 11 (Sept. 1959), 72–5; (Oct. 1959), 58–64.
  • Ingersoll, Robert G. A Lecture on Shakespeare. Girard, 1890.
  • Ingleby, C[lement] Mansfield. Shakspeare Readings. The Illustrated London News (29 December 1855), 771.
  • Ioppolo, Grace. Revising Shakespeare. Cambridge, Mass., & London, 1991.
  • Isaacs, J[acob]. Shakespeare as Man of the Theatre. Shakespeare and the Theatre, by Members of the Shakespeare Association (1927). Rpt. Shakespeare Criticism 1919–35. Ed. Anne Ridler. OUP, 1936, 1951. Pp. 292–326.
  • Isaacs, Neil D., & Jack E. Reese. Dithyramb and Paean in A Midsummer Night’s Dream. ES 55 (1974), 351–7.
  • Iyengar, K. R. Srinivasa. Shakespeare, His World and His Art. Bombay, 1964.

J-L

  • Jackson, MacDonald P. Bottom’s Entry-Line: A Midsummer Night’s Dream, [TLN 917]. N&Q 47 (2000), 69–70.
  • Jackson, MacDonald P. Is Hand D of Sir Thomas More Shakespeare’s? Thomas Bayes and the Elliott-Valenza Authorship Tests. EMLS 12.3 (2007), 1:1–36 (purl.oclc.org/emls).
  • Jackson, Margaret Y. High Comedy in Shakespeare. CLAJ 10 (1966), 11–22.
  • Jackson, Russell. Shakespeare at Stratford-upon-Avon, 1994–95. SQ 46 (1995), 340–57.
  • Jackson, Russell. Shakespeare at Stratford-upon-Avon: Summer and Winter, 1999–2000. SQ 51 (2000), 17–229.
  • Jackson, Zachariah. Shakspeare’s Genius Justified: Being Restorations and Illustrations of Seven Hundred Passages in Shakspeare’s Plays. 1819.
  • Jacobi, Walter. Form und Struktur der Shakespeareschen Komodien. Berlin, 1937.
  • Jacobson, Gerald F. A Note on Shakespeare’s Midsummer Night’s Dream. AI 19 (1962), 21–6.
  • Jaffa, Harry V. The Unity of Tragedy, Comedy, and History: An Interpretation of the Shakespearean Universe. Shakespeare as Political Thinker. Ed. John Alvis & Thomas G. West. Durham, N.C., 1981. Pp. 277–303.
  • James, Heather. Shakespeare’s Learned Heroines in Ovid’s Schoolroom. Shakespeare and the Classics. Ed. Charles Martindale & A. B. Taylor. Cambridge, 2004. Pp. 66–85.
  • Jameson, Thomas. The Hidden Shakespeare: A Study of the Poet’s Undercover Activity in the Theatre. New York, 1967.
  • Jankowski, Theodora A. Pure Resistance: Queer Virginity in Early Modern English Drama. Philadelphia, 2000.
  • Jarfe, Von Günther. A Midsummer Night’s Dream. Shakespeares Dramen. [Ed. Philipp Reclam.] Stuttgart, 2000. Pp. 70–98.
  • Jenkins, Harold (1909–2000). Contributor to ard2.
  • Jensen, Ejner J. Shakespeare and the Ends of Comedy. Drama and Performance Stud. Bloomington, Ind., 1991.
  • Jerrold, Douglas William. Bully Bottom. Punch; or The London Charivari 640 (16 October 1853), 165.
  • Jessup, Katherine E. Shakespeare’s Comic Lovers. Sh. Assoc. Bull. 4 (1929), 104–16.
  • Jobin, Sybille. William Shakespeare: Die Dramaturgie der Zuschauerüberraschung in seinen Komödien. Bonn, 1979.
  • Jochums, Milford C. Artificial Motivation in A Midsummer Night’s Dream. Illinois State Univ. Jour. 32 (1970), 16–21.
  • Johnson, Gerald. Thomas Pavier, Publisher, 1600–25. 6 Library 14 (1992), 12–50.
  • Johnson, Samuel. A Dictionary of the English Language. 2 vols. 1755. (Rpt. New York: AMS, 1967; New York: Arno Pr., 1979.)
  • Joicey, G. Midsummer Night’s Dream , [TLN 1287–8]. 8 N&Q 3 (1893), 102.
  • Jonas, Maurice. Shakespeare and the Stage. 1918.
  • Jones, Ernest. The Madonna’s Conception through the Ear. Essays in Applied Psycho-Analysis. 2 vols. (1951), 2:266–357.
  • Jones-Davies, M. T. Shakespeare in the Humanist Tradition: Skeptical Doubts and Their Expression in Paradoxes. Shakespeare and Cultural Traditions. Ed. Tetsuo Kishi, Roger Pringle, & Stanley Wells. Newark, Del., 1994. Pp. 99–109.
  • Jorgensen, Paul A. Redeeming Shakespeare’s Words. Berkeley, 1962.
  • Jortin, John (1698–1770). Contributor to tby3.
  • Kable, William S. The Pavier Quartos and the First Folio of Shakespeare. Sh. Stud. Monograph Series 2. Dubuque, Iowa, 1970.
  • Kahan, Jeffrey. Cuckoldry in A Midsummer Night’s Dream. Imaginaires: Revue du Centre de Recherche sur l’Imaginaire dans les littératures de langue anglaise (Reims) 1 (1996), 15–24.
  • Kalepky, Theodor. Eine ungereimte Lesart in Shakespeares Midsummer-Night’s Dream [TLN 180–1]. Germanisch-Romanische Monatsschrift 18 (1928), 240–4.
  • Kállay, Géza. The Eye of Man Hath Not Heard … : Fundamental Measurements and Perception from St. Paul to Shakespeare’s Bottom. AnaChronist (1998), 1–30.
  • Kannicht, Richard, ed. Euripides. Göttingen, 2004. Vol. 5 of Tragicorum Graecorum Fragmenta. Ed. Bruno Snell. 5 vols. Göttingen, 1971–2004.
  • Kantak, V. Y. An Approach to Shakespearian Comedy. ShS 22 (1969), 7–14.
  • Kantak, V. Y. The Poor Player … LCrit 6 (1963), 153–63.
  • K[aplan], M[orton]. The American Imago in Retrospect. L&P 13 (1963), 112–16.
  • Kavanagh, James H. Shakespeare in Ideology. Alternative Shakespeares. Ed. John Drakakis. 1985. Pp. 144–65.
  • Kay, Dennis. Shakespeare: His Life, Work, and Era. New York, 1992.
  • Keightley, Thomas. Critical Audacity. 2 N&Q 12 (1861), 264.
  • Keightley, Thomas. The Fairy Mythology. 2 vols. 1828. (Rev. 1833. 1 vol. rev. & enl. 1850.)
  • Keightley, Thomas. The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare’s Plays. 1867. (Rpt. New York: AMS, 1973.)
  • Keightley, Thomas. Shakspeariana. 2 N&Q 92 (1857), 262–3.
  • Kellner, Leon. Erläuterungen und Textverbesserungen zu vierzehn Dramen Shakespeares. Leipzig, 1931.
  • Kellner, Leon. Restoring Shakespeare: A Critical Analysis of the Misreadings in Shakespeare’s Works. 1925.
  • Kellner, Leon. Shakespeare. Leipzig, 1900.
  • Kellogg, A. O. Shakespeare’s Delineations of Insanity, Imbecility, and Suicide. New York, 1866.
  • Kennan, Patricia Ann. Discordia concors: La poetica di Sidney e A Midsummer Night’s Dream. A Midsummer Night’s Dream: Dal testo alla scena. Ed. Mariangela Tempera. Bologna, 1991. Pp. 87–97.
  • Kennedy, Dennis, ed. Foreign Shakespeare: Contemporary Performance. Cambridge, 1993.
  • Kennedy, Dennis. Granville Barker and the Dream of Theatre. Cambridge, 1985.
  • Kennedy, Judith B. [i.e. M.] On the Sources of the Pyramus and Thisbe Playlet. ShN 55.264 (2005), 9–10, 18, 20, 32.
  • Kennedy, Judith M. See Montemayor, Jorge de.
  • Kennedy, Richard F. A Midsummer Night’s Dream [TLN 535]: A Proposed Emendation. N&Q 55 (2008), 176.
  • Kennedy, Richard F. Speech Prefixes in Some Shakespearean Quartos. PBSA 92 (1998), 177–209.
  • Kenny, Thomas. The Life and Genius of Shakespeare. 1864.
  • Kenrick, W[illiam]. A Review of Doctor Johnson’s New Edition of Shakespeare: In which the Ignorance, or Inattention, of That Editor is Exposed. 1765.
  • Ker, W. P. A Note on the Form of Shakespeare’s Comedies. Edda 6 (1916), 158–63.
  • Kermode, Frank. The Mature Comedies. Early Shakespeare. Stratford-upon-Avon Stud. 3. 1961. Pp. 211–27.
  • Kermode, Frank. Shakespeare’s Language. New York, 2000.
  • Kernan, Alvin. From the City to the Woods: A Midsummer Night’s Dream. The Revels History of Drama in English, 1576–1613. Ed. J. Leeds Barroll, Alexander Leggatt, Richard Hosley, Alvin Kernan. Vol. 3. 1975. Pp. 311–19.
  • Kernan, Alvin. The Playwright as Magician: Shakespeare’s Image of the Poet in the English Public Theater. New Haven, 1979.
  • Kernan, Alvin. Shakespeare’s Essays on Dramatic Poesy: The Nature and Function of Theater within the Sonnets and the Plays. The Author in His Work: Essays on a Problem in Criticism. Ed. Louis L. Martz & Aubrey Williams. Introd. Patricia Meyer Spacks. New Haven, 1978. Pp. 175–96.
  • Kernan, Alvin. Shakespearian Comedy and Its Courtly Audience. Comedy from Shakespeare to Sheridan: Change and Continuity in the English and European Dramatic Tradition. Ed. A. R. Braunmuller & J. C. Bulman. Newark, Del., 1986. Pp. 91–101.
  • Kernodle, George R. The Mannerist Stage of Comic Detachment. ETh III. Ed. David Galloway. Hamden, Conn. and Toronto, 1973. Pp. 119–34. (Orig. a paper given at the Third Internat. Conference on Elizabethan Theatre held at the Univ. of Waterloo, Ontario, July 1970.)
  • Kersten, Dorelies. Shakespeare's Puck. SJ 98 (1962), 189–200.
  • Kéry, László. Shakespearian Comedy. ALitASH 6 (1964), 245–66.
  • Keyishian, Harry. The Shapes of Revenge: Victimization, Vengeance, and Vindictiveness in Shakespeare. Atlantic Highlands, 1995.
  • Kiernan, Pauline. Shakespeare’s Theory of Drama. Cambridge, 1996.
  • Kilian, Eugen. Zur Aufführung des Sommernachtstraums. SJ 34 (1898), 52–65.
  • Kim, Tai-Won. Avant-Garde Reading of Shakespeare’s A Midsummer Night’s Dream. Seek (Korea) 7 (2004), 111–47.
  • King, T[homas] J. Casting Shakespeare’s Plays: Actors and Their Roles, 1590–1642. Cambridge, 1992.
  • Kinnear, Benjamin G. Cruces Shakespearianæ: Difficult Passages in the Works of Shakespeare. 1883.
  • Kirkman, Francis. A True, Perfect, and Exact Catalogue. 1661–71. The Shakspere Allusion-Book. Ed. John Munro. 2 vols. 1932.
  • Kirkman, Francis, ed. The Wits, or, Sport upon Sport. 1673.
  • Kirkpatrick, Robin. English and Italian Literature from Dante to Shakespeare: A Study of Source, Analogue, and Divergence. Harlow, 1995.
  • Kirsch, Arthur C. Shakespeare and the Experience of Love. Cambridge, 1981.
  • Kirschbaum, Leo. Shakespeare and the Stationers. Columbus, Ohio, 1955.
  • Kirschbaum, Leo. Shakespeare’s Hypothetical Marginal Additions. MLN 61 (1946), 44–9.
  • Klose, Dietrich. Shakespeare und Ovid. SJH 104 (1968), 73–93.
  • Knight, Charles. Studies of Shakspere. 1849.
  • Knight, Charles. William Shakspere: A Biography. 1843.
  • Knight, G. Wilson. The Christian Renaissance. Toronto, 1933.
  • Knight, G. Wilson. The Golden Labyrinth: A Study of British Drama. New York, 1962.
  • Knight, G. Wilson. The Olive and the Sword: A Study of England’s Shakespeare. 1944.
  • Knight, G. Wilson. Shakespeare and Religion: Essays of Forty Years. New York. 1967.
  • Knight, G. Wilson. The Shakespearean Tempest. 1932.
  • Knight, G. Wilson. The Sovereign Flower or Shakespeare as the Poet of Royalism. 1958.
  • Knowles, Ric, ed. Shakespeare and Canada: Essays on Production, Translation, and Adaptation. Brussels, 2004.
  • Knowles, Richard, ed. A New Variorum Edition of Shakespeare. As You Like It. New York, 1977.
  • Knowles, Richard, ed. A New Variorum Edition of Shakespeare. King Lear. New York, 2020.
  • Knowles, Richard. The Printing of the Second Quarto (1619) of King Lear. SB 35 (1982), 191–206.
  • Knowles, Richard. Private contributor.
  • Knutson, Roslyn Lander. The Repertory of Shakespeare’s Company 1594–1613. Fayetteville, Ar., 1991.
  • Koeppel, E. Bottoms Ercles und Studleys Übersetzung von Senecas Hercules Oetaeus. SJ 47 (1911), 190–1.
  • Kökeritz, Helge. Shakespeare’s Names: A Pronouncing Dictionary. New Haven, 1959.
  • Kökeritz, Helge. Shakespeare’s Night-Rule. Language 18 (1942), 40–4.
  • Kökeritz, Helge. Shakespeare’s Pronunciation. New Haven, 1953.
  • Kökeritz, Helge & Charles T. Prouty, eds. Mr. William Shakespeare’s Comedies, Histories, & Tragedies: A Facsimile Edition. New Haven, 1954.
  • Kolbe, F[rederick] C. Shakespeare’s Way: A Psychological Study. 1930.
  • König, Wilhelm. Was Ihr wollt, als komisches Gegenstuck zu Romeo und Julia. SJ (1873), 202–23.
  • Korner, Sinclair. Solar Myths in A Midsummer Night’s Dream. Poet Lore 3 (1891), 17–20.
  • Kott, Jan. Bottom and the Boys. NTQ 33 (1993), 307–15.
  • Kott, Jan. The Bottom Translation. Assays 1 (1981), 117–49. (Rpt. with rev. The Bottom Translation. Evanston, 1987. Pp. 28–68.)
  • Kott, Jan. Shakespeare Our Contemporary. Tr. Boleslaw Taborski. New York, 1966. (Polish ed. 1964.)
  • Kranendonk, A[nthonius] G. van. Spenserian Echoes in A Midsummer Night’s Dream. ES 14 (1932), 209–217.
  • Krause, B. Die drei ältesten Drucke des Sommersnachtstraums. SJ 21 (1886), 159–74.
  • Krauss, Fritz. Eine Quelle zu Shakespeare’s Sommernachtstraum. SJ 11 (1876), 226–44.
  • Kreyssig, Friedrich A. Vorlesungen über Shakespeare, seine Zeit und seine Werke. 3 vols. Berlin, 1862.
  • Krieger, Elliot. A Marxist Study of Shakespeare’s Comedies. 1979.
  • Kuin, R. J. P., ed. A Letter. Robert Langham [Laneham]. Medieval and Renaissance Texts. Vol. 2. Leiden, 1983. (Letter describes Kenilworth festivities. Ed. updates Furnivall’s ed.)
  • Kukowski, Stephan. The Hand of John Fletcher in Double Falsehood. ShS 43 (1991), 81–9.
  • Kupper, Hans Jürg. A Local Habitation and a Name (Bemerkungen zum Sommernachtstraum). SJH (1977), 51–69.
  • Küpper, Ulrike. William Shakespeare’s A Midsummer Night’s Dream in the History of Music Theater. Frankfurt am Main, 2011.
  • Kurz, Hermann. Nachlese 2. Zum Sommernachtstraum. SJ 4 (1869), 268–307.
  • Labriola, Albert C. To Make a Virtue of Necessity: Joy and Wonder in Chaucer’s The Knight’s Tale and Shakespeare’s Midsummer Night’s Dream. The Western Pennsylvania Symposium on World Literatures, Selected Proceedings: 1974–1991, a Retrospective. Ed. Carla E. Lucente. Greensburg, Pa., 1992. Pp. 67–70.
  • Lagae, Denis. A Midsummer Night’s Dream: Beaucoup de bruit pour rien? Lectures d’une œuvre A Midsummer Night’s Dream de William Shakespeare. Ed. Christine Sukic. Nantes, 2002. Pp. 65–75.
  • Laird, David. If we offend, it is with our good will: Staging Dissent in A Midsummer Night’s Dream. Connotations 12 (2002/2003), 35–51.
  • Lamb, Mary E. A Midsummer-Night’s Dream: The Myth of Theseus and the Minotaur. TSLL 21 (1979), 478–91.
  • Lamb, Mary E. Taken by the Fairies: Fairy Practices and the Production of Popular Culture in A Midsummer Night’s Dream. SQ 51 (2000), 277–312.
  • Lambrechts, Guy. Proposed New Readings in Shakespeare: The Comedies. Hommage à Shakespeare: Bull. de la Faculté des Lettres de Strasbourg 43 (May-June 1965), 945–58.
  • Landmann, Friedrich. Euphues … by John Lyly … with Introduction and Notes. In Karl Vollmöller. Englische Sprache- und Literaturdenkmale des 16, 17, und 18 Jahrhunderts 4. Heilbronn, 1887.
  • Lang, Andrew. Midsummer Night’s Dream. Harper’s Magazine (Aug. 1895), 327–38.
  • Langbaine, Gerard. An Account of the English Dramatick Poets. Oxford, 1691.
  • Langford, Larry. The Story Shall Be Changed: The Senecan Sources of A Midsummer Night’s Dream. CahiersE 25 (1984), 37–51.
  • Langley, T. R. Shakespeare: Dream and Tempest. CQ 20 (1991), 118–37.
  • Lanier, Douglas. Fertile Visions: Jacobean Revels and the Erotics of Occasion. SEL 39 (1999), 327–56.
  • Lanier, Sidney C. Chaucer and Shakespeare. The Independent 43:2232–4 (1891), 1337–8, 1371–2, 1401–2. (Rpt. in Music and Poetry. New York, 1898; New York: AMS, 1969.)
  • Lanier, Sidney C. Shakspere and His Forerunners. New York, 1902.
  • Laqueur, Richard. Shakespeares dramatische Konzeption. Tübingen, 1955.
  • Laroque, François. Masque et antimasque dans A Midsummer Night’s Dream. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 113–36.
  • Laroque, François. Ovidian Transformations and Folk Festivities in A Midsummer Night’s Dream, The Merry Wives of Windsor and As You Like It. CahiersE 23 (1984), 23–36.
  • Laroque, François. Popular Festivity. The Cambridge Companion to Shakespearean Comedy. Ed. Alexander Leggatt. New York, 2002. Pp. 64–78.
  • Laroque, François. Shakespeare’s Festive World. Tr. Janet Lloyd. Cambridge, 1991. (Shakespeare et la fête. [Paris], 1988.)
  • Latham, Grace. Some of Shakspere’s Metaphors and His Use of Them in the Comedies. The New Shakspere Society’s Transactions 1887–92. (Rpt. Vaduz: Kraus Rpt. Ltd., 1965.) Pp. 397–427.
  • Latham, Minor White. The Elizabethan Fairies: The Fairies of Folklore and the Fairies of Shakespeare. New York, 1930.
  • Lathrop, Elise. Where Shakespeare Set his Stage. [New York], 1906.
  • Latimer, Elizabeth Wormeley. Familiar Talks on Some of Shakespeare’s Comedies. Boston, 1886.
  • Lavin, J[oseph] A. See Greene, Robert.
  • Law, Robert. The Pre-Conceived Pattern of A Midsummer Night’s Dream. Studies in English, Department of English, The University of Texas 23 (1943), 5–14.
  • Law, Robert. The Text of Shakespeare’s Plutarch. HLQ 6 (1943), 197–203.
  • Lawrence, William J. The Date of A Midsummer Night’s Dream. TLS (9 Dec. 1920), 826.
  • Lawrence, William J. A Plummet for Bottom’s Dream. The Fortnightly Review 111 (1922), 833–44.
  • Lawrence, William J. Pre-Restoration Stage Studies. Cambridge, Mass., 1927.
  • Lawrence, William J. Shakespeare from a New Angle. Studies (Dublin) (1919), 442–55.
  • Lawrence, William J. Shakespeare’s Workshop. Oxford, 1928.
  • Lawrence, William W. Shakespeare’s Problem Comedies. 1931. (2nd ed. rev. New York, 1960.)
  • Lawton, Robert O. Stock Comic Characters in Shakespeare. Duke diss., 1953.
  • Leary, William Gordon. Shakespeare Plain: The Making and Performing of Shakespeare’s Plays. New York, 1977.
  • Lecercle, Ann. Of Mazes, Merry-Go-Rounds and Immaculate Conceptions: The Dream Logic of A Midsummer Night’s Dream. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 141–53.
  • Lechay, Daniel. Instincts and Their Vicissitudes: A Reading of A Midsummer Night’s Dream. Gradiva 2 (1981–2), 11–29.
  • Le Comte, Edward S. Endymion in England: The Literary History of a Greek Myth. New York, 1944.
  • Lee, G. M. Plotinus and Shakespeare. N&Q 212 (1967), 134.
  • Lee, Sidney. Bearbaiting, Bullbaiting, and Cockfighting. Shakespeare’s England: An Account of the Life & Manners of His Age. 2 vols. OUP, 1916. 2:428–36.
  • Lee, Sidney. A Census of Extant Copies [of F1]. Oxford, 1902. (Suppl. to F1 facs. 1902.)
  • Lee, Sidney. Great Englishmen of the Sixteenth Century. New York, 1904.
  • Lee, Sidney. Introduction. The Boke of Duke Huon of Burdeux. EETS Extra Series 40, 41, 43, 50. 4 vols. 1882, 1883, 1884, 1887. (Rpt. 4 vols. in 2. New York: Kraus, 1975.)
  • Lee, Sidney. A Life of William Shakespeare. 1898.
  • Lee, Sidney, ed. Mr. William Shakespeare’s Comedies, Histories & Tragedies: Being a Reproduction in Facsimile of the First Folio Edition, 1623. Oxford, 1902.
  • Lee, Vernon [Violet Paget]. The Poet’s Eye. 1926.
  • Lee, Virgil. Puck’s Tailor: A Mimic Pun? SQ 26 (1975), 55–7.
  • Leech, Clifford. Chinks. TLS (25 Dec. 1970), 1516.
  • Leech, Clifford. The Function of Locality in the Plays of Shakespeare and His Contemporaries. ETh. Ed. David Galloway. Toronto, 1969. Pp. 103–16.
  • Leech, Clifford. Shakespeare’s Comic Dukes. REL 5 (1964), 101–14.
  • Leech, Clifford, ed. The Arden Shakespeare: The Two Gentlemen of Verona. 1969.
  • Lefranc, Abel. Sous le masque de Shakespeare. 2 vols. Paris, 1918–19. Tr. [somewhat freely] Cecil Cragg, Under the Mask of William Shakespeare. Braunton, Devon, 1988.
  • Leggatt, Alexander. The Disappearing Wall: A Midsummer Night’s Dream and Timon of Athens. Shakespeare and the Mediterranean. Ed. Thomas Clayton, Susan Brock, & Vicente Forés. Newark, N.J., 2004. Pp. 194–205.
  • Leggatt, Alexander. English Drama: Shakespeare to the Restoration. New York, 1988.
  • Leggatt, Alexander. Introduction to English Renaissance Comedy. Manchester and New York, 1999.
  • Leggatt, Alexander. Shakespeare’s Comedy of Love. 1974.
  • Legouis, Emile. La psychologie dans le songe d’une nuit d’été. EA 3 (1939), 113–17.
  • Leimberg, Inge. Give Me thy Hand: Some Notes on the Phrase in Shakespeare’s Comedies and Tragedies. Shakespeare: Text, Language, Criticism: Essays in Honour of Marvin Spevack. Ed. Bernhard Fabian & Kurt Tetzeli von Rosador. Hildesheim, 1987. Pp. 118–46.
  • Leinwand, Theodore B. I Believe We Must Leave the Killing Out: Deference and Accommodation in A Midsummer Night’s Dream. RenP (1986), 11–30.
  • Lemercier-Goddard, Sophie. Such a Tender Ass: Shakespeare et L’Âne d’or d’Apulée. Anglophonia 13 (2003), 97–111.
  • Lemonnier, Léon. Shakespeare. Paris, [1943].
  • Leo, Friedrich August. Shakespeare Notes. Athenæum 2770 (1880), 708.
  • Leo, Friedrich August. Shakespeare Notes. 1885.
  • Lerner, Laurence. Ovid and the Elizabethans. Ovid Renewed. Ed. Charles Martindale. Cambridge, 1988. Pp. 121–35.
  • Leslie, Robert W. Sforza Oddi and the Commedia Grave: Setting the Stage for Shakespeare. CompD 30 (1996–1997), 525–51.
  • Leslie, Robert W. Shakespeare’s Italian Dream: Cinquecento Sources for A Midsummer Night’s Dream. CompD 29 (1995–96), 454–65.
  • Lettsom, William N. (1796–1865). Contributor to dyce1, dyce2.
  • Lettsom, William N. Contributor to William S. Walker 1854 and 1860.
  • Lettsom, William N. New Readings in Shakespeare. Blackwood’s Edinburgh Magazine. 74 (1853), 181–202, 303–24, 451–74.
  • Levenson, Jill, ed. Romeo and Juliet. OUP, 2000.
  • Leveridge, Richard. A Collection of Songs, with the Musick. 2 vols. 1727.
  • Levi, A. R. Studi su Shakspeare. Treviso, 1875.
  • Levi, Peter. The Life and Times of William Shakespeare. 1988.
  • Levith, Murray J. What’s in Shakespeare’s Names. Hamden, Conn., 1978.
  • Levitt, John. The Misplaced Stop. Verbatim 9 (1983), 21.
  • Lewes, George Henry. MS notes in Charles Knight, ed. Shakespeare Comedies, Histories, Tragedies, and Poems. 12 vols. 1842–4, (Folger PR2752 1842–1844a Copy 3 v.2.)
  • Lewes, Louis. Shakespeares Frauengestalten. Stuttgart, 1893.
  • Lewis, Allan. A Midsummer Night’s Dream: Fairy Fantasy or Erotic Nightmare? Educational Theatre Jour. 21 (1969), 251–8.
  • Lewis, Edwin H. Metrical Changes in A Midsummer Night’s Dream. Poet Lore 9 (1897), 110–17.
  • Lieblein, Leanore. Green Plots and Hawthorn Brakes: Towards a Definition of Performance Space in the Renaissance. Comparative Critical Approaches to Renaissance Comedy. Ed. Donald A. Beecher & Massimo Ciavolella. Ottawa, 1986. Pp. 119–26.
  • Lievsay, John Leon. Italian Favole Boscarecce and Jacobean Stage Pastoralism. Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig. Ed. Richard Hosley. Columbia, Mo., 1962. Pp. 317–26.
  • Lindblad, Ishrat. The Autotelic Function of A Midsummer Night’s Dream. Papers from the First Nordic Conference for English Studies, Oslo, 17–19 September, 1980. Ed. Stig Johansson & Bjørn Tysdahl. Oslo, 1981. Pp. 134–47.
  • Lindley, David. Shakespeare and Music. 2006.
  • Lindsay, Jack. Shakespeare and Tom Thumb. Life and Letters 58 (1948), 119–27.
  • Linthicum, M[arie] C. Costume in the Drama of Shakespeare and His Contemporaries. OUP, 1936. (Rpt. New York: Russell & Russell, 1963.)
  • Liston, William T. Chastity in A Midsummer Night’s Dream. ShN 38 (1988), 46.
  • Liston, William T. Paradoxical Chastity in A Midsummer Night’s Dream. University of Dayton Review 21 (1991), 153–60.
  • Litt, Dorothy E. Nominal Jests in Shakespeare’s Plays. Literary Onomastics Studies 16 (1989), 7–16.
  • Little, Roger. Réflexions sur Bottom: Rimbaud, Apulée, Shakespeare et Cie. Revue de littérature comparée 64 (1990), 223–33.
  • Littledale, H[arold]. Folklore and Superstitions: Ghosts and Fairies: Witchcraft and Devils. Shakespeare’s England: An Account of the Life & Manners of His Age. 2 vols. OUP, 1916. 1:516–46.
  • Lloyd, William Watkiss. Critical Essay on Midsummer Night’s Dream. Singer, ed. 1856, 2:423–36. (Rpt. Essays on the Life and Plays of Shakespeare, 1858; Critical Essays on the Plays of Shakespeare, 1875, 1894.)
  • Lob, Heinz Peter. Is there no play to ease the anguish of a torturing lesson? Anregungen zu Shakespeares A Midsummer Nights Dream im Unterricht. SJ (1994), 149–57.
  • Loney, Glenn, ed. Peter Brook’s Production of A Midsummer Night’s Dream: Authorized Acting Edition. New York, 1974.
  • Long, John H. Shakespeare’s Use of Music: A Study of the Music and Its Performance in the Original Production of Seven Comedies. Gainesville, Fla., 1955.
  • Long, Michael. The Unnatural Scene. 1976.
  • Longo, Joseph A. Myth in A Midsummer Night’s Dream. CahiersE 18 (1980), 17–27.
  • Loomba, Ania. The Great Indian Vanishing Trick—Colonialism, Property, and the Family in A Midsummer Night’s Dream. A Feminist Companion to Shakespeare. Malden, Mass., 2000. Pp. 163–87.
  • Lopez, Jeremy. Dream: The Performance History. A Midsummer Night’s Dream: A Critical Guide. Ed. Regina Buccola. 2010. Pp. 44–73.
  • Lowenthal, David. The Portrait of Athens in A Midsummer Night’s Dream. Shakespeare’s Political Pageant: Essays in Literature and Politics. Ed. Joseph Alulis & Vickie Sullivan. Laneham, Md., 1996. Pp. 77–88.
  • Luce, Morton. A Handbook to the Works of William Shakespeare. 1906. (2nd ed. 1907.)
  • Luce, Morton. Nature in Shakespeare. The Nineteenth Century 92 (1922), 397–409. (Rpt. Man and Nature. 1935.)
  • Lucius [Pseud.]. See Hailes, Lord (Sir David Dalrymple, Bart.).
  • Lucy, Margaret. Shakespeare and the Supernatural. Liverpool, 1906.
  • Lull, Janis. Textual Theory, Literary Interpretation, and the Last Act of A Midsummer Night’s Dream. A Midsummer Night’s Dream: Critical Essays. Ed. Dorothea Kehler. New York, 1998. Pp. 241–58.
  • Lüthi, Max. Shakespeares Dramen. Berlin, 1957.
  • Lyly, John. See Bond, R. Warwick.
  • Lynch, Kathryn L. Baring Bottom: Shakespeare and the Chaucerian Dream Vision. Reading Dreams: The Interpretation of Dreams from Chaucer to Shakespeare. Ed. Peter Brown. OUP, 1999. Pp. 99–124.
  • Lyne, Raphael. Ovid’s Changing Worlds: English Metamorphoses, 1567–1732. OUP, 2001.
  • Lyons, Charles R. A Midsummer Night’s Dream. The Paradox of Love’s Triumph. East West Review (Kyoto) 4 (1971), 102–25.
  • Lyte, Henry. See Dodoens, Rembert.

M-O

  • Mabie, Hamilton W. William Shakespeare: Poet, Dramatist, and Man. New York, 1900.
  • Macaulay, Thomas Babington. Milton. The Edinburgh Review 42 (1825), 304–46.
  • Macaulay, Thomas Babington. Marginal Notes by Lord Macaulay. Sel. and arr. by Sir George Otto Treyvelyan 1907.
  • MacCarthy, Desmond. Theatre. 1954.
  • MacCary, W. Thomas. Friends and Lovers: The Phenomenology of Desire in Shakespearean Comedy. New York, 1985.
  • MacCracken, H. N., F. E. Pierce, & W. H. Durham. An Introduction to Shakespeare. New York, 1912.
  • MacDonald, George. The Imagination, and Other Essays. Boston, 1883.
  • Macdonald, George. The Seaboard Parish. 3 vols. 1868.
  • Macdonald, Ronald R. William Shakespeare: The Comedies. New York, 1992.
  • Macintosh, Joan. An Introduction to Shakespeare. 1957.
  • Mack, Maynard. Engagement and Detachment in Shakespeare’s Plays. Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig. Ed. Richard Hosley. Columbia, Mo., 1962. Pp. 275–96.
  • Mackenzie, Agnes M. The Women in Shakespeare’s Plays. New York, 1924.
  • MacIntyre, Angus. Midsummer Night’s Dream Act 5. Scene 1. Unpub. paper. Stratford Memorial Library. [19--.]
  • MacSweeney, Joseph J. Shakespeare and the Ballad. N&Q 4 (1918), 40–1.
  • Madden, D[odgson] H. The Diary of Master William Silence. 1897.
  • Maginn, William. Shakspeare Papers.—No. IV. Midsummer Night’s Dream. Bottom, the Weaver. Bentley’s Miscellany 2 (1837), 370–80. (Rpt. in Miscellaneous Writings. Vol. 3. The Shakespeare Papers. Ed. Shelton Mackenzie. New York, 1856. Pp. 85–104.)
  • Maguin, Jean-Marie. Holding Forth and Holding Back: Operation Modes of the Poet’s Imagination. Images of Shakespeare: Proceedings of the Third Congress of the International Shakespeare Association, 1986. Ed. Werner Habicht et al. Newark, Del., 1988. Pp. 98–110.
  • Maguin, Jean-Marie. La nuit dans le théâtre de Shakespeare et de ces prédécesseurs. Lille, 1980.
  • Maguin, Jean-Marie. The Uses of Verse and Rhetoric in A Midsummer Night’s Dream. A Midsummer Night’s Dream. Ed. Henri Suhamy. Paris, 2002. Pp. 173–213.
  • Mahood, M. M. Bit Parts in Shakespeare’s Plays. Cambridge, 1992.
  • Mahood, M. M. A Midsummer Night’s Dream as Exorcism. Essays on Shakespeare in Honour of A. A. Ansari. Ed. T. R. Shama. Meerut, 1986. Pp. 136–49.
  • Mahood, M. M, Shakespeare’s Wordplay. 1957.
  • Mahood, M. M, ed. The New Cambridge Shakespeare: The Merchant of Venice. Cambridge, 1984.
  • [Maine, Henry]. A Midsummer Night’s Dream. The Edinburgh Review. 87 (1848), 418–29.
  • Mais, S[tuart] P. B. Shakespeare. The Modern Pictorial Library 3. [1928].
  • Makaryk, Irena R., & Joseph G. Price. Shakespeare in the Worlds of Communism and Socialism. Toronto, 2006.
  • Maleski, Mary A. Paul the Apostle. Fools and Jesters in Literature, Art, and History. Ed. Vicki K. Janik. Westport, Conn., 1998. Pp. 316–28.
  • Malone, Edmond (1741–1812). Contributor to v1778, v1895, v1793, v1821, hal.
  • Malone, Edmond. An Attempt to Ascertain the Order in Which the Plays Attributed to Shakspeare Were Written. The Plays of William Shakspeare. Ed. Samuel Johnson & George Steevens. Vol. 1. 1778. 269–346. 10 vols.
  • Malone, Edmond. A Second Appendix to Mr. Malone’s Supplement to the Last Edition of the Plays of Shakspeare. 1783.
  • Malone, Edmond. Supplement to the Edition of Shakspeare’s Plays Published in 1778. 2 vols. 1780.
  • Mandel, J. Dream and Imagination in Shakespeare. SQ 24 (1973), 61–8.
  • Mangan, Michael. A Preface to Shakespeare’s Comedies, 1594–1603. New York, 1996.
  • Mangan, Michael. The Tedious Brief Death of Young Pyramus: Illusions and the Breaking of Illusion in A Midsummer Night’s Dream. A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Longman Critical Essays. 1991. Pp. 72–83.
  • Manifold, John Streeter. The Music in English Drama from Shakespeare to Purcell. 1956.
  • Marcus, Leah. Puzzling Shakespeare: Local Reading and Its Discontents. Berkeley, 1988.
  • Marcus, Mordecai. A Midsummer Night’s Dream: The Dialectic of Eros-Thanatos. AI 38 (1981), 269–78.
  • Marowitz, Charles. Reconstructing Shakespeare or Harlotry in Bardolatry. ShS 40 (1988), 1–10.
  • Marowitz, Charles. Recycling Shakespeare. New York, 1991.
  • Marsh, John Fitchett. Shakspeariana. Midsummer Night’s Dream, [TLN 85]. 5 N&Q 10 (1878), 243–4.
  • Marshall, David. Exchanging Visions: Reading A Midsummer Night’s Dream. ELH 49 (1982), 543–75.
  • Martin, Burns. A Midsummer Night’s Dream. TLS (24 Jan. 1935), 48.
  • Martin, P.F. A Parallel of Shakspeare and Scott; Being the Substance of Three Lectures on the Kindred Nature of Their Genius, Read before the Literary and Philosophical Society of Chichester, 1833 and 1834. 1835.
  • Martindale, Charles. The Gods Made Flesh. CL 41 (1989), 177–82.
  • Martindale, Charles. Shakespeare’s Ovid, Ovid’s Shakespeare: A Methodological Postscript. Shakespeare’s Ovid: The Metamorphoses in the Plays and Poems. Ed. Anthony Brian Taylor. Cambridge, 2000. Pp. 198–215.
  • Martindale, Charles, & Michelle Martindale. Shakespeare and the Uses of Antiquity. 1990.
  • Martz, William J. Shakespeare’s Universe of Comedy. 1971.
  • Marx, Milton. The Enjoyment of Drama. New York, 1940.
  • Masefield, John. William Shakespeare. 1954.
  • Maslen, R. W. Shakespeare and Comedy. 2005.
  • Mason, Dorothy. The Tudor Masque. Filološki pregled 6.3–4 (1968), 69–80.
  • Mason, John Monck. Comments on the Last Edition of Shakespeare’s Plays. 1785.
  • Mason, John Monck. Comments on the Plays of Beaumont and Fletcher, with … Some Further Observations on Shakespeare. 1798.
  • Mason, John Monck. Comments on the Several Editions of Shakespeare’s Plays, Extended to those of Malone and Steevens. 1807.
  • Mason, Sara Ann. Shakespeare as a Critic. Univ. of Mississippi diss., 1973.
  • Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge, 2007.
  • Massey, Gerald. The Secret Drama of Shakespeare’s Sonnets. 1888.
  • Massey, Gerald. Shakespeare’s Sonnets Never Before Interpreted. 1866.
  • Masson, David. Shakespeare Personally. Ed. Rosaline Masson. 1914.
  • Mathew, Frank. An Image of Shakespeare. 1922.
  • Matson, William Tidd. Shakespeare—The Poet-Catholic. The Shakespeare Repository. Ed. James Hamilton Fennell. 4 (1853), 25–7.
  • Matthäi, Hans Rudolf. Das Liebesmotiv in den Komödien Shakespeares. Frankfurt, 1965.
  • Matthews, Brander. Shakspere as a Playwright. New York, 1913.
  • Matthews, Brander. A Study of the Drama. Boston, 1910.
  • Matthews, William H. Mazes and Labyrinths: A General Account of Their History and Developments. 1922.
  • Maurice, Martin. Master William Shakespeare. 3rd ed. [Paris], Gallimard, 1953.
  • May, Steven. A Midsummer Night’s Dream and the Carey-Berkeley Wedding. RenP 1983. Raleigh, NC, 1984. Pp. 43–52.
  • McAlindon, Thomas. English Renaissance Tragedy. Vancouver, 1986.
  • McAlindon, Thomas. Natural Closure in Henry V. The Shakespearean International Yearbook 3 (2003), 156–71.
  • McAlindon, Thomas. Shakespeare’s Tragic Cosmos. Cambridge, 1991.
  • McCanles, Michael. The Literal and the Metaphorical: Dialectic or Interchange. PMLA 91 (1976), 279–90.
  • McCloskey, Frank Howland. The Date of A Midsummer Night’s Dream. MLN 46 (1931), 389–91.
  • McCullough, Christopher. Inner Stages: Levels of Illusion in A Midsummer Night’s Dream. A Midsummer Night’s Dream. Longman Critical Essays. 1991. Pp. 107–14.
  • McCurdy, Harold Grier. The Personality of Shakespeare: A Venture in Psychological Method. New Haven, 1953.
  • McDonald, Marcia. Bottom’s Space: Historicizing Comic Theory and Practice in A Midsummer Night’s Dream. Acting Funny: Comic Theory and Practice in Shakespeare’s Plays. Ed. Frances Teague. Rutherford, N.J., 1994. Pp. 85–108.
  • McDonald, Russ. Shakespeare and the Arts of Language. OUP, 2001.
  • McFarland, Thomas. Shakespeare’s Pastoral Comedy. Chapel Hill, 1972.
  • McGuire, Philip C. Egeus and the Implications of Silence. Shakespeare and the Sense of Performance: Essays in the Tradition of Performance Criticism in Honor of Bernard Beckerman. Ed. Marvin & Ruth Thompson. Newark, Del., 1989. Pp. 103–15. (First pub. as Intentions, Options, and Greatness: An Example from A Midsummer Night’s Dream. Shakespeare and the Triple Play: From Study to Stage to Classroom. Ed. Sidney Homan. Lewisburg, Pa., 1988. Pp. 177–86.)
  • McGuire, Philip C. Speechless Dialect: Shakespeare’s Open Silences. Berkeley, 1985.
  • McKenzie, D[onald] F. Printers of the Mind: Some Notes on Bibliographical Theories and Printing-House Practices. SB 22 (1969), 1–75.
  • McKenzie, D[onald] F. Shakespeare’s Dream of Knowledge. Landfall 18 (1964), 40–8.
  • McKerrow, R[onald] B. A Suggestion Regarding Shakespeare’s Manuscripts. RES 11 (1935), 459–65.
  • McKerrow, R[onald] B. Printers’ & Publishers’ Devices in England & Scotland, 1485–1640. 1913.
  • McKerrow, R[onald] B. The Treatment of Shakespeare’s Text by His Earlier Editors, 1709–1768. [1933]. Studies in Shakespeare: British Academy Lectures. Sel. by Peter Alexander. OUP, 1964. Pp. 103–31.
  • McLuskie, Kathleen. Your Imagination and Not Theirs: Reception and Artistic Form in A Midsummer Night’s Dream. Autour du songe d’une nuit d’été de William Shakespeare. Ed. Claire Gheeraert-Graffeuille & Nathalie Vienne-Guerrin. Rouen, 2003. Pp. 31–43.
  • McNeal, Thomas H. The Tyger’s Heart Wrapt in a Player’s Hide. ShAB 13 (1938), 30–9.
  • McNeir, Waldo. Shakespeare’s Epilogues. CEA 47.1/2 (1984), 7–16.
  • McPeek, James A. S. The Psyche Myth and A Midsummer Night’s Dream. SQ 23 (1972), 69–79.
  • McRae, John. Will It Please you to Hear a Bergomask Dance? The Mechanicals’ Dance in A Midsummer Night’s Dream. Textus: English Studies in Italy 1 (1988), 183–96.
  • Meagher, John C. Shakespeare’s Shakespeare: How the Plays Were Made. New York, 1997.
  • Mebane, John S. Structure, Source, and Meaning in A Midsummer Night’s Dream. TSLL 24 (1982), 255–70.
  • Mehl, Dieter. The Elizabethan Dumb Show. 1965.
  • Mehl, Dieter. Emblematik im englischen Drama der Shakespearezeit. Anglia 87 (1969), 126–46.
  • Mehl, Dieter. Forms and Functions of the Play within a Play. RenD 8 (1965), 41–61.
  • Meissner, Paul. Shakespeare. Berlin, 1954.
  • Melchiori, Giorgio. Shakespeare: Genesi e struttura delle opere. Bari, 1994.
  • Mendilow, Adam A., & Alice Shalvi. The World and Art of Shakespeare. New York, 1967.
  • Mendl, R. W. S. Revelation in Shakespeare. 1964.
  • Menon, C. Narayana. Shakespeare Criticism: An Essay in Synthesis. 1938.
  • Merchant, W. Moelwyn. Comedy. 1972.
  • Merchant, W. Moelwyn. A Midsummer Night’s Dream: A Visual Re-creation. Early Shakespeare. Ed. John Russell Brown & Bernard Harris. Stratford-upon-Avon Stud. 3. 1961. Pp. 165–85.
  • Merchant, W. Moelwyn. Shakespeare’s Theology. REL 5 (1964), 72–88.
  • Meres, Francis. Palladis Tamia. 1598.
  • Messiaen, Pierre. L’Intrigue et l’action dans les comédies de Shakespeare. Revue universitaire 46 (1937), 23–35.
  • Messiaen, Pierre. Tr. Shakespeare. Les Comédies. Nouvelle traduction française avec remarques et notes par Pierre Messiaen. Paris, 1945.
  • Mézières, Alfred J. F. Shakspeare: Ses œuvres et ses critiques. Paris, 1860. (2nd ed. 1865.)
  • Michael, Nancy Gordon. Amateur Theatricals and Professional Playwriting: The Relationship between Peter Squentz and A Midsummer Night’s Dream. CLS 23 (1986), 195–204.
  • Mielle de Prinsac, Annie-Paul. La metamorphose de Bottom et l’âne d’or. EA 34 (1981), 61–71.
  • Miglior, Giorgio. La Grecità in Shakespeare. Annali Ca’ Foscari 32 (1993), 255–68.
  • Mikics, David. Poetry and Politics in A Midsummer Night’s Dream. Raritan 18 (1998), 99–119.
  • Miller, Donald C. Titania and the Changeling. ES 22 (1940), 66–70.
  • Miller, Raeburn. The Persons of Moonshine: A Midsummer Night’s Dream and the Disfigurement of Realities. Explorations of Literature. Ed. Rima Drell Reck. Baton Rouge, 1966. Pp. 25–31.
  • Miller, Ronald F. A Midsummer Night’s Dream: The Fairies, Bottom, and the Mystery of Things. SQ 26 (1975), 254–68.
  • Miller, Sara Ann Maria. Shakespeare as a Critic. Univ. of Mississippi diss., 1973.
  • Milward, Peter. An Introduction to Shakespeare’s Plays. Tokyo, 1968. (First pub. 1964.)
  • Mincoff, Marco. Shakespeare and Lyly. ShS 14 (1961), 15–24.
  • Mincoff, Marco. Shakespeare’s Comedies and the Five-Act Structure. Hommage à Shakespeare. Ed. Robert Davril. Bulletin de la Faculté des Lettres de Strasbourg (mai/juin 1965), 131–46.
  • Minsheu, John. A Dictionarie in Spanish and English. 1599.
  • Minsheu, John. Ductor in Linguas. The Guide into Tongues. 1617. (Rpt. Delmar, N.Y.: Scholars’ Facsimiles and Rpts., 1978.)
  • Minto, William. Characteristics of English Poets from Chaucer to Shirley. 2nd ed. enl. 1885. (1st ed. 1874.)
  • Miola, Robert S. Early Shakespearean Comedy: Sub Specie Ludi. Thoth 14 (1973–4), 23–36.
  • Miola, Robert S. Shakespeare and Classical Tragedy. OUP, 1992.
  • Miola, Robert S. Shakespeare’s Reading. OUP, 2000.
  • Miranda, Luis Alberto de. A Midsummer Night’s Dream as a Foreshadowing of Shakespeare’s Vision of Reality. EAA 5–6 (1981–2), 172–82.
  • Miriam Joseph, Sr. Shakespeare’s Use of the Arts of Language. Columbia Univ. Stud. in Eng. & Comp. Lit. 165. New York, 1947.
  • Miskimin, Alice S. The Renaissance Chaucer. New Haven, 1975.
  • Moffatt, Laurel. The Woods as Heterotopia in A Midsummer Night’s Dream. SN 76 (2004), 182–7.
  • Moisan, Thomas. Antique Fables, Fairy Toys: Elisions, Allusion, and Translation in A Midsummer Night’s Dream. A Midsummer Night’s Dream: Critical Essays. Ed. Dorothea Kehler. New York, 1998. Pp. 275–98.
  • Moisan, Thomas. Chaucerian Solempnytee and the Illusion of Order in Shakespeare’s Athens and Verona. UCrow 7 (1987), 36–49.
  • Monck, Nugent. The Maddermarket Theatre and the Playing of Shakespeare. ShS 12 (1959), 71–5.
  • [Montagu, Mrs. Elizabeth.] An Essay on the Writings and Genius of Shakespear. 1769.
  • Montemayor, Jorge de. A Critical Edition of Yong’s Translation of George of Montemayor’s Diana and Gil Polo’s Enamoured Diana. Ed. Judith M. Kennedy. OUP, 1968.
  • Montgomery, George Edgar. A Revival of Shakespeare’s Midsummer Night’s Dream. The Cosmopolitan 5 (1888), 91–104.
  • Montrose, Louis. A Kingdom of Shadows. The Theatrical City: Culture, Theatre and Politics in London, 1576–1649. Ed. David L. Smith, Richard Strier, & David Bevington. Cambridge, 1995. Pp. 68–86.
  • Montrose, Louis. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre. Chicago, 1996.
  • Montrose, Louis. Shaping Fantasies: Figurations of Gender and Power in Elizabethan Culture. Representations 1 (1983), 61–94. (Rpt. with rev. Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Ed. Margaret W. Ferguson, Maureen Quilligan, & Nancy J. Vickers. Chicago, 1986. Pp. 65–87, 329–34.)
  • Moore, John B. The Comic and the Realistic in English Drama. New York, 1965.
  • Moore, John Robert. The Transformation of Bottom. Indiana University Studies 13 (1926), 45–50.
  • Moore, William H. Sermons from Literature. Lanham, Md., 2001.
  • Moorman, Frederick W. The Interpretation of Nature in English Poetry from Beowulf to Shakespeare. Strassburg, 1905.
  • [Morehead, Robert.] Explanations and Emendations of Some Passages in the Text of Shakespeare and of Beaumont and Fletcher. By Martinus Scriblerus. Edinburgh, 1814.
  • Morén, Urban. Antique Fable Epitomized by Puck. ELN 38 (2000), 16–40.
  • Morgan, Aaron A. The Mind of Shakspeare. 1876. (1st ed. 1860; 2nd ed. 1861.)
  • Morley, Henry. English Writers. Vol. 10. 1893. 11 vols. 1887–95.
  • Morley, Henry. Introduction. William Shakespeare. A Midsummer Night’s Dream … With Nymphidia. Cassell’s National Library No. 79, 1. Pp. 5–26. (Rpt. English Writers, 10:228–37.)
  • Morley, Henry. The Journal of a London Playgoer from 1851 to 1866. 1866. (Rpt. 1891.)
  • Morley, Thomas. A Plaine and Easie Introduction to Practicall Musicke. 1597.
  • Morris, Harry. Last Things in Shakespeare. Tallahassee, Fla., 1985.
  • Morris, Harry. Ophelia’s Bonny Sweet Robin. PMLA 73 (1958), 601–3.
  • Morse, Herbert. Back to Shakespeare. 1915.
  • Morse, Ruth. Appreh-, Compreh-, Off-, Am-End: Discords and Concords in A Midsummer Night’s Dream. Autour du songe d’une nuit d’été de William Shakespeare. Ed. Claire Gheeraert-Graffeuille & Nathalie Vienne-Guerrin. Rouen, 2003. Pp. 53–63.
  • Mortenson, Peter. Friar Bacon and Friar Bungay: Festive Comedy and Three-form’d Luna. ELR 2 (1972), 194–207.
  • Moses, Joseph. The Comic Compulsion. SR 86 (1978), 84–100.
  • Moulton, Richard G. The Moral System of Shakespeare. New York, 1903.
  • Moulton, Richard G. Shakespeare as a Dramatic Artist. OUP, 1885.
  • Mousley, Andy. Renaissance Drama and Contemporary Literary Theory. New York, 2000.
  • Mowat, Barbara A. A Local Habitation and a Name: Shakespeare’s Text as Construct. Style 23 (1989), 335–51.
  • Mowat, Barbara A. Nicholas Rowe and the Twentieth-Century Shakespeare Text. Shakespeare and Cultural Traditions. Ed. Tetsuo Kishi, Roger Pringle, & Stanley Wells. Newark, Del., 1994. Pp. 314–22.
  • Moyse, Charles E. The Dramatic Art of Shakespeare, with Especial Reference to A Midsummer Night’s Dream. Montreal, 1879.
  • Muir, Kenneth. Shakespeare: Contrasts and Controversies. Brighton, 1985.
  • Muir, Kenneth. Didacticism in Shakespearean Comedy: Renaissance Theory and Practice. RNL 3 (1972), 39–53.
  • Muir, Kenneth. Pyramus and Thisbe: A Study in Shakespeare’s Method. SQ 5 (1954), 141–53.
  • Muir, Kenneth. Shakespeare’s Comic Sequence. Liverpool, 1979.
  • Muir, Kenneth. Shakespeare’s Sources. I: Comedies and Tragedies. 1957.
  • Muir, Kenneth. Shakespeare the Professional, and Related Studies. 1973.
  • Muir, Kenneth. The Sources of Shakespeare’s Plays. 1977.
  • Muir, Kenneth, ed. Introduction. Shakespeare: The Comedies: A Collection of Critical Essays. Englewood Cliffs, N.J., 1965. Pp. 1–10.
  • Muir, Kenneth, & Sean O’Loughlin. The Voyage to Illyria. 1937.
  • Mukerji, Ena. A Shakespearian Theory of Poetry. Shakespeare: A Book of Homage. Calcutta, 1965. Pp. 150–3.
  • Müller, Adam. Fragmente über William Shakespeare. In Vorlesungen über die dramatische Kunst from Vermischte Schriften über Staat, Philosophie und Kunst. 2nd ed. Vienna, 1817. Tr. Louise Adey. The Romantics on Shakespeare. Ed. Jonathan Bate. 1992. Pp. 83–7.
  • Mullin, Michael. Peter Hall’s Midsummer Night’s Dream on Film. ETJ 27 (1975), 529–34.
  • Munkelt, Marga. Stage Directions as Part of the Text. ShakS 19 (1987), 254–72.
  • Murphy, Andrew. Shakespeare in Print. Cambridge, 2003.
  • Murphy, Arthur. The Life of David Garrick, Esq. 2 vols. 1801.
  • Murphy, Georgeann. The Story Shall Be Changed: When Chastity Is Not a Virtue. KPR 3 (1988), 27–35.
  • Murry, John Middleton. Shakespeare. 1936.
  • Myers, Henry Alonzo. Tragedy: A View of Life. Ithaca, N.Y., 1956.
  • Nag, U. C. A Study in Dramatic Technique to Illustrate the Idea of Balance in Plot-Making. [Dacca, 1925.]
  • Nagy, N. Christoph de. Die Funktionen der Gerichtsszene bei Shakespeare und in der Tradition des alteren englischen Dramas. SJH (1967), 199–220.
  • Nares, Robert. A Glossary: Or Collection of Words, Phrases, Names and Allusions to Customs, Proverbs, etc. 1822. (Enl. ed. by James O. Halliwell & Thomas Wright, 2 vols. 1876; 1905 ed. rpt. Detroit: Gale Research, 1966.)
  • Nauck, Augustus. Tragicorum Graecorum Fragmenta. Rev. Bruno Snell. Hildesheim, 1964.
  • Naylor, Edward W. Shakespeare and Music. New York, 1931. (Rpt. New York: Da Capo & Benjamin Blom, 1965.)
  • Neele, Henry. Lectures on English Poetry. 3rd ed. 1839.
  • Neely, Carol Thomas. Broken Nuptials in Shakespeare’s Plays. New Haven, 1985.
  • Neidig, William. The Shakespeare Quartos of 1619. MP 8 (1910), 145–63.
  • Neilson, William Allan, & Ashley Horace Thorndike. The Facts about Shakespeare. New York, 1920.
  • Nelson, Beatrice K. Articulating the Design: Moral Voices in Two of Shakespeare’s Plays. CLQ 24 (June 1988), 86–100.
  • Nelson, Robert J. Play within a Play: The Dramatist’s Conception of His Art: Shakespeare to Anouilh. New Haven, 1958.
  • Nemerov, Howard. The Marriage of Theseus and Hippolyta. KR 18 (1956), 633–41.
  • Ness, Frederic. The Use of Rhyme in Shakespeare’s Plays. New Haven, 1941.
  • Neubauer, Patricia. An Exploration in Esthetics: Five Aspects of Two Shakespearean Plays. The Barnes Foundation Journal of the Art Department 1 (1970), 43–62.
  • Nevo, Ruth. Comic Transformations in Shakespeare. New York, 1980.
  • Nevo, Ruth. Shakespeare’s Comic Remedies. Shakespearean Comedy. Ed. Maurice Charney. New York, 1980. Pp. 3–15.
  • Newman, Karen. Shakespeare’s Rhetoric of Comic Character: Dramatic Convention in Classical and Renaissance Comedy. New York, 1985.
  • Newton, Thomas [T. Newton D. D. Bishop of Bristol 1704-1782], ed. Paradise Lost by John Milton. 2 vols. 1749.
  • Nichols, John. Illustrations of the Literary History of the Eighteenth Century. 6 vols. 1817–31.
  • Nichols, John. The Progresses and Public Processions of Queen Elizabeth. 3 vols. 1823. (Rpt. New York: Franklin, n.d.)
  • Nicholson, Brinsley M. (1824–92). Contributor to cam1, cam2, cln1.
  • Nicholson, Brinsley M. Midsummer Night’s Dream, [TLN 180]. 6 N&Q 11 (1885), 244.
  • Nicholson, Brinsley M. Shakspeariana. 3 N&Q 5 (1864), 49.
  • Nicholson, Brinsley M. Shakspeariana. 6 N&Q 4 (1881), 2.
  • Nicholson, Brinsley M. Two Notes on the Old and New Editions of A Midsummer Night’s Dream. 4 N&Q 5 (1870), 56.
  • Nicholson, Brinsley M, ed. Reginald Scot. The Discovery of Witchcraft. 1886. (Rpt. Charleston: BiblioLife, 2010.)
  • Nicoll, Allardyce. British Drama: An Historical Survey from the Beginnings to the Present Time. 1925.
  • Nicoll, Allardyce. An Introduction to Dramatic Theory. 1923.
  • Nicoll, Allardyce. Readings from British Drama. New York, 1928.
  • Nicoll, Allardyce. Shakespeare. 1952.
  • Nicklas, Pascal. Transformation and Creation: Shakespeare’s A Midsummer Night’s Dream, Ovid’s Metamorphoses and Canetti’s Theoretical Work. Elizabethan Literature and Transformation. Ed. Sabine Coelsch-Foisner. Tübingen, 1999. Pp. 41–57.
  • Nitze, William A. A Midsummer Night’s Dream. [TLN 1796–1809]. MLR 50 (1955), 495–7.
  • Noble, Richmond. Shakespeare’s Biblical Knowledge and Use of the Book of Common Prayer. 1935. (Rpt. New York: Octagon, 1970.)
  • Noble, Richmond. Shakespeare’s Use of Song with the Text of the Principal Songs. OUP, 1923.
  • Norris, J. Parker. Shakespearian Gossip. The American Bibliopolist. New York, Feb. 1875. Pp. 28–34.
  • Nostbakken, Faith. Understanding A Midsummer Night’s Dream: A Student Casebook to Issues, Sources, and Historical Documents. Westport, Conn., 2003.
  • Nosworthy, J[ames] M. Shakespeare’s Occasional Plays: Their Origin and Transmission. 1965.
  • Nosworthy, J[ames] M. Shakespeare’s Pastoral Metamorphoses. ETh VIII. Ed. G. R. Hibbard. Port Credit, Ontario, 1982. Pp. 90–113.
  • Noyes, J. B. Shakespeare’s Childing Autumn. Poet Lore 4 (1892), 531–3.
  • Nutt, Alfred. The Fairy Mythology of Shakespeare. 1900. (Rpt. New York: Haskell House, 1968.)
  • Nuttall, A. D. Bottom’s Dream. N&Q 48 (2001), 276.
  • Nuttall, A. D. A Midsummer Night’s Dream: Comedy as Apotrope of Myth. ShS 53 (2000), 49–59.
  • Nuttall, A. D. Two Concepts of Allegory. New York, 1967.
  • [O’Brien, Constance]. Shakespeare’s Young Men. The Westminster Review (October 1876), 452–66.
  • [O’Connell.] A New Exegesis of Shakespeare: Interpretation of His Principal Characters and Plays on the Principle of Races. Edinburgh, 1859.
  • O’Connell, Michael. The Idolatrous Eye: Iconoclasm and Theater in Early-Modern England. New York, 2000.
  • O’Connor, John S. Compositors D and F of the Shakespeare First Folio. SB 28 (1975), 81–117.
  • O’Connor, John S. A Qualitative Analysis of Compositors C and D in the Shakespeare First Folio. SB 30 (1977), 57–74.
  • Oechelhäuser, Wilhelm. Einführungen in Shakespeares Bühnen-Dramen, und Characteristik sammtlicher Rollen. 2 vols. Minden in Westphalia, 1885.
  • Ogburn, Dorothy, & Charleton Ogburn, Jr. This Star of England: William Shakespeare Man of the Renaissance. New York, 1952.
  • Olson, Elder. The Theory of Comedy. Bloomington, Ind., 1968.
  • Olson, Paul A. A Midsummer Night’s Dream and the Meaning of Court Marriage. ELH 24 (1957), 95–119.
  • O’Neill, Michael. Sleepers and Watchers: Audiences of A Midsummer Night’s Dream. ShakB 15 (1997), 15–19.
  • Onions, C[harles] T. A Select Glossary of Musical Terms, with Illustrative Passages from Shakespeare’s Works. Shakespeare’s England: An Account of the Life & Manners of His Age. 2 vols. OUP, 1916. 2:32–49.
  • Onions, C[harles] T. A Shakespeare Glossary. Enl. & rev. by Robert D. Eagleson. OUP, 1986. (1st ed. 1911; 2nd ed. rev. 1966.)
  • O’Sullivan, Daniel, ed. Galerie des femmes de Shakespeare. Paris, [1840].
  • Oppen, Alice Arnott. Shakespeare: Listening to the Women. Henley Beach, South Australia, 1999.
  • Orgel, Stephen. Imagining Shakespeare: A History of Texts and Visions. New York, 2003.
  • Orgel, Stephen, & Roy Strong. Inigo Jones: The Theatre of the Stuart Court. 2 vols. Berkeley, 1973.
  • Orger, [John] G. Critical Notes on Shakspere’s Comedies. [1890].
  • Orlin, Lena Cowen. Locating Privacy in Tudor London. OUP, 2007.
  • Ormerod, David. A Midsummer Night’s Dream: The Monster in the Labyrinth. ShakS 11 (1978), 39–52.
  • Ornstein, Robert. Shakespeare’s Comedies: From Roman Farce to Romantic Mystery. Newark, Del., 1986.
  • Orson, S. W. Shakespeare Emendations. [1891].
  • Otten, Charlotte F. Dian’s Bud in A Midsummer Night’s Dream [TLN 1588]. N&Q 35 (1988), 466.
  • The Oxford English Dictionary. 2nd ed. prep. by J. A. Simpson & E. S. C. Weiner. 20 vols. OUP, 1989. CD-ROM Version 3.0. (First pub. as A New English Dictionary on Historical Principles, ed. James A. H. Murray et al., 10 vols., 1888–1928; reissued 12 vols. & supp., 1933.)

P-R

  • Pagnini, Marcello. A Midsummer Night’s Dream: An Example of Shakespeare’s Specularity. Tr. Peter Dawson. Italian Studies in Shakespeare and His Contemporaries. Ed. Michele Marrapodi & Giorgio Melchiori. Newark, Del., 1999. Pp. 27–43. (Ital. Shakespeare e il paradigma della specularità. Pisa, 1976.)
  • Palmer, D. J. Bottom, St. Paul and Erasmus’ Praise of Folly. KM 80: A Birthday Album for Kenneth Muir. Liverpool, 1987. Pp. 112–13.
  • Palmer, Daryl. Hospitable Performances: Dramatic Genre and Cultural Practices in Early Modern England. West Lafayette, 1992.
  • Palmer, John. Comic Characters of Shakespeare. 1946.
  • Palombo, Stanley R. The Genius of the Dream. AJP 43 (1983), 301–13.
  • Panofsky, Erwin. Et in Arcadia Ego. Philosophy and History: The Ernst Cassirer Festschrift. Ed. Raymond Klibansky & H. J. Paton. OUP, 1936. Pp. 223–54.
  • Panofsky, Erwin. Studies in Iconology. OUP, 1939. (Rpt. New York: Harper & Row, 1962.)
  • Pantzer, Katharine F. A Printers’ & Publishers’ Index. STC, 2nd ed. rev. Vol. 3. 1991.
  • Paolucci, Anne. The Lost Days in A Midsummer Night’s Dream. SQ 28 (1977), 317–26.
  • Parker, Barbara L. A Precious Seeing: Love and Reason in Shakespeare’s Plays. New York, 1987.
  • Parker, Douglas H. Limander and Helen in A Midsummer Night’s Dream. SQ 33 (1982), 99–101.
  • Parker, John. What a Piece of Work is Man: Shakespearean Drama as Marxian Fetish, the Fetish as Sacramental Sublime. Journal of Medieval and Early Modern Studies 34 (2004), 643–72.
  • Parker, Patricia. All’s Well that Ends Well: Increase and Multiply. Creative Imitation: New Essays on Renaissance Literature in Honor of Thomas M. Greene. Ed. David Quint, Margaret W. Ferguson, G. W. Pigman III, & Wayne A. Rebhorn. Binghamton, N.Y., 1992. Pp. 355–90.
  • Parker, Patricia. Anagogic Metaphor: Breaking Down the Wall of Partition. Centre and Labyrinth: Essays in Honour of Northrop Frye. Ed. Eleanor Cook, Chaviva Hošek, Jay Macpherson, Patricia Parker, & Julian Patrick. Toronto, 1983. Pp. 38–58.
  • Parker, Patricia. Literary Fat Ladies: Rhetoric, Gender, Property. New York, 1987.
  • Parker, Patricia. The Name of Nick Bottom. Autour du songe d’une nuit d’été de William Shakespeare. Ed. Claire Gheeraert-Graffeuille & Nathalie Vienne-Guerrin. Rouen, 2003. Pp. 9–29.
  • Parker, Patricia. The Novelty of Different Tongues: Polyglot Punning in Shakespeare (and Others). Esthétiques de la nouveauté à la Renaissance. Ed. François Laroque & Franck Lessay. Paris, 2001. Pp. 41–58.
  • Parker, Patricia. Othello and Hamlet: Dilation, Spying, and the Secret Place of Woman. Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca, N.Y., 1994. Pp. 105–46.
  • Parker, Patricia. (Peter) Quince: Love Potions, Carpenter’s Coigns and Athenian Weddings. ShS 56 (2003), 39–54.
  • Parker, Patricia. Shakespeare from the Margins: Language, Culture, Context. Chicago, 1996.
  • Parker, Patricia. Teaching and Wordplay: The Wall of A Midsummer Night’s Dream. Teaching with Shakespeare: Critics in the Classroom. Ed. Bruce McIver & Ruth Stevenson. Newark, Del., 1994. Pp. 205–14.
  • Parkes, Malcolm B. Pause and Effect: An Introduction to the History of Punctuation in the West. Aldershot, 1992.
  • Parrott, Thomas Marc. Shakespearean Comedy. New York, 1949.
  • Parrott, Thomas Marc. William Shakespeare: A Handbook. Rev. ed. New York, 1955. (1st ed. 1934.)
  • Parrott, Thomas Marc, & Robert Hamilton Ball. A Short View of Elizabethan Drama. New York, 1943.
  • Parry-Jones, D. Ritual at a Welsh Healing Well. Gwerin 3 (1960), 56–7.
  • Parsons, Howard. Shakespearian Emendations and Discoveries. London & Edinburgh, 1953.
  • Partridge, Eric. Shakespeare’s Bawdy. 1968, 3rd. ed. rev. & enl. (Rpt. 2001; 1st ed. 1947; rev. ed. 1955.)
  • Pask, Kevin. Engrossing Imagination: A Midsummer Night’s Dream. The Shakespearean International Yearbook 3 (2003), 172–92.
  • Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, N.Y., 1993.
  • Paster, Gail Kern. The Humor of It: Bodies, Fluids, and Social Discipline in Shakespearean Comedy. The Comedies. Ed. Richard Dutton & Jean Howard. Oxford, 2003. Pp. 47–66. (Vol. 3 of A Companion to Shakespeare’s Works.)
  • Paster, Gail Kern, & Skiles Howard, eds. William Shakespeare: A Midsummer Night’s Dream: Texts and Contexts. New York, 1999.
  • Patey, Caroline. Immagini in camuffa. Appunti per una storia dell’ignoto manierismo inglese. Lettere e arti nel Rinascimento. Ed. Luisa Secchi Tarugi. Firenze, 2000. Pp. 469–88.
  • Patterson, Annabel. Bottom’s Up: Festive Theory in A Midsummer Night’s Dream. RenP (1988), 25–39.
  • Patterson, Annabel. Shakespeare and the Popular Voice. Oxford, 1989.
  • Pattison, Bruce. Music and Masque. Shakespeare: The Complete Works. Ed. Charles Jasper Sisson. 1954. Pp. xlvii–lii.
  • Payne, Michael. The Poet’s Eye. Pennsylvania English 9 (1982), 20–38.
  • Pearce, T. M. Shakespeare’s A Midsummer Night’s Dream, [TLN 1737–8]. Expl 18 (1959), 8.
  • Pearson, D’Orsay W. Male Sovereignty, Harmony and Irony in A Midsummer Night’s Dream. UCrow 7 (1987), 24–35.
  • Pearson, D’Orsay W. Unkinde Theseus: A Study in Renaissance Mythography. ELR 4 (1974), 276–98.
  • Pearson, Hesketh. A Life of Shakespeare. Harmondsworth, Middlesex, 1942.
  • Peck, Francis. New Memoirs of the Life and Poetical Works of John Milton. 1740.
  • Pedicord, Harry William, & Frederick Louis Bergmann. The Plays of David Garrick. 7 vols. Carbondale, Ill., 1980–82.
  • Peltrault, Claude. Le double dans A Midsummer Night’s Dream. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 155–65.
  • Pennington, Michael. A Midsummer Night’s Dream: A User’s Guide. 2005.
  • Pepys, Samuel. Diary. Ed. Robert Latham & William Matthews. 11 vols. Berkeley, 1970–83.
  • Percy, Thomas, Bishop (1729–1811). Contributor to v1773.
  • Perkins, O. T. Ghostland and Fairyland. Noctes Shaksperianae. Ed. Charles Halford Hawkins. Winchester, 1887. Pp. 191–222.
  • Perng, Ching-Hsi. The Playwright’s Nightmare: A Histrionic Reading of A Midsummer Night’s Dream. Stud. in Language and Literature (Taipei) 3 (1988), 57–71. (First pub. 1987.)
  • Perring, Sir Philip (1828–1920). Contributor to cln1, cam2, Wright Shakespeariana.
  • Perring, Sir Philip. Hard Knots in Shakespeare. 1885.
  • Peters, Helen. Bottom: Making Sense of Sense and Scripture. N&Q 35 (1988), 45–7.
  • Petersen, Carol J. Bowstrings, Anyone? American N&Q 21 (1983), 130–2.
  • Peterson, Douglas. Beginnings and Endings: Structure and Mimesis in Shakespeare’s Comedies. Entering the Maze: Shakespeare’s Art of Beginning. Ed. Robert F. Willson, Jr. New York, 1995. Pp. 37–53.
  • Petronella, Vincent F. Shakespeare’s A Midsummer Night’s Dream. Expl 37 (1978), 5–6.
  • Pettet, E[rnest] C. Shakespeare and the Romance Tradition. 1949.
  • Pettet, E[rnest] C. Shakespeare’s Conception of Poetry. E&S n.s. 3 (1950), 29–46.
  • Phelps, W. May, & John Forbes-Robertson. The Life and Life-Work of Samuel Phelps. 1886.
  • Phialas, Peter G. Shakespeare’s Romantic Comedies. Chapel Hill, 1966.
  • Phillips, G. W. Lord Burghley in Shakespeare: Falstaff, Sly and Others. 1936.
  • Phipson, Emma. The Animal-Lore of Shakespeare’s Time. 1883.
  • Pickering, Kenneth. A Midsummer Night’s Dream. 1985.
  • Pierce, Robert B. Shakespeare and the Ten Modes of Scepticism. ShS 46 (1994), 145–58.
  • [Pinkerton, John.] Letters of Literature: By Robert Heron, Esq. 1785.
  • Pinkerton, William. Shakspeare and Mary Queen of Scots. 3 N&Q 5 (1864), 338–9.
  • Pironon, Jean. Les structures imaginaires euphémisantes dans A Midsummer Night’s Dream. EA 50 (1997), 259–69.
  • Pitt, Angela. Shakespeare’s Women. Totowa, N.J., 1981.
  • Plasse, Marie A. The Human Body as Performance Medium in Shakespeare: Some Theoretical Suggestions from A Midsummer Night’s Dream. College Literature 19 (1992), 28–47.
  • Plato. The Dialogues of Plato. Tr. Benjamin Jowett. 5 vols. 1871. (3rd ed. rev. 1892.)
  • Plumptre, James. An Appendix to Observations on Hamlet. Cambridge, 1797.
  • Pogson, Beryl. In the East My Pleasure Lies. 1950.
  • Pohl, Frederick J. Like to the Lark: The Early Years of Shakespeare. New York, 1972.
  • Poirier, Michael. Sidney’s Influence upon A Midsummer Night’s Dream. SP 44 (1947), 483–9.
  • Pollack-Pelzner, Daniel. Another Key to Act Five of A Midsummer Night’s Dream. N&Q (Dec. 2009), 579–83.
  • Pollard, Alfred W. The Foundations of Shakespeare’s Text. The Annual Shakespeare Lecture of the British Academy. 1923.
  • Pollard, Alfred W. Shakespeare’s Fight with the Pirates and the Problems of the Transmission of his Text. 2nd & rev. ed. Cambridge, 1920.
  • Pollard, Alfred W. Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685. 1909.
  • Poole, Joshua. The English Parnassus. 1657.
  • Pope, Alexander (1688–1744). Contributor to warb.
  • Portillo, Rafael, & Manuel Gómez-Lara. Shakespeare in the New Spain: Or, What You Will. Shakespeare in the New Europe. Ed. Michael Hathaway, Boika Sokolova, & Derek Roper. Sheffield, 1994. Pp. 208–20.
  • Postell, Catherine. The Midsummer’s Night’s Dream: A Conception. Poet Lore 18 (1907), 522–7.
  • Potts, L. J. Comedy. 1949.
  • Praz, Mario. The Flaming Heart. New York, 1958.
  • Preston, Mary. Studies in Shakspeare. Philadelphia, 1869.
  • Price, Antony W., ed. A Midsummer Night’s Dream: A Selection of Critical Essays. 1983.
  • Price, Hereward T. Shakespeare and His Young Contemporaries. PQ 41 (1962), 37–57.
  • Price, Hereward T. Shakespeare as Critic. PQ 20 (1941), 390–9.
  • Priestley, J[ohn] B. The English Comic Characters. New York, 1966. (1st ed. 1925.)
  • Priestley, J[ohn] B. English Humour. 1929.
  • Prior, Moody E. The Language of Tragedy. New York, 1947.
  • Prior, Roger. Gascoigne’s Posies as a Shakespearian Source. N&Q 47 (2000), 444–8.
  • Prior, Roger. The Occasion of A Midsummer Night’s Dream. Bodleian Library Record 17 (2000), 56–64.
  • Proescholdt, Ludwig. Rev., Drei Shakespeare-studien von E. Hermann. 1877. Anglia (1879), 513–18.
  • Proescholdt, Ludwig. On the Sources of Shakespeare’s Midsummer Night’s Dream. Halle, 1878.
  • Prosser, Eleanor. Shakespeare’s Anonymous Editors: Scribe and Compositor in the Folio Text of 2 Henry IV. Stanford, 1981.
  • Purdom, C[harles] B. What Happens in Shakespeare: A New Interpretation. 1963.
  • Purdon, Noel. The Words of Mercury: Shakespeare and English Mythography of the Renaissance. Salzburg, 1974.
  • Puttenham, George. The Arte of English Poesie. First pub. 1589. Ed. Gladys D. Willcock & Alice Walker. Cambridge, 1936.
  • Pye, Henry James. Comments on the Commentators on Shakespear. 1807.
  • Pyle, Fitzroy. The Winter’s Tale: A Commentary on Structure. 1969.
  • Pyle, Sandra J. Mirth and Morality of Shakespeare’s Holy Fools. Stud. in British Literature 33. Lewiston, N.Y., 1998.
  • Quennell, Peter. Shakespeare: The Poet and His Background. 1963. (Pub. in New York & Cleveland as Shakespeare, a Biography.) Cleveland, 1963.
  • Quiller-Couch, Sir Arthur. Notes on Shakespeare’s Workmanship. New York, 1917.
  • R., W. Remarks on Shakspeare. Gent. Mag. 50 (1780), 518–20.
  • Rabkin, Norman. Shakespeare and the Common Understanding. New York, 1967.
  • Rabkin, Norman. Venus and Adonis and the Myth of Love. Pacific Coast Studies in Shakespeare. Ed. Waldo F. McNeir & Thelma N. Greenfield. Eugene, Ore., 1966. Pp. 20–32.
  • Raeck, Kurt. Shakespeare in the German Open-Air Theatre. ShS 3 (1950), 95–7.
  • Rahter, Charles A. Puck’s Headless Bear—Revisited. Susquehanna University Studies 7 (1964), 127–32.
  • Raleigh, Walter. Shakespeare. New York, 1907.
  • Raman, Shankar. Framing India: The Colonial Imaginary in Early Modern Culture. Stanford, 2001.
  • Ramsey, Clifford Earl. A Midsummer Night’s Dream. Homer to Brecht: The European Epic and Dramatic Traditions. Ed. Michael Seidel & Edward Mendelson. New Haven, 1977. Pp. 214–37.
  • Rashbrook, R. F. Shakespeare and the Bible. 3 N&Q 28 (1952), 49–50.
  • Rasmussen, Eric, & Anthony James West, eds. The Shakespeare First Folios: A Descriptive Catalogue. Houndmills, Basingstoke, Hampshire, 2012.
  • Ravich, Robert A. A Psychoanalytic Study of Shakespeare’s Early Plays. Psychoanalytic Quarterly 33 (1964), 388–410.
  • Ravich, Robert A. Shakespeare and Psychiatry. L&P 14 (1964), 97–105.
  • Reed, Isaac (1742–1807). Contributor to v1785, mal, v1793.
  • Reed, Robert Rentoul, Jr. Nick Bottom, Dr. Faustus, and the Ass’s Head. N&Q 204 (1959), 252–4.
  • Reed, Robert Rentoul, Jr. The Occult on the Tudor and Stuart Stage. Boston, 1965.
  • Reese, M[ax] M. Shakespeare: His World and His Work. 1953.
  • Reich, Hermann. Der Mann mit dem Eselskopf. Ein Mimodrama vom klassichen Altertum verfolgt bis auf Shakespeare. SJ 40 (1904), 108–28.
  • Reid, Forrest. Some Reflections on A Midsummer Night’s Dream. Retrospective Adventures. 1941. Pp. 76–80.
  • Reid, Robert L. The Fairy Queen: Gloriana or Titania? UCrow 13 (1993), 16–32.
  • Reyher, Paul. Essai sur les idées dans l’œuvre de Shakespeare. Paris, 1947.
  • Reynolds, George Fullmer. The Staging of Elizabethan Plays at the Red Bull Theater, 1605–1625. New York, 1966. (First pub. 1940.)
  • Reynolds, Lou Agnes, & Paul Sawyer. Folk Medicine and the Four Fairies of A Midsummer Night’s Dream. SQ 10 (1959), 513–21.
  • Rhoads, Diana Akers. Shakespeare’s Defense of Poetry. Lanham, 1985.
  • Rhodes, R. Crompton. Shakespeare’s First Folio: A Study. Oxford, 1923.
  • Rhodes, R. Crompton. The Stagery of Shakespeare. Birmingham, 1922.
  • Ribner, Irving. A Note on Sidney’s Arcadia and A Midsummer Night’s Dream. ShAB 23 (1948), 207–8.
  • Ribton-Turner, C. J. Shakespeare’s Land Being a Description of Central and Southern Warwickshire. Leamington, 1893.
  • Richards. Otherwise unidentified contributor to Wright Shakespeariana and cam2.
  • Richardson, Brian. Time is out of Joint: Narrative Models and the Temporality of the Drama. PoT 8 (1987), 299–309.
  • Richer, Jean. Le rituel et les noms dans Le songe d’une nuit de la mi-été. Annales de la Faculté des Lettres et Sciences Humaines de Nice 22 (1974), 7–18.
  • Richman, David. Laughter, Pain, and Wonder: Shakespeare’s Comedies and the Audience in the Theater. Newark, Del., 1990.
  • Richmond, Hugh M. The Centrality of A Midsummer Night’s Dream. Teaching Shakespeare Today: Practical Approaches and Productive Strategies. Ed. James E. Davis & Ronald E. Salomone. Urbana, Ill., 1993. Pp. 254–62.
  • Richmond, Hugh M. Love and Justice: Othello’s Shakespearean Context. Pacific Coast Studies in Shakespeare. Ed. Waldo F. McNeir & Thelma N. Greenfield. Eugene, Ore., 1966, Pp. 148–72.
  • Richmond, Hugh M. Shakespeare’s Sexual Comedy: A Mirror for Lovers. Indianapolis, 1971.
  • Richmond, Hugh M. Shakespeare’s Theatre: A Dictionary of His Stage Context. 2002.
  • Richmond, Hugh M. Shakespeare’s Verismo and the Italian Popular Tradition. Theatre of the English and Italian Renaissance. Ed. J. R. Mulryne & Margaret Shewring. New York, 1991. Pp. 179–203.
  • Richmond, Hugh M. Shaping a Dream. ShakS 17 (1985), 49–60.
  • Richmond, Velma Bourgeois. Shakespeare, Catholicism, and Romance. New York & London, 2000.
  • Richter, Helene. Shakespeares Gestalten. Marburg, 1930.
  • Rick, Leo. Shakespeare und Ovid. SJ 55 (1919), 35–53.
  • Rickert, Edith. Political Propaganda and Satire in A Midsummer Night’s Dream. MP 21 (1923), 53–87, 133–54.
  • Ridley, M[aurice] R. William Shakespeare: A Commentary. 1936.
  • Riehle, Wolfgang. Shakespeare, Plautus and the Humanist Tradition. Cambridge, 1990.
  • Riemer, A[ndrew] P. Antic Fables: Patterns of Evasion in Shakespeare’s Comedies. Manchester, 1980.
  • Riess, Amy J., & George Walton Williams. Tragical Mirth: From Romeo to Dream. SQ 43 (1992), 214–18.
  • Righter, Anne. Shakespeare and the Idea of the Play. 1962.
  • Riklin, Franz. Shakespeares A Midsummer Night’s Dream: Ein Beitrag zum Individuationprozess. Tr. Andrea Dykes. The Reality of the Psyche: The Proceedings of the Third International Congress for Analytic Psychology. Ed. Joseph B. Wheelwright. New York, 1968. Pp. 262–77, English text pp. 278–92.
  • Ringler, William A., Jr. The Number of Actors in Shakespeare’s Early Plays. The Seventeenth-Century Stage. Ed. Gerald Eades Bentley. Toronto, 1968. Pp. 110–34.
  • Rio, A. F. Shakespeare. Freiburg, 1864.
  • Ritson, Joseph (1752–1803). Contributor to v1785, v1793.
  • Ritson, Joseph. Cursory Criticisms on the Edition of Shakspeare Published by Edmond Malone. 1792.
  • Ritson, Joseph. Fairy Tales. 1831.
  • Ritson, Joseph. The Quip Modest. 1788.
  • Ritson, Joseph. Remarks, Critical and Illustrative, on the Text and Notes of the Last Edition of Shakspeare. 1783.
  • Roberts, Jeanne Addison. Animals as Agents of Revelation: The Horizontalizing of the Chain of Being in Shakespeare’s Comedies. Shakespearean Comedy. Ed. Maurice Charney. New York, 1980. Pp. 79–96.
  • Roberts, Jeanne Addison. The Shakespearean Wild: Geography, Genus, and Gender. Lincoln, 1991.
  • Roberts, Jeanne Addison. Shakespeare’s English Comedy: The Merry Wives of Windsor in Context. Lincoln, 1979.
  • Roberts, Jeanne Addison. Shakespeare’s Forests and Trees. SHR 11 (1977), 108–25.
  • Roberts, Valerie S. Ironic Reversal of Expectations in Chaucerian and Shakespearean Gardens. Chaucerian Shakespeare: Adaptation and Transformation. Ed. E. Talbot Donaldson & Judith J. Kollmann. Detroit, 1983. Pp. 97–117.
  • Robertson, J[ohn] M. An Introduction to the Study of the Shakespeare Canon. 1924.
  • Robertson, J[ohn] M. The Paradox of Shakespeare. A Book of Homage to Shakespeare. Ed. Israel Gollancz. 1916. Pp. 141–5.
  • Robertson, J[ohn] M. The Shakespeare Canon. Part II. 1923.
  • Robinson, J. W. Palpable Hot Ice: Dramatic Burlesque in A Midsummer Night’s Dream. SP 61 (1964), 192–204.
  • Robinson, James E. The Ritual and Rhetoric of A Midsummer Night’s Dream. PMLA 83 (1968), 380–91.
  • Robinson, W. Clarke. Shakspere: The Man and His Mind. Buffalo, N.Y., 1890.
  • Roffe, Alfred. An Essay upon the Ghost-Belief of Shakespeare. London: Hope and Co., 1851.
  • Roffe, Alfred Thomas. The Handbook of Shakespeare Music, Being an Account of Three Hundred and Fifty Pieces of Music Set to Words Taken from the Plays and Poems of Shakespeare. 1878.
  • Rogan, James. The Darker Elements of Shakespeare’s Early Comedies. EAN 157 (1998), 6–9.
  • Rogers, Ellen. Shakespeare’s A Midsummer Night’s Dream. Expl 56 (1998), 117–18.
  • Rohde, Eleanour Sinclair. Shakespeare’s Wild Flowers, Fairy Lore, Gardens, Herbs, Gatherers of Simples and Bee Lore. 1935.
  • Rolfe, W[illiam] J. A Life of William Shakespeare. 1904.
  • Rolfe, W[illiam] J. Questions and Notes on A Midsummer Night’s Dream. Poet Lore 1 (1889), 184–9.
  • Rollins, Hyder E., ed. New Variorum Edition of Shakespeare: The Sonnets. 2 vols. Philadelphia, 1944.
  • Root, Robert K. Classical Mythology in Shakespeare. Yale Stud. in Eng. 19. New York, 1903. (Rpt. New York: Gordian, 1965.)
  • Rose, Mark. Shakespearean Design. Cambridge, Mass., 1972.
  • Rose, Mary Beth. Moral Conceptions of Sexual Love in Elizabethan Comedy. RenD 15 (1984), 1–29.
  • Rosenblum, Joseph. Why an Ass?: Cesare Ripa’s Iconologia as a Source for Bottom’s Translation. SQ 32 (1981), 357–9.
  • Ross, George. Studies: Biographical and Literary. [1867].
  • Ross, Thomas W., ed. Kyd: The Spanish Tragedy. Fountainwell Drama Texts. Berkeley & Los Angeles, 1968.
  • Ross, William. The Story of Anne Whateley and William Shaxpere. Glasgow, 1939.
  • Rossiter, A. P. Those Choughs. The Spectator 6547 (Dec. 18, 1953), 726–7.
  • Rossky, William. Imagination in the English Renaissance: Psychology and Poetic. Studies in the Renaissance 5 (1958), 49–73.
  • Rosslyn, Felicity. Literature for the Masses: The English Literature Degree in 2004. CQ 33 (2004), 1–10.
  • Rothe, Hans. Shakespeare als Provokation: Sein Leben und sein Werk, sein Theater und sein Welt, seine Freunde und Feinde. München, 1961.
  • Rothschild, J. A. de. Shakespeare and His Day. 1906.
  • Rothwell, Kenneth S. A History of Shakespeare on Screen. Cambridge, 1999.
  • Rothwell, Kenneth S. A Midsummer Night’s Dream on Screen: Fierce Vexation[s] for Author and Auteur. Shakespeare on Screen: A Midsummer Night’s Dream. Ed. Sarah Hatchuel & Nathalie Vienne-Guerin. Rouen, 2004. Pp. 13–35.
  • Rothwell, Kenneth S, & Annabelle H. Menzer. Shakespeare on Screen: An International Filmography and Videography. New York, 1990.
  • Round, P.Z. Morall, Midsummer Night’s Dream, V.1.207–9 [cf. TLN 2010]. N&Q 10 (1914), 287.
  • Rovine, Harvey. Silence in Shakespeare: Drama, Power, and Gender. Ann Arbor, 1987.
  • Rowse, A[lfred] L. Elizabethan Drama and Society: An Historian’s View. Talking of Shakespeare. Ed. John Garrett. 1954. Pp. 173–86.
  • Rowse, A[lfred] L. William Shakespeare: A Biography. New York & London, 1963.
  • Rudd, Niall. Pyramus and Thisbe in Shakespeare and Ovid: A Midsummer Night’s Dream and Metamorphoses 4.1–166. Creative Imitation and Latin Literature. Ed. David West & Tony Woodman. Cambridge, 1979. Pp. 173–93. (Rpt. rev. Shakespeare’s Ovid. Ed. A. B. Taylor. Cambridge, 2000. Pp. 113–25.)
  • Rushton, William L. Heart Cannot Conceive. 4 N&Q (1872), 292.
  • Rushton, William L. Shakespeare: A Lawyer. 1858.
  • Rushton, William L. Shakespeare and The Arte of English Poesie. Liverpool, 1909.
  • Rushton, William L. Shakespeare Illustrated by Old Authors. 1867.
  • Rushton, William L. Shakespeare’s Euphuism. 1871.
  • Rushton, William L. Shakespeare’s Testamentary Language. 1869.
  • Ruskin, John. The Complete Works. Ed. E. T. Cook & Alexander Wedderburn. 39 vols. 1903–12.
  • Rutter, Carol Chillington. Looking Like a Child—or—Titus: The Comedy. ShS 56 (2003), 1–26.
  • Ruud, Martin B. An Essay toward a History of Shakespeare in Norway. Menasha, Wis., 1917.
  • Ryan, Kiernan. Shakespeare’s Comedies. Houndmills, 2009.
  • Rydén, Mats. The Contextual Significance of Shakespeare’s Plant Names. SN 56 (1984), 155–62.
  • Rydén, Mats. Shakespearean Plant Names: Identifications and Interpretations. Stockholm, 1978.
  • Rylands, George H. W. Words and Poetry. London, 1928.

S-U

  • Sabol, Andrew J., ed. Four Hundred Songs and Dances from the Stuart Masque. Providence, R.I., 1978.
  • Sacks, Elizabeth. Shakespeare’s Images of Pregnancy. New York, 1980.
  • Sadie, Stanley, ed. The New Grove Dictionary of Opera. 4 vols. 1992.
  • Sagar, Keith. A Midsummer Night’s Dream: A Marriage of Heaven and Hell. CrSurv (Oxford) 7 (1995), 34–43.
  • St. Byrne, Sr. Geraldine. Shakespeare’s Use of the Pronoun of Address: Its Significance in Characterization and Motivation. Washington, D.C., 1936.
  • St. John, Spenser. Essays on Shakespeare and His Works. 1908.
  • Saintsbury, George. Shakespeare: Life and Plays. The Cambridge History of English Literature. Ed. Adolphus W. Ward & A. R. Waller. Vol. 5. New York, 1910. Pp. 186–249.
  • Salingar, Leo. Shakespeare and the Traditions of Comedy. 1974.
  • Sanders, Julie. Shakespeare and Music: Afterlives and Borrowings. Cambridge, 2007.
  • Sanders, Norman. The Comedy of Greene and Shakespeare. Early Shakespeare. Stratford-upon-Avon Studies 3 (1961), 35–54.
  • Sandys, John Edwin. Scholarship. Shakespeare’s England: An Account of the Life & Manners of His Age. Vol. 1. OUP, 1916. Pp. 251–83. 2 vols.
  • Sarrazin, G[regor]. Die Abfassungszeit des Sommernachtstraums. Archiv 95 (1895), 291–300.
  • Sarrazin, G[regor]. Scenerie und Staffage im Sommernachtstraum. Archiv 104 (1900), 67–74.
  • Sasaki, Michiru. The Metamorphoses of the Moon: Folk Belief in Lunar Influence on Life and the Symbolic Scheme of A Midsummer Night’s Dream. ShStud 1984–1985 (Tokyo) 23 (1986), 59–93.
  • Sasayama, Takashi, J. R. Mulryne, & Margaret Shewring, eds. Shakespeare and the Japanese Stage. Cambridge, 1998.
  • Satchell, Thomas. The Spelling of the First Folio. TLS (3 June 1920), 352.
  • Saulescu, Monica. Options and Cultural Dilemmas in A Midsummer Night’s Dream. University of Bucharest Review 1 (1999), 44–50.
  • Savage, James E. Notes on A Midsummer Night’s Dream. UMSE 2 (1961), 65–78.
  • Savage, Roger. The Shakespeare-Purcell Fairy Queen. Early Music 1 (1973), 201–31.
  • Schalkwyk, David. The Role of Imagination in A Midsummer Night’s Dream. Theoria 66 (1986), 51–65.
  • Schanzer, Ernest. Atavism and Anticipation in Shakespeare’s Style. EIC 7 (1957), 242–56.
  • Schanzer, Ernest. The Central Theme of A Midsummer Night’s Dream. UTQ 20 (1951), 233–8.
  • Schanzer, Ernest. A Midsummer Night’s Dream. Shakespeare: The Comedies. Ed. Kenneth Muir. Englewood Cliffs, N.J., 1965. Pp. 26–31.
  • Schanzer, Ernest. A Midsummer Night’s Dream and Romeo and Juliet. N&Q 200 (1955), 13–14.
  • Schanzer, Ernest. The Moon and the Fairies in A Midsummer Night’s Dream. UTQ 24 (1955), 234–46.
  • Schelling, Felix E. Elizabethan Drama, 1558–1642. 2 vols. Boston, 1908.
  • Schelling, Felix E. Elizabethan Playwrights: A Short History of the English Drama from Mediaeval Times to the Closing of the Theatres in 1642. New York, 1925.
  • Schelling, Felix E. English Literature During the Lifetime of Shakespeare. New York, 1910.
  • Schelling, Felix E. Shakespeare and Demi-science: Papers on Elizabethan Topics. Philadelphia, 1927.
  • Schilling, Kurt. Shakespeare: Die Idee des Menschseins in seiner Werken. Munchen, 1953.
  • Schlegel, August W. von. A Course of Lectures on Dramatic Art and Literature. Tr. John Black. 2 vols. 1815. (Rev. A. J. W. Morrison, 1846. Rpt. New York: AMS, 1965. Delivered 1808. 1st German ed. 2 vols., 1809–11.)
  • Schmidgall, Gary. Shakespeare & Opera. OUP, 1990.
  • Schmidt, Alexander. Die altesten Ausgaben des Sommernachtstraums. Königsberg, 1881.
  • Schmidt, Alexander. Shakespeare-Lexicon. 2 vols. Berlin, 1874–5. (2nd ed. 1886; 3rd ed., enl. by Gregor Sarrazin, 1902, rpt. New York: Dover, 1971.)
  • Schmidt, Johannes E. Shakespeares Dramen und sein Schauspielerberuf. Berlin, 1914.
  • Schmidt-Hidding, Wolfgang. Sieben Meister des literarischen Humors in England und Amerika. Heidelberg, 1959.
  • Schneider, Michael. Bottom’s Dream, the Lion’s Roar, and Hostility of Class Difference in A Midsummer Night’s Dream. From the Bard to Broadway. Ed. Karelisa V. Hartigan. Lanham, Md., 1987. Pp. 191–212.
  • Schoenbaum, S[amuel]. William Shakespeare, A Documentary Life. 1975.
  • Schröder, Rudolf Alexander. Gesammelte Werke. Vol. 2. Berlin: Suhrkamp, 1952. 8 vols. 1952–65.
  • Schücking, Levin L. Character Problems in Shakespeare’s Plays: A Guide to the Better Understanding of the Dramatist. Tr. W. H. Peters. New York, 1922. (First pub. 1919.)
  • Schulz, Volker. Studien zum Komischen in Shakespeares Komödien. Darmstadt, 1971.
  • Schwab, Hans. Das Schauspiel im Schauspiel zur Zeit Shakesperes. Wein, 1896.
  • Schwartz, Robert B. Shakespeare’s Parted Eye: Perception, Knowledge and Meaning in the Sonnets and Plays. New York, 1990.
  • Schwartzkopff, August. Shakespeare’s Dramen auf ewigen Grunde. Berlin, 1888.
  • Schwarz, Kathryn. Tough Love: Amazon Encounters in the English Renaissance. Durham, 2000.
  • Scolnicov, Hanna. The Zoomorphic Mask in Shakespeare. Assaph (Tel Aviv) 9 (1993), 63–74.
  • Scorer, Mischa. A Midsummer Night’s Dream, 1962. To Nevill Coghill from Friends. Ed. John Lawlor & W. H. Auden. 1966. Pp. 103–8.
  • Scot, Reginald. The Discouerie of Witchcraft. 1584.
  • Scott, Sir Walter. Minstrelsy of the Scottish Border. 3 vols. 1802–3.
  • Scott, W[illiam] I. D. Shakespeare’s Melancholics. 1962.
  • Scott, William O. Chaucer, Shakespeare, and the Paradoxes of Dream and Fable. CEA 49 (1986–7), 25–32.
  • Scott, William O. The God of Arts: Ruling Ideas in Shakespeare’s Comedies. Lawrence, Kan., 1977.
  • Scragg, Leah. Discovering Shakespeare’s Meaning. Totowa, N.J., 1988.
  • Scragg, Leah. The Metamorphoses of Gallathea: A Study in Creative Adaptation. Washington, 1982.
  • Scragg, Leah. Shakespeare, Lyly and Ovid: The Influence of Gallathea on A Midsummer Night’s Dream. ShS 30 (1977), 125–34.
  • Scragg, Leah. Shakespeare’s Alternative Tales. 1996.
  • Scriblerus, Martinus. See [Morehead, Robert.]
  • Seager, H. W. Natural History in Shakespeare’s Time. 1896. (Rpt. New York: AMS, 1971.)
  • Seccombe, Thomas. William Shakespeare (1564–1616). The Bookman 25 (Oct. 1903), 9–23.
  • Seccombe, Thomas, & J. W. Allen. The Age of Shakespeare (1579–1631). 2 vols. 1904. (1st ed. 1903.)
  • Seiden, Melvin. Shakespeare’s Comic Dream World: A Midsummer Night’s Dream. Kansas Mag. (1959), 84–90.
  • Sehrt, Ernst Th[eodor]. Wandlungen der Shakespeareschen Komödie. Göttingen, 1961.
  • Selbourne, David. The Making of A Midsummer Night’s Dream. 1982.
  • Semper, I[sidore] J. A Shakspere Study Guide. New York, 1931.
  • Seneca. Seneca His Tenne Tragedies Translated into English Edited by Thomas Newton Anno 1581. Intro by T. S. Eliot. 1927. (Rpt. Bloomington, Ind., 1966.)
  • Seng, Peter J. The Vocal Songs in the Plays of Shakespeare: A Critical History. Cambridge, Mass., 1967.
  • Sen Gupta, S[ubodh] C. A Shakespeare Manual. Calcutta: OUP, 1977.
  • Sen Gupta, S[ubodh] C. Shakespearian Comedy. OUP, 1950.
  • Sen Gupta, S[ubodh] C. The Whirligig of Time: The Problem of Duration in Shakespeare’s Plays. Bombay, 1961.
  • Serio, John N. Stevens, Shakespeare, and Peter Quince. MLS 9 (1978–9), 20–4.
  • Seward, Thomas. Preface. The Works of Mr Francis Beaumont and Mr. John Fletcher. 10 vols. 1750.
  • Sewell, Elizabeth. The Orphic Voice: Poetry and Natural History. 1960.
  • Seymour, E[dward] H. Remarks Critical, Conjectural, and Explanatory, upon the Plays of Shakspeare. 2 vols. 1805. (Rpt. New York: AMS, 1976.)
  • Shaaber, M[atthias] A. The Comic View of Life in Shakespeare’s Comedies. The Drama of the Renaissance: Essays for Leicester Bradner. Ed. Elmer M. Blistein. Providence, R.I., 1970. Pp. 165–78.
  • Shaaber, M[atthias] A. Shakespeare as Innovator. The Library Chronicle 30 (1964), 117–20.
  • Shaheen, Naseeb. Biblical References in Shakespeare’s Tragedies. Cranbury, N.J., 1987.
  • Shaheen, Naseeb. Biblical References in Shakespeare’s Comedies. Cranbury, N.J., 1993.
  • Shakespeare Quartos Archive (www.quartos.org).
  • Shand, G. B. Chinks. TLS (29 January 1971), 126–7.
  • Shapiro, I. A. The Significance of a Date. ShS 8 (1955), 100–5.
  • Shapiro, Michael. The Casting of Flute: Planes of Illusion in A Midsummer Night’s Dream and Bartholomew Fair. ETh XIII. Ed. A. L. Magnusson & C. E. McGee. Toronto, 1994. Pp. 147–72.
  • Sharp, Cecil J. The Songs & Incidental Music Arranged & Composed by Cecil J. Sharp for Granville Barker’s Production of A Midsummer Night’s Dream at the Savoy Theater in January, 1914. 1914.
  • Sharpe, Robert B. The Real War of the Theaters. Boston, 1935. (Rpt. New York: Kraus, 1966.)
  • Sharpe, Will. Rev. of MND, Royal Sh. Company, dir. Greg Doran, 2005. CahiersE 68 (2005), 51–2.
  • Shattuck, Charles H. The Shakespeare Promptbooks: A Descriptive Catalogue. Urbana, Ill., 1965.
  • Shaw, George Bernard. Toujours Daly. The Saturday Review (13 July 1895), 43–5. (Rpt. Dramatic Opinions and Essays with an Apology by Bernard Shaw. Vol. 1. 1907. Pp. 168–76. 2 vols.)
  • [Shelley, Percy Bysshe]. Preface to Frankenstein; or the Modern Prometheus. 3 vols. 1818. 1: vii–xii.
  • Sherbo, Arthur. Lord Hailes, Shakespeare Critic. SQ 40 (1989), 175–85.
  • Sherman, L[ucius]. A. On Certain New Elucidations of Shakespeare. University Stud. 19 (1919), 103–72.
  • Sherman, L[ucius]. A. What is Shakespeare? An Introduction to the Great Plays. 1902.
  • Shore, W. Teignmouth. Shakespeare’s Self. 1920.
  • Shorey, Paul. Platonism, Ancient and Modern. Berkeley, 1938.
  • Shulman, Jeff. Tell-Trothes New-Yeares Gift (1593): Another Source of A Midsummer Night’s Dream. Theatre Journal 33 (1981), 391–2.
  • Shulman, Jeffrey. Bottom Is Up: The Role of Illusion in A Midsummer Night’s Dream. EAS 16 (1987), 9–21.
  • Shurgot, Michael W. So Quick Bright Things Come to Confusion: Shakespeare in the Heterogeneous Classroom. Teaching Shakespeare into the Twenty-First Century. Ed. Ronald E. Salomone & James E. Davis. Athens, Ohio, 1997. Pp. 127–36.
  • Sidgwick, Frank. The Sources and Analogues of A Midsummer Night’s Dream. London & New York, 1908. (Rpt. n.p.: Folcroft Library Editions, 1972.)
  • Sidney, Philip. The Countess of Pembroke’s Arcadia. Ed. Maurice Evans. Harmondsworth, 1977.
  • Sidney, Philip. The New Arcadia. Ed. Victor Skretkowicz. OUP, 1987.
  • Siegel, Paul N. A Midsummer Night’s Dream and the Wedding Guests. SQ 4 (1953), 139–44.
  • Siegel, Paul N. Shakespeare in His Time and Ours. Notre Dame, 1968.
  • Sieveking, A. Forbes. Horsemanship, with Farriery. Shakespeare’s England: An Account of the Life & Manners of His Age. Vol. 2. OUP, 1916. Pp. 408–27. 2 vols.
  • Sievers, E[duard] W. William Shakspeare: sein Leben und Dichten. Gotha, 1866.
  • Sigismund, Reinhold. Uebereinstimmendes zwischen Shakespeare und Plutarch aus den Lebensbeschreibungen sowohl wie aus den moralischen Scriften des Letzteren. SJ 18 (1883), 156–82.
  • Sillars, Stuart. Phoebe and Phoebus: Bottom’s Verbal Slip. N&Q 223 (1978), 125–6.
  • Simone, R. Thomas. Shakespeare and Lucrece: A Study of the Poem and its Relation to the Plays. Salzburg Stud. in English Literature. Salzburg, 1974.
  • Simpson, Percy. Actors and Acting. Shakespeare’s England: An Account of the Life & Manners of His Age. Vol. 2. OUP, 1916. Pp. 240–82. 2 vols.
  • Simpson, Percy. The Headless Bear in Shakespeare and Burton. QQ 39 (1932), 652–7.
  • Simpson, Percy. Shakespeare’s Use of Latin Authors. Studies in Elizabethan Drama. OUP, 1955. Pp. 1–63.
  • Simpson, Richard. An Introduction to the Philosophy of Shakespeare’s Sonnets. 1868.
  • Simrock, Karl. The Remarks of M. Karl Simrock on the Plots of Shakespeare’s Plays. Ed. J. O. Halliwell. Shakespeare Society of London Publications 2:43 (1850), 3–144. (Rpt. Nendeln, Liechtenstein: Kraus Reprint Ltd., 1966.)
  • Sinclair, Alexander R. Shakespeare’s Word-Play in Arany’s Translation. Acta Litteraria: Academiae Scientiarum Hungaricae 8 (1966), 454–63.
  • Sinclair, Thomas. The Mount: Speech from its English Heights. 1878.
  • Sinfield, Alan. Cultural Materialism and Intertextuality: The Limits of Queer Reading in A Midsummer Night’s Dream and The Two Noble Kinsmen. ShS 56 (2003), 67–78.
  • Singer, Samuel W. Contributor to stau.
  • Singer, Samuel W. The Text of Shakespeare Vindicated from the Interpolations and Corruptions Advocated by John Payne Collier in His Notes and Emendations. 1853.
  • Sipe, Dorothy L. Shakespeare’s Metrics. New Haven, 1968.
  • Sisson, Charles J. New Readings in Shakespeare. 2 vols. Cambridge, 1956.
  • Sisson, Charles J. Shakespeare the Writer: A Dramatist Finds his Way. Stratford Papers on Shakespeare. Ed. B. A. W. Jackson. Toronto, 1961. Pp. 78–94.
  • Sitwell, Edith. A Notebook on William Shakespeare. 1948.
  • Skeat, Ethel G. Fairy-Lore: Midsummer Night’s Dream. Poet Lore 3 (1891), 177–90.
  • Skinner, Stephen. Etymologicon Linguae Anglicanae. 1671.
  • Skottowe, Augustine. The Life of Shakespeare. 2 vols. 1824.
  • Skura, Meredith A. Shakespeare the Actor and the Purposes of Playing. Chicago, 1993.
  • Slights, Camille Wells. Shakespeare’s Comic Commonwealths. Toronto, 1993.
  • Slights, William W. E. The Changeling in A Dream. SEL 28 (1988), 259–72.
  • Slights, William W. E. Nature’s Originals: Value in Shakespearian Pastoral. ShS 37 (1984), 69–74.
  • Smallwood, Robert. Shakespeare Performances in England, 1999. ShS 53 (2000), 244–73.
  • S[mart, Christopher]. A Brief Enquiry into the Learning of Shakespear. The Universal Visiter, and Monthly Memorialist 3 (Mar. 1756), 126–32.
  • Smeaton, [William H.] Oliphant. Shakespeare, His Life and Work. New York, 1930. (1st ed. 1911.)
  • Smidt, Kristian. Unconformities in Shakespeare’s Early Comedies. 1986.
  • Smirnov, A[leksandr] A. Shakespeare: A Marxist Interpretation. Tr. Sonia Volochova & Sidonie Kronman, et al. New York, 1936.
  • Smith, Bruce R. The Acoustic World of Early Modern England. Chicago, 1999.
  • Smith, Bruce R. Homosexual Desire in Shakespeare’s England. Chicago, 1991. Rpt with new pref., 1994.
  • Smith, Charles G. Shakespeare’s Proverb Lore: His Use of the Sententiae of Leonard Culman and Publilius Syrus. Cambridge, Mass., 1963.
  • Smith, Dane Farnsworth. Plays about the Theatre in English from The Rehearsal in 1671 to the Licensing Act in 1737. 1936.
  • Smith, Goldwin. Shakespeare: The Man. Toronto, 1899.
  • Smith, Hallett. Bottom’s Sucking Dove, Midsummer Night’s Dream, [TLN 344–5]. N&Q 221 (1976), 152–3.
  • Smith, Hallett. Elizabethan Poetry. Cambridge, Mass., 1952.
  • Smith, Hallett. The Poetry of the Lyric Group: Richard II, Romeo and Juliet, A Midsummer Night’s Dream. Shakespeare’s Craft: Eight Lectures. Ed. Philip H. Highfill, Jr. Carbondale, Ill., 1982. Pp. 69–93.
  • Smith, Hallett. Shakespeare’s Romances: A Study of Some Ways of the Imagination. San Marino, Cal., 1972.
  • Smith, Homer. Pastoral Influence in the English Drama. Baltimore, 1897.
  • Smith, J. P. Imaginary Forces and the Ways of Comedy. Shakespeare in the New World. Stratford Papers 1968–9. Ed. B. A. W. Jackson. [Hamilton, Ontario], 1972. Pp. 1–20.
  • Smith, Jonathan C. A Midsummer Night’s Dream and the Allegory of Theologians. C&L 28 (1979), 15–23.
  • Smith, Peter J. Rev. of MND, Northern Broadsides, dir. Barrie Rutter, 1994–5. CahiersE 49 (1996), 66–7.
  • Smith, Peter J. Rev. of MND, Sh.’s Globe Th., dir. Mike Alfreds, 2002. CahiersE 62 (2002), 107–9.
  • Smith, Robert. Remarks on a Gimmal Ring, by Robert Smith Esq. F. R. S and F. A. S. in a letter to the Rev. John Brand, Secretary. Read December 11, 1800. Archaeologia: or Miscellaneous tracts relating to antiquity 14 (1803), 7–13.
  • Smith, Stephen L. A Midsummer Night’s Dream: Shakespeare, Play and Metaplay. CentR 21 (1977), 194–209.
  • Smith, T[homas] W. Shakespeare: A Midsummer Night’s Dream. [1940].
  • Smith, Warren D. Shakespeare’s Playhouse Practice: A Handbook. Hanover, N.H., 1975.
  • Smyth, John Vignaux. A Glance at Sunset: Numerical Fundaments in Frege, Wittgenstein, Shakespeare, Beckett. SAQ 94 (1995), 619–54.
  • Snider, Denton J. A Biography of William Shakespeare. Saint Louis, Mo., 1922.
  • Snider, Denton J. Midsummer Night’s Dream. The Journal of Speculative Philosophy 8 (1874), 165–86. (Rpt. System of Shakespeare’s Dramas. Vol. 2. St. Louis, Mo., 1877. Pp. 103–30. 2 vols.)
  • Snodgrass, W. D. Moonshine and Sunny Beams: Ruminations on A Midsummer Night’s Dream. In Radical Pursuit. New York, 1975. Pp. 203–40. (Rpt. The Writer’s Craft: Hopwood Lectures, 1965–81. Ed. Robert A. Martin. Ann Arbor, 1982. Pp. 144–80.)
  • Snyder, Susan. All’s Well that Ends Well and Shakespeare’s Helens: Text and Subtext, Subject and Object. ELR 18 (1988), 66–77.
  • Snyder, Susan. All We Like Sheep … Shakespeare: Text and Theater. Essays in Honor of Jay L. Halio. Ed. Lois Potter & Arthur F. Kinney. Newark, N.J., 1999. Pp. 33–44.
  • Sokol, B. J., & Mary Sokol. Shakespeare’s Legal Language. 2000.
  • Sokol, B. J. Where Are We in Legal-Historical Studies of Shakespeare? The Case of Marriage and Property. The Shakespearean International Yearbook 2. Ed. W. R. Elton & John M. Mucciolo. Aldershot, 2002.
  • Sonnino, Lee A. A Handbook to Sixteenth-Century Rhetoric. 1968.
  • Sorelius, Gunnar. Shakespeare’s Early Comedies: Myth, Metamorphosis, Mannerism. Uppsala, 1993.
  • Sorelius, Gunnar. The Words of Mercury Are Harsh after the Songs of Apollo: Typography, Typology, or Authoricality? Contexts of Renaissance Comedy. Ed. Janet Clare & Roy T. Eriksen. Oslo, 1997. Pp. 77–96.
  • Sorell, Walter. Shakespeare and the Dance. SQ 8 (1957), 367–84.
  • Sorge, Thomas. Bottom’s Ass between Two Performances of A Midsummer Night’s Dream, or Bottom’s Telos in the GDR and After. Shakespeare in the New Europe. Ed. Michael Hathaway, Boika Sokolova, & Derek Roper. Sheffield, 1994. Pp. 54–74.
  • Sougné, Josette. Shakespeare’s Comedies. RLV 30 (1964), 504–18.
  • Sousa, Geraldo U. de. Shakespeare’s Cross-Cultural Encounter. New York, 1999.
  • Spalding, Thomas Alfred. Elizabethan Demonology. An Essay in Illustration of the Belief in the Existence of Devils … with Special Reference to Shakspere and His Works. 1880.
  • [Spalding, William.]. A Letter on Shakspeare’s Authorship of The Two Noble Kinsmen. Edinburgh, 1833.
  • [Spalding, William.] Recent Shakspearian Literature. The Edinburgh Review 71 (1840), 446–93.
  • Spedding, James (1808–81). Contributor to cam1, cam2, cln1.
  • Spencer, Hazelton. The Art and Life of William Shakespeare. New York, 1940.
  • Spencer, Hazelton. A Nice Derangement: The Irregular Verse-Lining in A Midsummer Night’s Dream [TLN 1793–1881]. MLR 25 (1930), 23–31.
  • Spencer, T[erence] J. B. The Course of Shakespeare Criticism. Shakespeare’s World. Ed. James Sutherland & Joel Hurstfield. New York, 1964. Pp. 156–73.
  • Spencer, T[erence] J. B. Three Shakespearian Notes. MLR 49 (1954), 46–51.
  • Spens, Janet. Elizabethan Drama. 1922.
  • Spevack, Marvin, ed. A New Variorum Edition of Shakespeare: Antony and Cleopatra. New York, 1990.
  • Spisak, James W. Pyramus and Thisbe in Chaucer and Shakespeare. Chaucerian Shakespeare: Adaptation and Transformation. Ed. E. Talbot Donaldson & Judith Kollmann. Detroit, 1983. Pp. 81–95.
  • Sprague, Arthur Colby. Shakespeare and the Actors: The Stage Business in His Plays (1660–1905). 1944. (Rpt. New York: Russell & Russell, 1963.)
  • Sprague, Arthur Colby. Shakespeare and the Audience: A Study in the Technique of Exposition. Cambridge, Mass., 1935.
  • Spurgeon, Caroline F. E. Shakespeare’s Imagery and What It Tells Us. Cambridge, 1935.
  • Spurgeon, Caroline F. E. Shakespeare’s Iterative Imagery. PBA 17 (1931), 147–78.
  • Stamm, Rudolf. Shakespeare’s Word-Scenery with Some Remarks on Stage-History and the Interpretation of his Plays. Zürich, 1954.
  • Stanivukovic, Goran R. Shakespeare, Dunstan Gale, and Golding. N&Q 41 (1994), 35–7.
  • Stansbury, Joan. Characterization of the Four Young Lovers in A Midsummer Night’s Dream. ShS 35 (1982), 57–63.
  • Starkie, W. J. M. Wit and Humour in Shakespeare. A Book of Homage to Shakespeare. Ed. Israel Gollancz. OUP, 1916. Pp. 212–26.
  • Starnes, D[e Witt] T. Shakespeare and Apuleius. PMLA 60 (1945), 1021–50.
  • Staton, Walter E., Jr. Ovidian Elements in A Midsummer Night’s Dream. HLQ 6 (1963), 165–78.
  • Stauffer, Donald A. Shakespeare’s World of Images: The Development of his Moral Ideas. 1949. (Rpt. Bloomington, 1966.)
  • Staunton, Henry. Contributor to Ingleby, C[lement] Mansfield.
  • Staunton, Henry. Letter. The Athenæum (27 June 1874), 863.
  • Stavig, Mark. The Forms of Things Unknown: Renaissance Metaphor in Romeo and Juliet and A Midsummer Night’s Dream. Pittsburgh, 1995.
  • Steevens, George (1736–1800). Contributor to john, v1803, v1813, v1821, Malone 1780.
  • Steevens, George. A Revisal of Shakespear’s Text, etc. The Critical Rev. 19 (1765), 161–9, 250–5.
  • Stern, Tiffany. Making Shakespeare: The Pressures of Page to Stage. 2004.
  • Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. OUP, 2000.
  • Stetner, S. C. V. Baptista and His Daughters. PsyR 60 (1973), 223–37.
  • Stevens, John. Shakespeare and the Music of the Elizabethan Stage. Shakespeare in Music. Ed. Phyllis Hartnoll. 1964. Pp. 3–48.
  • Stevens, Paul. Imagination and the Presence of Shakespeare in Paradise Lost. Madison, Wis., 1985.
  • Stevenson, Allan. Shakespearian Dated Watermarks. SB 4 (1951), 159–64.
  • Stevenson, Burton. Stevenson’s Book of Proverbs, Maxims and Familiar Phrases. 1949.
  • Stevenson, David L. The Love-Game Comedy. New York, 1946.
  • Stevenson, W. H. Finde out Moone-Shine, Finde out Moone-Shine. N&Q 213 (1968), 131–2.
  • Stewart, Garrett. Shakespearean Dreamplay. ELR 11 (1981), 44–69.
  • Stewart, Helen Hinton. The Supernatural in Shakespeare. 1908.
  • Stirling, Brents. The Populace in Shakespeare. New York, 1949.
  • Stockard, Emily E. Transposed to Form and Dignity: Christian Folly and the Subversion of Hierarchy in A Midsummer Night’s Dream. R&L 29 (1997), 1–20.
  • Stockholder, Kay. Dream Works: Lovers and Families in Shakespeare’s Plays. Toronto, 1987.
  • Stockton, Eric W. The Adulthood of Shakespeare’s Heroines. Shakespearean Essays. Ed. Alwin Thaler & Norman Sanders. Knoxville, Tenn., 1964. Pp. 161–80.
  • Stokes, Henry P. An Attempt to Determine the Chronological Order of Shakespeare’s Plays. 1878.
  • Stoll, Elmer E. Shakespeare Studies, Historical and Comparative in Method. New York, 1927.
  • Stone, George Winchester, Jr. The London Stage, 1660–1800. Part 4: 1747–1776. 2 vols. Carbondale, Ill., 1962.
  • Stone, George Winchester, Jr. A Midsummer Night’s Dream in the Hands of Garrick and Colman. PMLA (1939), 467–82.
  • Stopes, Charlotte Carmichael. The Life of Henry, Third Earl of Southampton. Cambridge, 1922.
  • Stopes, Charlotte Carmichael. Shakespeare’s Industry. 1916.
  • Storojenko, Nicholas. The Life and Complete Works in Prose and Verse of Robert Greene. Ed Alexander B. Grosart. Tr. E. A. Bayley Hodgetts. Vol. 1. 1881. 15 vols. 1881–1886. (Orig. pub. as The Life and Works of Robert Greene. Moscow, 1878. Rpt. New York: Russell & Russell, 1964.)
  • Stow. A Survey of London, 1598, 1603. Ed. C. L. Kingsford. 1908. (Rpt. 1971, 2 vols.)
  • [Strachey, Edward]. A Midsummer-Night’s Dream. Fraser’s Magazine 50 (1854), 677–82.
  • Strachey, Lytton. Shakespeare’s Final Period. Books and Characters: French & English. New York, 1922. Pp. 49–69.
  • Strauss, Emanuel. Dictionary of European Proverbs. 3 vols. 1994.
  • Strier, Richard. Shakespeare and the Skeptics. R&L 32 (2000), 171–96.
  • Strindberg, August. Open Letters to the Intimate Theater. (1909). Tr. Walter Johnson. Seattle, 1966. Pp. 221–33.
  • Strix [Pseud.]. Those Choughs. The Spectator 6545 (Dec. 4, 1953), 655–6.
  • Strong, Roy. A Midsummer Night’s Dream. Shakespeare in Perspective. Ed. Roger Sales. Vol. 2. 1985. Pp. 51–8.
  • Stroup, Thomas B. Bottom’s Name and His Epiphany. SQ 29 (1978), 79–82.
  • Stroup, Thomas B. I See a Voice. CompD 15 (1981), 30–6.
  • Strutt, Benjamin. Contributor to Edward H. Seymour, 1805.
  • Strutt, Joseph. Glig-Gamena Angel-Ðeoð … or, The Sports and Pastimes of the People of England. 1801. Ed. William Hone. 1898.
  • Stukeley, William. Itinerarium Curiosum. Or, an Account of the Antiquitys and Remarkable Curiositys in Nature or Art, Observ’d in Travels through Great Brittan. 1724.
  • Styan, John Louis. Quince’s Questions and the Mystery of the Play Experience. JDTC 1.1 (Fall 1986), 3–16.
  • Styan, John Louis. The Shakespeare Revolution: Criticism and Performance in the Twentieth Century. Cambridge, 1977.
  • Styan, John Louis. Shakespeare’s Stagecraft. Cambridge, 1967.
  • Suhamy, Henri. Cinquième Partie. A Midsummer Night’s Dream: CAPES/Agrégation anglais. Ed. Henri Suhamy. Paris, 2002. Pp. 217–56.
  • Suhamy, Henri. A Midsummer Night’s Dream, ou quelques épisodes de la guerre des sexes. Le songe d’une nuit d’été et La Duchesse de Malfi: Texte et représentation. Ed. Pierre Iselin & Jean-Pierre Moreau. Limoges, 1989. Pp. 179–87.
  • Summers, Joseph H. Dreams of Love and Power: On Shakespeare’s Plays. OUP, 1984.
  • Sutherland, John. Never Act with Dogs and Babies. Henry V, War Criminal? and Other Shakespeare Puzzles. Ed. John Sutherland & Cedric Watts. OUP, 2000. Pp. 143–7.
  • Suzuki, Mihoko. The Dismemberment of Hippolytus: Humanist Imitation, Shakespearean Translation. CML 10 (1990), 103–12.
  • Swander, Homer. Editors vs. Text: The Scripted Geography of A Midsummer Night’s Dream. SP 87 (1990), 83–108.
  • Sweeney, John Gordon, II. Jonson and the Psychology of Public Theater. Princeton, 1985.
  • Sweet, George E. Shake-speare: The Mystery. Stanford, 1965.
  • Swinburne, Algernon Charles. Shakespeare. OUP, 1909. (Written 1905.)
  • Swinburne, Algernon Charles. A Study of Shakespeare. 1880.
  • Swinburne, Algernon Charles. The Three Stages of Shakespeare. Part Two Fortnightly Rev. 19 (1876), 24–45.
  • Swinden, Patrick. An Introduction to Shakespeare’s Comedies. New York, 1973.
  • Symmons, Charles. The Life of William Shakespeare with some Remarks upon his Dramatic Writings. In sing1 1: 3–90.
  • Symonds, John Addington. Shakspere’s Predecessors in the English Drama. 1884.
  • Sypher, Wylie. The Ethic of Time: Structures of Experience in Shakespeare. New York, 1976.
  • Taine, Hippolyte A. History of English Literature. Tr. H. Van Laun. 2 vols. Edinburgh, 1871. (4th ed. 4 vols. 1877. Frequently rpt. 1883 ed. rpt. New York: F. Ungar Ltd., 1965. 1st Fr. ed. 1863.)
  • Talbert, Ernest William. Elizabethan Drama and Shakespeare’s Early Plays. Chapel Hill, 1963.
  • Tannenbaum, Samuel A. Shaksperian Scraps and Other Elizabethan Fragments. New York, 1933. (Rpt. Port Washington, 1966.)
  • Tanner, Tony. Introduction. William Shakespeare: Comedies Volume 1. Everyman’s Library. New York, 1995. Pp. cxxxi–cxl.
  • Tathwell, Dr. Contributor to Zachary Grey, 1754.
  • Tave, Stuart M. Lovers, Clowns, and Fairies: An Essay on Comedies. Chicago, 1993.
  • Taylor, Anthony B. Bottom’s Hopping Heart and Thomas Phaer: The Influence of the Early Translators on Pyramus and Thisbe. N&Q 42 (1995), 309–15.
  • Taylor, Anthony B. Chaucer’s Non-Involvement in Pyramus and Thisbe. N&Q 36 (1989), 317–20.
  • Taylor, Anthony B. Golding and the Myth Underlying Hermia’s Dream. N&Q 50 (2003), 31–2.
  • Taylor, Anthony B. Golding’s Ovid, Shakespeare’s Small Latin, and the Real Object of Mockery in Pyramus and Thisbe. ShS 42 (1990), 53–64.
  • Taylor, Anthony B. Ovid’s Myths and the Unsmooth Course of Love in A Midsummer Night’s Dream. Shakespeare and the Classics. Ed. Charles Martindale & A. B. Taylor. Cambridge, 2004. Pp. 49–65.
  • Taylor, Anthony B. Plato’s Symposium and Titania’s Speech on the Universal Effect of Her Quarrel with Oberon. N&Q 51 (2004), 276–8.
  • Taylor, Anthony B. Shakespeare and Golding. N&Q 38 (1991), 492–9.
  • Taylor, Anthony B. Thomas Phaer and Nick Bottom’s Hopping Heart. N&Q 34 (1987), 207–8.
  • Taylor, Anthony B. When Everything Seems Double: Peter Quince, the Other Playwright in A Midsummer Night’s Dream. ShS 56 (2003), 55–66.
  • [Taylor, Charles.] The Shakspeare Gallery. 1792.
  • Taylor, Edward & William Richardson Cursory Remarks on Tragedy, on Shakespear, and on Certain French and Italian Poets, Principally Tragedians. 1774.
  • Taylor, Gary. A Crux in A Midsummer Night’s Dream. N&Q 32 (1985), 47–9.
  • Taylor, Gary. A Midsummer Night’s Dream [rev. of ard2]. N&Q 28 (1981), 332–4.
  • Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. New York, 1989.
  • Taylor, Gary, ed. The Oxford Shakespeare: Henry V. OUP, 1982.
  • Taylor, John (1781–1864). Contributor to cam2.
  • Taylor, Marion. Bottom, Thou Art Translated: Political Allegory in A Midsummer Night’s Dream and Related Literature. Amsterdam, 1973.
  • Taylor, Mark. Female Desire in A Midsummer Night’s Dream. ShY 2 (1991), 115–31.
  • Taylor, Mark. Shakespeare’s Imitations. Newark, Del., 2002.
  • Taylor, Michael R. The Darker Purpose of A Midsummer Night’s Dream. SEL 9 (1969), 259–73.
  • Taylor, Michael Ray. Shakespeare’s A Midsummer Night’s Dream. Expl 54 (1995–6), 4–5.
  • Taylor, Neil. Finde out Moone-shine, Finde out Moone-shine [TLN 864]. N&Q 216 (1971). 134–6.
  • Tegg, William. Shakspeare and His Contemporaries. 1879.
  • Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare’s Genres. New York, 1986.
  • Tennenhouse, Leonard. Simulating History: A Cockfight for Our Times. TDRev 344 (1990), 137–55.
  • Tennenhouse, Leonard. Strategies of State and Political Plays: A Midsummer Night’s Dream, Henry IV, Henry V, Henry VIII. Political Shakespeare: Essays in Cultural Materialism. Ed. Jonathan Dollimore & Alan Sinfield. Ithaca, N.Y. 1985. Pp. 109–28.
  • Thakur, Damodar. A New Look at A Midsummer Night’s Dream. Indian Journal of English Stud. 7 (1966), 24–32.
  • Thaler, Alwin. Shakespeare and Sir Philip Sidney: The Influence of The Defense of Poesy. Cambridge, Mass., 1947.
  • Thaler, Alwin. Shakespeare’s Silences. Cambridge, Mass., 1929.
  • Thaler, Alwin. Shakspere and the Unhappy Ending. PMLA 42 (1927), 736–61.
  • Thaler, Alwin. The Shaksperian Element in Milton. PMLA 40 (1925), 645–91.
  • Theobald, Lewis. Contributor to mtby2.
  • Theobald, Lewis. Letters to Warburton; originals in Folger Library. Phillipps MS 8565. Pub. in Illustrations of the Literary History of the Eighteenth Century. By John Nichols. 6 vols. 1817–31. 2: 230–655.
  • Theobald, Lewis. Shakespeare Restor’d. 1726.
  • Theobald, Robert M. Shakespeare Studies in Baconian Light. 1904. (1st ed. 1901.)
  • Theobald, William. The Classical Element in the Shakespeare Plays. Ed. R. M. Theobald. 1909.
  • Thiselton, Alfred Edward. Notulae Criticae. 1904.
  • Thiselton, Alfred Edward. Some Textual Notes on A Midsommer Nights Dreame. 1903.
  • Thomas, Keith. Religion and the Decline of Magic. 1971.
  • Thomas, Sidney. The Bad Weather in A Midsummer Night’s Dream. MLN 64 (1949), 319–22.
  • Thomas, Thomas. Dictionarum Linguæ Latinæ et Anglicanæ. Cambridge, [1587]. (Rpt. Menston: Scholar, 1972.)
  • Thomas, William. Principal Rules of the Italian Grammer, with a Dictionarie. 1550.
  • Thompson, Ann. Shakespeare’s Chaucer: A Study in Literary Origins. Liverpool, 1978.
  • Thompson, Stephen P., ed. Introduction, 11–12; William Shakespeare: A Biography, 13–23. Readings on A Midsummer Night’s Dream. Literary Companion Series. San Diego, 2001.
  • Thoms, William J., ed. Anecdotes and Traditions. Camden Society OS 5. 1839.
  • Thoms, William J. The Folk-Lore of Shakespeare. Athenæum 1036–41, 1043, 1045, 1050 (1847), 937–8, 956–8, 981–3, 1005–6, 1030–1, 1054–5, 1101–2, 1149–50, 1271–2.
  • Thomsen, Kerri Lynne. Melting Vows: A Midsummer Night’s Dream and Ovid’s Heroycall Epistles. ELN 40 (2003), 25–33.
  • Thomson, J[ames] A. K. Shakespeare and the Classics. 1952.
  • Thomson, Peter W. A Shakespearean Method. SJW (1968), 192–204.
  • Thorndike, Ashley H. English Comedy. New York, 1929. (Rpt. New York: Cooper Square, 1965.)
  • Thorndike, Ashley H. The Pastoral Element in the English Drama Before 1605. MLN 14 (1899), 229–46.
  • Thorndike, Ashley H. Shakespeare’s Theatre. New York, 1916.
  • Thümmel, Julius. Über Shakespeare’s Clowns. SJ 11 (1876), 78–96.
  • Thümmel, Julius. Vorträge über Shakespeare-Charaktere. Halle, 1881.
  • Tieck, Ludwig. Shakespeare’s Treatment of the Marvellous. From Shakespeares Behandlung des Wunderbaren. 1793. Pp. 60–6. (Orig. pub. 1796 as Preface to ed. of Tem. Tr. Louise Adey. Rpt. The Romantics on Shakespeare. Ed. Jonathan Bate. 1992.)
  • Tiessen, Ed[uard]. Beiträge zur Feststellung und Erklärung des Shakespeare-Textes. Archiv 58 (1877), 1–22.
  • Tilley, Morris P. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries. Ann Arbor, 1950.
  • Tilley, Morris P. Unnoted Proverbs and Proverbial Allusions in Twelfth Night. PQ 6 (1927), 306–11.
  • Tillyard, E[ustace] M. W. The Nature of Comedy and Shakespeare. 1958.
  • Tillyard, E[ustace] M. W. Shakespeare’s History Plays. 1944. (New York, 1946.)
  • Tillyard, E[ustace] M. W. Shakespeare’s Last Plays. 1938.
  • Tippett, Michael. Tippett on Music. OUP, 1995.
  • Titherley, Arthur W. Shakespeare’s Identity: William Stanley 6th Earl of Derby. Winchester, 1952.
  • Tobin, J. J. M. Have with you to Athens’ Wood. N&Q 50 (2003), 32–5.
  • Tobin, J. J. M. The Irony of Hermia and Helena. ANQ 17 (1979), 154.
  • Tobin, J. J. M. Nashe and Shakespeare: Some Further Borrowings. N&Q 39 (1992), 309–20.
  • Tobin, J. J. M. Shakespeare’s Favorite Novel. Lanham, Md, 1984.
  • Tobler, R. Shakespeares Sommernachtstraum und Montemayors Diana. SJ 34 (1898), 358–66.
  • Toliver, Harold E. Pastoral Forms and Attitudes. Berkeley, 1971.
  • Tollet, George (1725–79). Contributor to v1778.
  • Tomlins, Tho[ma]s Edlyne. Corrections of Shakespeare’s Text, by Sir William Blackstone, &c. The Shakespeare Society’s Papers 1:24 (1844), 96–102. (Rpt. Nendeln, Liechtenstein: Kraus Reprint Ltd. 1966.)
  • Tour, Frances de la. A Midsummer Night’s Dream. Shakespeare in Perspective. Ed. Roger Sales. Vol. 2. 1985. Pp. 59–67. 7 vols.
  • Traub, Valerie. Behind the Seen: Visiblizing Female Homoeroticism in Shakespeare’s Plays. William Shakespeare Canon and Critique: An Anthology of Recent Criticism. Ed. Leela Gandhi. Delhi, 1998. Pp. 129–49.
  • Traub, Valerie. Gender and Sexuality in Shakespeare. The Cambridge Companion to Shakespeare. Ed. M. de Grazia & S. Wells. Cambridge, 2001. Pp. 129–46.
  • Traub, Valerie. The (In)Significance of Lesbian Desire in Early Modern England. Erotic Politics: Desire on the Renaissance Stage. Ed. Susan Zimmerman. New York, 1992. Pp. 150–69.
  • Traversi, Derek A. An Approach to Shakespeare. 3rd, rev. & exp. ed. 2 vols. 1968. (1st ed. 1938. 2nd ed. 1956.)
  • Treadwell, T. O. A Midsummer Night’s Dream and the Nature of Comedy. A Midsummer Night’s Dream: Longman Critical Essays. Ed. Linda Cookson & Bryan Loughrey. 1991. Pp. 20–8.
  • Tree, Herbert Beerbohm. Some Notes on A Midsummer Night’s Dream: A Pamphlet Produced for the Production at His Majesty’s Theatre (for the Second Time) on Easter Monday, April 17, 1911. 1911. No pagination.
  • Tree, Herbert Beerbohm. Thoughts and After-Thoughts. 1913.
  • Trewin, J. C. Going to Shakespeare. 1978.
  • Trivedi, Poonam, & Dennis Bartholomeusz, eds. India’s Shakespeare: Translation, Interpretation, and Performance. Newark, Del., 2005.
  • Trousdale, Marion. Semiotics and Shakespeare’s Comedies. Shakespearean Comedy. New York Literary Forum, 5–6. Ed. Maurice Charney. New York, 1980. Pp. 245–55.
  • Truax, Elizabeth. Metamorphosis in Shakespeare’s Plays: A Pageant of Heroes, Gods, Maids, and Monsters. Lewiston, N.Y., 1992.
  • Turner, Frederick. Shakespeare’s Twenty-First-Century Economics: The Morality of Love and Money. New York, 1999.
  • Turner, Robert K., Jr. Printing Methods and Textual Problems in A Midsummer Night’s Dream Q1. SB 15 (1962), 33–55.
  • Turner, Robert Y. Shakespeare’s Apprenticeship. Chicago, 1974.
  • Twycross, Meg, & Sarah Carpenter. Masks in Medieval English Theatre. Medieval English Theatre 3:1 (1981), 7–44.
  • Tyler, Parker. The Education of a Prince: The Elements in Drama. Prose (New York) 6 (1973), 185–215.
  • Tyrwhitt, Thomas (1730–86). Contributor to v1773, v1778, mal, mstv1.
  • Tyrwhitt, Thomas. An Introductory Discourse to the Canterbury Tales. in The Canterbury Tales of Chaucer. 4 vols. 1775. (Rpt. New York: AMS, 1972.)
  • Tyrwhitt, Thomas. Observations and Conjectures upon Some Passages of Shakespeare. OUP, 1766. (Rpt. New York: AMS, 1974.)
  • Ulrici, Hermann. Contributor to v1895.
  • Ulrici, Hermann. Shakespeare’s Dramatic Art. Tr. from 1st Ger. ed. by A. J. W. M[orrison]. 1846. Tr. from 3rd Ger. ed. by L. Dora Schmitz. 2 vols. 1876. (1st Ger. ed. 1839. 3rd ed. 1868–9.)
  • Uman, Deborah. Translation, Transformation and Ravishment in A Midsummer Night’s Dream. Allegorica 22 (2001), 68–91.
  • Upton, John. Critical Observations on Shakespeare. 1746. (The Second Edition with Alterations and Additions. 1748.)
  • Ure, Peter. Shakespeare and the Drama of his Time. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S. Schoenbaum. Cambridge, 1971. Pp. 211–21.

V-X

  • Vance, Norman. Ovid and the Nineteenth Century. Ovid Renewed. Ed. Charles Martindale. Cambridge, 1988. Pp. 215–31.
  • Van Domelen, John E. Shakespeare’s Primitive and the Dream of Perfection. Trends in English and American Studies: Literature and the Imagination. Essays in Honour of James Lester Hogg. Ed. Sabine Coelsch-Foisner, Wolfgang Görtschacher, & Holger M. Klein. Lewiston, N.Y., 1996. Pp. 75–83.
  • Van Doren, Carl. Shakspere on His Art. Shaksperian Studies by Members of the English and Comparative Literature Department of Columbia University. Ed. Brander Matthews & Ashley Horace Thorndike. New York, 1916. Pp. 405–27.
  • Van Doren, Mark. Shakespeare. New York, 1939.
  • Van Emden, W. G. Shakespeare and the French Pyramus and Thisbe Tradition, or Whatever Happened to Robin Starveling’s Part? Forum for Modern Language Studies (Univ. of St. Andrews) 11 (1975), 193–204.
  • Van Laan, Thomas F. Role-Playing in Shakespeare. Toronto, 1978.
  • Van Lennep, William. The London Stage, 1660–1800. Part 1: 1660–1700. Carbondale, Ill., 1965.
  • Vaughan, Jack A. Shakespeare’s Comedies. New York, 1980.
  • Vaughan, Alden T., & Virginia Mason Vaughan. Shakespeare’s Caliban. Cambridge, 1991.
  • Vehse, Eduard. Shakespeare als Protestant, Politiker, Psycholog, und Dichter. 2 vols. Hamburg, 1851.
  • Velz, John. Arthur Brooke and the Lion among Ladies in A Midsummer Night’s Dream. N&Q 35 (1988), 47–9.
  • Velz, John. Shakespeare’s Ovid in the Twentieth Century: A Critical Survey. Shakespeare’s Ovid: The Metamorphoses in the Plays and Poems. Ed. Anthony B. Taylor. Cambridge, 2000. Pp. 181–97.
  • Venezky, Alice S. Pageantry on the Shakespearean Stage. New York, 1951.
  • Verity, A. W. The Influence of Christopher Marlowe on Shakspere’s Earlier Style. Being the Harness Prize Essay for the Year 1885. Cambridge, 1886.
  • Verma, Rajiva. Myth, Ritual, and Shakespeare: A Study of Critical Theory and Practice. New Delhi, 1990.
  • Vial, Claire. De la fée épique à la fée elfique: Oberon, de Huon de Bordeaux au Midsummer Night’s Dream. Shakespeare et le Moyen-Âge. Ed. Patricia Dorval. Paris, 2002. Pp. 203–22.
  • Vickers, Brian. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven, 1993.
  • Vickers, Brian. The Artistry of Shakespeare’s Prose. 1968.
  • Vickers, Brian. Returning to Shakespeare. 1989.
  • Vickers, Brian. Shakespeare: The Critical Heritage. 6 vols. 1974–81.
  • Videbæk, Bente A. The Stage Clown in Shakespeare’s Theatre. Westport, Conn., 1996.
  • Vienne-Guerrin, Nathalie. Killing courtesy: Le songe ou la courtoisie mise en pièce(s). Bulletin de la Société d’Études Anglo-Américaines des XVIIe et XVIIIe Siècles 55 (2002), 27–49.
  • Vienne-Guerrin, Nathalie. The Noise They Make in A Midsummer Night’s Dream on Screen. Shakespeare on Screen: A Midsummer Night’s Dream. Ed. Sarah Hatchuel & Nathalie Vienne-Guerrin. Rouen, 2004. Pp. 87–100.
  • Villemain, [Abel F.] The Life and Genius of Shakespeare. Nouveaux mélanges historiques et litteraires. Paris, 1827. (Rpt. Memorials of Shakspeare. Ed. Nathan Drake. 1828. Pp. 203–51.)
  • Visser, Nicholas. Some Satire, Keen and Critical: Genre and Perspective in A Midsummer Night’s Dream. Sh. in Southern Africa 9 (1996), 66–74.
  • Vlasopolos, Anca. The Ritual of Midsummer: A Pattern for A Midsummer Night’s Dream. RenQ 31 (1978), 21–9.
  • Vollhardt, William. Die Beziehungen des Sommernachtstraums zum italienischen Schäferdrama. Leipzig, 1899.
  • Vos, Nelvin. The Drama of Comedy: Victim and Victor. Richmond, Va., 1966.
  • Vyvyan, John. Shakespeare and Platonic Beauty. 1961.
  • W, C. R. Shakespeare Readings. Illustrated London News (17 May 1856), 539.
  • Waddington, Raymond B. Two Notes Iconographic on A Midsummer Night’s Dream. ELN 26 (1988), 12–17.
  • Waith, Eugene M. Give Me Your Hands: Reflections on the Author’s Agents in Comedy. The Author in His Work: Essays on a Problem in Criticism. Ed. Louis L. Martz & Aubrey Williams. Introd. Patricia Meyer Spacks. New Haven, 1978. Pp. 197–211.
  • Waith, Eugene M. Patterns and Perspectives in English Renaissance Drama. Newark, Del., 1988.
  • Waith, Eugene M, ed. The Two Noble Kinsmen. By William Shakespeare and John Fletcher. OUP, 1989.
  • Walch, Günter. Ein Sommernachtstraum: Komödienform und Rezeptionslenkung. SJW 119 (1983), 31–48.
  • Walch, Günter. Des Vaters Stimme: Gender, Macht und Genre in Shakespeares Komödien. SJW 124 (1988), 86–100.
  • Wales, Katie. Your Average Generalizations: A Case-Study in Historical Pragmatics. Historical Pragmatics: Pragmatic Developments in the History of English. Ed. Andreas H. Jucker. Amsterdam, 1995. Pp. 309–28.
  • Walker, William S. A Critical Examination of the Text of Shakespeare. [Ed. William N. Lettsom.] 3 vols. 1860.
  • Walker, William S. Shakespeare’s Versification and Its Apparent Irregularities Explained by Examples from Early and Late English Writers. 1854.
  • Wall, Wendy. Staging Domesticity: Household Work and English Identity in Early Modern Drama. Cambridge, 2002.
  • Wallace, David. Chaucerian Polity: Absolutist Lineages and Associational Forms in England and Italy. Stanford, 1997.
  • Waller, Frederick O. The Use of Linguistic Criteria in Determining the Copy and Dates for Shakespeare’s Plays. Pacific Coast Stud. in Shakespeare. Ed. Waldo F. McNeir & Thelma Greenfield. Eugene, Ore., 1966. Pp. 1–19.
  • Walpole, Horace. Horace Walpole’s Correspondence with John Chute, Richard Bentley, The Earl of Strafford, Sir William Hamilton, The Earl and Countess Harcourt, George Hardinge, The Yale Edition of Horace Walpole’s Correspondence. Ed. W. S. Lewis, A. Dayle Wallace, & Robert A. Smith. Vol. 35. New Haven, 1973.
  • Walrond, Henry. Archery. Shakespeare’s England: An Account of the Life & Manners of His Age. Vol. 2. OUP, 1916. Pp. 376–88. 2 vols.
  • Warburton, William (1698–1779). Shn. editor. Contributor to theo1.
  • Ward, Adolphus W. A History of English Dramatic Literature. 2 vols. 1875. (New & rev. ed. 3 vols. 1899.)
  • Ward, Ian. Shakespeare and the Legal Imagination. 1999.
  • Warner, Richard (1713?-1775). Contributor to v1773, v1778.
  • Warren, C. F. S. A Midsummer Night’s Dream II.i. 7 N&Q 3 (1887), 264.
  • Warren, Roger. Comedies and Histories at Two Stratfords, 1977. ShS 31 (1978), 141–53.
  • Warren, Roger. Interpretations of Shakespearian Comedy, 1981. ShS 35 (1982), 141–52.
  • Warren, Roger. A Midsummer Night’s Dream: Text and Performance. 1983.
  • Warren, Roger. Shakespeare and the Princely Pleasures at Kenilworth. N&Q 216 (1971), 137–9.
  • Warren, Roger. Three Notes on A Midsummer Night’s Dream. N&Q 16 (1969), 130–4.
  • Warton, Thomas (1728–90). Contributor to john, v1773.
  • Warton, Thomas. History of English Poetry from the Twelfth to the Close of the Sixteenth Century. 4 vols. 1774–1781.
  • Warton, Thomas. Observations on the Fairy Queen of Spenser. The Second Edition, Corrected and Enlarged. 1762. (Rpt. New York: Haskell House, 1969.)
  • Warton, Thomas, ed. John Milton. Poems upon Several Occasions. 1785.
  • Watkins, Ronald. Moonlight at the Globe. 1946.
  • Watkins, Ronald, & Jeremy Lemmon. In Shakespeare’s Playhouse: The Poet’s Method. Newton Abbot, Eng., 1974.
  • Watts, Cedric. Bottom’s Children: The Fallacies of Structuralist, Post-Structuralist and Deconstructionist Literary Criticism. Reconstructing Literature. Ed. Laurence Lerner. Totowa, N.J., 1983. Pp. 20–35.
  • Watts, Cedric. Does Bottom Cuckold Oberon? Henry V, War Criminal? and Other Shakespeare Puzzles. John Sutherland & Cedric Watts. OUP, 2000. Pp. 137–42.
  • Watts, Cedric. The Translation of Bottom. Longman Critical Essays: A Midsummer Night’s Dream. Ed. Linda Cookson & Bryan Loughrey. Harlow, Essex, 1991. Pp. 42–9.
  • Webb, J. Barry. Shakespeare’s Animal (and Related) Imagery. Hastings, E. Sussex, 1988.
  • Webb, J. Barry. Shakespeare’s Animals: A Guide to the Literal and Figurative Usage. Hastings, E. Sussex, 1996.
  • Webb, J. Barry. Shakespeare’s Erotic Word Usage. Hastings, E. Sussex, 1989.
  • Webb, J. Barry. Shakespeare’s Imagery of Plants. Hastings, E. Sussex, 1991.
  • Webber, Jeannette. Myth, Magic and Metamorphosis. Santa Barbara, 1999.
  • Webster, Margaret. Shakespeare in Our Time. The Living Shakespeare. Ed. Robert Gittings. 1960. Pp. 18–24.
  • Webster, Margaret. Shakespeare Today. 1957.
  • Webster, Margaret. Shakespeare without Tears. New York, 1942.
  • Wedgwood, C. V. The Close of an Epoch. Shakespeare’s World. Ed. James Sutherland & Joel Hurstfield. 1964. Pp. 174–92.
  • Wedgwood, Julia. The Midsummer Night’s Dream. ContempR. (Apr. 1890), 580–7.
  • Weil, Herbert S., Jr., ed. Introduction. Discussions of Shakespeare’s Romantic Comedy. Boston, 1966.
  • Weilgart, Wolfgang J. Shakespeare Psychognostic: Character Evolution and Transformation. Tokyo, 1952.
  • Weimann, Robert. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Cambridge, 2000.
  • Weimann, Robert. Puck and Ariel: Myth and Poetic Fantasy. Festvortrag, bound 23 Apr. 1967, from the meeting of the German Shakespeare Society, in Weimar. SJW (1968), 17–33.
  • Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Ed. Robert Schwartz. Baltimore, 1978. Rev. version of Shakespeare und die Tradition des Volkstheaters: Soziologie, Dramaturgie, Gestaltung. Berlin, 1967.
  • Weimann, Robert. Shakespeare und die Macht der Mimesis: Autorität und Repräsentation im elisabethanischen Theater. Berlin, 1988.
  • Weiner, Andrew D. Multiformitie Uniforme: A Midsummer Night’s Dream. ELH 38 (1971), 329–49.
  • Weiss, Adrian. Reproductions of Early Dramatic Texts as a Source of Bibliographical Evidence. TEXT: Transactions of the Society for Textual Scholarship 4 (1988), 237–68.
  • Weiss, John. Wit, Humor, and Shakspeare. Boston, 1876.
  • Weiss, Theodore. The Breath of Clowns and Kings. New York, 1971.
  • Weisstein, Ulrich. Wahn, wahn, überall wahn: Varieties of Illusion and Delusion in A Midsummer Night’s Dream, Fuseli’s Illustrations, and The Mastersingers of Nuremberg. Shakespeare and the Visual Arts. Ed. Holger M. Klein & James L. Harner. Lewiston, 2000. Pp. 308–35.
  • Weld, John. Meaning in Comedy. Studies in Elizabethan Romantic Comedy. Albany, 1975.
  • Weller, Barry. Identity Dis-Figured: A Midsummer Night’s Dream. KR 7 (1985), 66–78.
  • Wells, Henry W. Elizabethan and Jacobean Playwrights. New York, 1939.
  • Wells, Stanley. Boys should be Girls: Shakespeare’s Female Roles and the Boy Players. NTQ 25 (2009), 172–7.
  • Wells, Stanley. Happy Endings in Shakespeare. SJH (1966), 103–23.
  • Wells, Stanley. Looking for Sex in Shakespeare. Cambridge, 2004.
  • Wells, Stanley. A Midsummer Night’s Dream Revisited. CrSurv 3 (1991), 14–29.
  • Wells, Stanley. A Note on Demetrius’s Vile Name. CahiersE 3 (1976), 67–8.
  • Wells, Stanley. Re-Editing Shakespeare for the Modern Reader. OUP, 1984.
  • Wells, Stanley. Shakespeare Production in England in 1989. ShS 43 (1991), 183–204.
  • Wells, Stanley. Shakespeare without Sources. Shakespearian Comedy. Stratford-upon-Avon Stud. 14. 1972. Pp. 58–74.
  • Wells, Stanley. Translations in A Midsummer Night’s Dream. Translating Life: Studies in Transpositional Aesthetics. Ed. Shirley Chew & Alistair Stead. Liverpool, 1999. Pp. 15–32.
  • Wells, Stanley, & Gary Taylor. William Shakespeare: A Textual Companion. OUP, 1987.
  • Wells, Susan. The Dialectics of Representation. Baltimore, 1985. Pp. 54–60.
  • Welsford, Enid. The Court Masque. New York, 1927.
  • Wendell, Barrett. William Shakspere: A Study in Elizabethan Literature. New York, 1894.
  • Wentersdorf, Karl P. Animal Imagery in Shakespeare’s Hamlet: The Imagery of Sex Nausea. CompD 17 (1983), 348–82.
  • Wentzel, Wayne C. Samuel Barber: A Research and Information Guide. 2nd ed. New York, 2012.
  • Werstine, Paul. Compositor B of the Shakespeare First Folio. AEB 2 (1978), 421–63.
  • Werstine, Paul. The Continuing Importance of New Bibliographical Method. SS 62 (2009), 30–45.
  • Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare. Cambridge, 2012.
  • Werstine, Paul. Line Division in Shakespeare’s Dramatic Verse. AEB 8 (1984), 73–125.
  • West, Anthony L. A New Worldwide Census of First Folios. Vol. 2 of The Shakespeare First Folio: The History of the Book. OUP, 2003.
  • West, E. J. On a Purely Playful Hypothesis Concerning the Composition of A Midsummer Night’s Dream. CE 9 (1948), 247–9.
  • West, Eliza M. Shaksperian Parallelisms, Chiefly Illustrative of The Tempest and A Midsummer Night’s Dream, Collected from Sir Philip Sydney’s Arcadia. 1865.
  • Westenholz, F. P. von. Shakespeares Mutter? Die Gegenwart 50 (Aug., Sept. 1896), 135–6, 153–5.
  • Weston, Stephen (1747–1830). Contributor to v1785.
  • Wetherell, J. Shakspeare Readings. Athenæum 2088 (2 November 1867), 582.
  • Wey, Peter. An Enquiry into the Learning of Shakespeare. 1748.
  • Whaley, John (1710–45). Correspondent of Styan Thirlby.
  • Whalley, Peter. An Enquiry into the Learning of Shakespeare. 1748.
  • Whalley, Peter, ed. The Works of Ben Johnson. 7 vols. 1756.
  • Wheeler, Richard P. Fantasy and History in The Tempest. The Tempest. Ed. Nigel Wood. Philadelphia, 1995. Pp. 127–64.
  • Whincop, Thomas. Scanderbeg: Or, Love and Liberty. A Tragedy … To Which Are Added A List of All the Dramatic Authors, with Some Account of Their Lives; and of All the Dramatic Pieces Ever Published in the English Language, to the Year 1747. [List probably rev. & expanded by John Mottley; see DNB, Whincop.] 1747.
  • Whitaker, Virgil K. Shakespeare’s Use of Learning. San Marino, Calif., 1953.
  • White, Edward J. Commentaries on the Law in Shakespeare. St. Louis, Mo., 1911.
  • White, Eric Walter. Benjamin Britten: His Life and Operas. Berkeley, 1948.
  • White, Eric Walter. Early Theatrical Performances of Purcell’s Operas with a Calendar of Recorded Performances, 1690–1710. TN 13 (1958/59), 43–65.
  • White, Howard B. Copp’d Hills Towards Heaven: Shakespeare and the Classical Polity. International Archives of the History of Ideas 32. The Hague, 1970.
  • White, Kenneth S. Two French Versions of A Midsummer Night’s Dream. FR 33 (1960), 341–50.
  • White, R. S. Keats as a Reader of Shakespeare. Norman, 1987.
  • White, R. S. Let Wonder Seem Familiar: Endings in Shakespeare’s Romance Vision. Atlantic Highlands, N.J., [1985].
  • White, R. S. Marx and Shakespeare. ShS 45 (1993), 89–100.
  • White, R. S. Metamorphosis by Love in Elizabethan Romance, Romantic Comedy, and Shakespeare’s Early Comedies. RES 35 (1984), 14–44.
  • White, Richard G. Shakespeare’s Scholar. New York, 1854.
  • White, Richard G. Studies in Shakespeare. Boston, 1886.
  • White, Richard G. The Text of Shakspere. Putnam’s Monthly Magazine (1853), 378–402.
  • White, Thomas Holt (1763–1841). Contributor to Malone 1780, v1773, v1793.
  • White, Thomas Holt. More Notes on Shakespeare, Written in the year 1793. The Sh. Repository. Ed. James H. Fennell (1853), 29–31.
  • White, Thomas Holt. Parallel Passages and Remarks on Shakspeare. Gentleman’s Magazine 55 (1785), 277–9.
  • Whiter, Walter. A Specimen of a Commentary on Shakespeare. 1794. (2nd ed. rev. by the author & enl. by Alan Over & Mary Bell, 1967.)
  • Wickham, Glynne. Early English Stages: 1300–1660. Vol 1. 1959. Vol. 2, pt. 1. 1963. Pt. 2. 1972.
  • Wickham, Glynne. Shakespeare’s Dramatic Heritage. 1969.
  • Wickham, Glynne. Shakespeare’s Small Latine and Less Greeke! Talking of Shakespeare. Ed. John Garrett. 1954. Pp. 209–30.
  • Wickham, Glynne. The Two Noble Kinsmen or A Midsummer Night’s Dream, Part II? ETh VII. Hamden, Conn., 1980. Pp. 167–96.
  • Wigston, W[illiam] F. C. A New Study of Shakespeare. 1884.
  • Wikander, Matthew H. Princes to Act: Royal Audience and Royal Performance, 1578–1792. Baltimore, 1993.
  • Wilcher, Robert. Double Endings and Autonomous Acts: A Feature of Shakespearian Design. CahiersE 51 (1997), 47–61.
  • Wilder, Lina Perkins. Changeling Bottom: Speech Prefixes, Acting, and Character in A Midsummer Night’s Dream. Shakespeare 4.1 (2008), 41–58.
  • Wilders, John. Introduction to A Midsummer Night’s Dream. A Midsummer Night’s Dream. The BBC TV Shakespeare. 1981. Pp. 9–17. (Rpt. in New Prefaces to Shakespeare. Oxford, 1988.)
  • Wilders, John. Teaching A Midsummer Night’s Dream. Teaching with Shakespeare: Critics in the Classroom. Ed. Bruce McIver & Ruth Stevenson. Newark, Del., 1994. Pp. 152–62.
  • Wiles, David. The Carnivalesque in A Midsummer Night’s Dream. Shakespeare and Carnival After Bakhtin. Ed. Ronald Knowles. New York, 1998. Pp. 61–82.
  • Wiles, David. Shakespeare’s Almanac: A Midsummer Night’s Dream, Marriage, and the Elizabethan Calendar. Cambridge, 1993.
  • Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge, 1987.
  • Wilkes, George. Shakespeare from an American Point of View; Including an Inquiry as to His Religious Faith, and His Knowledge of Law; With the Baconian Theory Considered. 1877 [1876]. (3rd ed. New York, 1882.)
  • Wilkinson, L. P. Ovid Recalled. Cambridge, 1955.
  • Willbern, David. Shakespeare’s Nothing. Representing Shakespeare. Ed. Murray M. Schwartz & Coppélia Kahn. Baltimore, 1980. Pp. 244–63.
  • Willcock, Gladys D. Shakespeare and Elizabethan English. A Companion to Shakespeare Studies. Ed. H. Granville-Barker & G. B. Harrison. New York, 1960. Pp. 116–35. (1st ed. CUP, 1934).
  • Willeford, William. The Fool and His Scepter. N.p., 1969.
  • Willems, Michèle. Transcoding the Play Within the Play: Pyramus and Thisbe from Playtext to Screen Realization. Shakespeare on Screen: A Midsummer Night’s Dream. Ed. Sarah Hatchuel & Nathalie Vienne-Guerrin. Rouen, 2004. Pp. 101–13.
  • Williams, Gary Jay. Madam Vestris’ A Midsummer Night’s Dream and the Web of Victorian Tradition. ThS 18.2 (1977), 1–22.
  • Williams, Gary Jay. Our Moonlight Revels: A Midsummer Night’s Dream in the Theatre. Iowa City, 1997.
  • Williams, Gary Jay. Politics in Fairyland: The Scholarship on A Midsummer Night’s Dream as a Court Wedding Play. ShN 40 (1990), 44.
  • Williams, Gary Jay. Rev. Shakespeare’s Almanac: A Midsummer Night’s Dream, Marriage and the Elizabethan Calendar. By David Wiles. MLR 91 (1996), 192–3.
  • Williams, Gordon. A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature. 3 vols. London & Atlantic Highlands, N.J., 1994.
  • Williams, Gordon. A Glossary of Shakespeare’s Sexual Language. 1997.
  • Williams, Penry. Shakespeare’s A Midsummer Night’s Dream: Social Tensions Contained. The Theatrical City: Culture, Theatre, and Politics in London, 1576–1649. Ed. David L. Smith, Richard Strier, & David Bevington. Cambridge, 1995. Pp. 55–66.
  • Williams, Simon. Shakespeare on the German Stage, Volume 1: 1586–1914. Cambridge, 1990.
  • Williamson, Hugh Ross. The Day Shakespeare Died. 1962.
  • Willink, Henry. Those Choughs. The Spectator 6546 (Dec. 11, 1953), 697.
  • Willoughby, Edwin Eliott. The Printing of the First Folio of Shakespeare. Bibliographical Soc., 1932.
  • Willson, Robert F., Jr. Burlesque Tone in A Midsummer Night’s Dream or the Play from Bottom Up. Lock Haven Review 13 (1972), 115–27.
  • Willson, Robert F., Jr. The Chink in the Wall: Anticlimax and Dramatic Illusion in A Midsummer Night’s Dream. SJW 117 (1981), 85–90.
  • Willson, Robert F., Jr. God’s Secrets and Bottom’s Name: A Reply. SQ 30 (1979), 407–8.
  • Willson, Robert F., Jr. Golding’s Metamorphoses and Shakespeare’s Burlesque Method in A Midsummer Night’s Dream. ELN 7 (1969), 18–25.
  • Willson, Robert F., Jr. The Plays Within A Midsummer Night’s Dream and The Tempest. SJW 110 (1974), 101–11.
  • Willson, Robert F., Jr. Shakespeare’s Opening Scenes. Salzburg Stud. in English Literature. Salzburg, 1977.
  • Willson, Robert F., Jr. Their Form Confounded: Studies in the Burlesque Play from Udall to Sheridan. The Hague, 1975.
  • Wilson, Christopher R. Shakespeare and Early Modern Music. The Edinburgh Companion to Shakespeare and the Arts. Ed. Mark Thornton Burnett, Adrian Streete, & Ramona Wray. Edinburgh, 2011. Pp. 119–41.
  • Wilson, Christopher R, & Michela Calore. Music in Shakespeare: A Dictionary. 2005.
  • Wilson, Daniel. Caliban: The Missing Link. (Var. title Caliban: A Critique on Shakespeare’s Tempest and A Midsummer Night’s Dream.) 1873.
  • Wilson, Elkin Calhoun. Shakespeare, Santayana and the Comic. University, Ala., 1973.
  • Wilson, Frank Percy. Shakespeare and the New Bibliography. 1945. Rev. & ed. Helen Gardner. OUP, 1970.
  • Wilson, Frank Percy. Shakespeare’s Comedies. Shakespearian and Other Studies. Ed. Helen Gardner. OUP, 1969. Pp. 54–99.
  • Wilson, Frank Percy, & G. K. Hunter. The English Drama 1485–1585. OUP, 1969.
  • Wilson, J. Dover. John Lyly. 1905. (Rpt. New York: Haskell House Publishers, Ltd., 1970.)
  • Wilson, J. Dover. Shakespeare’s Small Latin—How Much? ShS 10 (1957), 12–26.
  • Wilson, J. Dover. Shakespeare’s Happy Comedies. 1962.
  • Wilson, J. Dover. The Essential Shakespeare. New York, 1932.
  • Wilson, J. Dover. Variations on the Theme of A Midsummer Night’s Dream. Tribute to Walter de la Mare on His Seventy-fifth Birthday. 1948. Pp. 25–42.
  • Wilson, Jean. Entertainments for Elizabeth I. Woodbridge, 1980.
  • [Wilson, John]. Characteristics of Women, No. II. Characters of the Affections. Shakespeare. Blackwood’s Edinburgh Magazine 33 (1833), 143–69.
  • [Wilson, John]. Dies Boreales; or Christopher under Canvass. Blackwood’s Edinburgh Magazine 66 (1849), 620–54; 67 (1850), 481–512. (Rpt. Philadelphia, 1850.)
  • Wilson, Richard. The Kindly Ones: The Death of the Author in Shakespearean Athens. E&S 46 (1993), 1–24.
  • Winchester, C[aleb] T. An Old Castle and Other Essays. New York, 1922.
  • Wind, Edgar. Pagan Mysteries in the Renaissance. 1958.
  • Winslow, Ola Elizabeth. Low Comedy as a Structural Element in English Drama. Chicago, 1926.
  • Winstanley, William. The Lives of the Most Famous English Poet(s). 1687.
  • Winter, Guillaume. Pyramus is Not Killed Indeed: Illusion comique et métathéâtralité dans A Midsummer Night’s Dream. Lectures d’une œuvre A Midsummer Night’s Dream de William Shakespeare. Ed. Christine Sukic. Nantes, 2002. Pp. 97–106.
  • Winter, Guillaume. Why Do They Run Away? Le songe ou l’Art de la Fuite. Bulletin de la Société d’Études Anglo-Américaines des XVIe et XVIIe Siècles 57 (2003), 89–98.
  • Winter, William. Old Shrines and Ivy. New York, 1892.
  • Winter, William. Shakespeare on the Stage. New York, 1911–16. 3 vols. (Rpt. New York: Benjamin Blom, 1969.)
  • Witte, Anne E. Bottom’s Tangled Web: Texts and Textiles in A Midsummer Night’s Dream. CahiersE 56 (1999), 25–39.
  • Witte, Anne E. Les herbes magiques et le changelin: Le temps des mythes dans Le songe d’une nuit d’été. RHR: Réforme, humanisme, et Renaissance 22 (1996), 45–64.
  • Witte, Anne E. Les temps du Songe: Une lecture du Comput Shakespearien dans Le songe d’une nuit d’été. Lectures d’une œuvre A Midsummer Night’s Dream de William Shakespeare. Ed. Christine Sukic. Nantes, 2002. Pp. 107–25.
  • Wolff, Max J. Shakespeare der Dichter und sein Werke. 2 vols. München, 1926. (First pub. 1907.)
  • Wölffel, H. Über Shakespeare’s Sommernachtstraum. Album des literarischen Vereins in Nürnberg für 1852. Nürnberg, 1852.
  • Wood, James O. Finde out Moone-shine, Finde out Moone-shine [TLN 864]. N&Q 211 (1966). 128–30.
  • Wood, James O, & Neil Taylor. Finde out Moone-shine, Finde out Moone-shine, [TLN 864]. N&Q 216 (1971), 464.
  • Woodberry, George E. Introduction to MND. In Works. Ed. Sidney Lee. 40 vols. New York, 1907–9. 6 (1907): ix–xxii.
  • Woodbridge, Elisabeth M. The Drama, Its Law and Its Technique. Boston, 1898.
  • Woodman, David. White Magic and English Renaissance Drama. Rutherford, N.J., 1973.
  • Wray, G. O. (of Surbiton Hill, Surrey). Correspondence with William Aldis Wright, in Wright Shakespeariana, Trinity College Library, Cambridge.
  • Wright, George T. Shakespeare’s Metrical Art. Berkeley, 1988.
  • Wright, George T. Shakespeare’s Poetic Techniques. William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. New York, 1985. Vol. 2: His Work. Pp. 363–87. 3 vols.
  • Wright, George T. Troubles of a Professional Meter Reader. Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca, N.Y., 1994. Pp. 56–76.
  • Wright, Martin. Notes on A Midsummer Night’s Dream. 1968.
  • Wright Shakespeariana. William Aldis Wright, miscellaneous notes and correspondence, Trinity College Library, Cambridge.
  • Wyrick, Deborah Baker. The Ass Motif in The Comedy of Errors and A Midsummer Night’s Dream. SQ 33 (1982), 431–48.

Y-Z

  • Yachnin, Paul. The Politics of Theatrical Mirth: A Midsummer Night’s Dream, A Mad World My Masters, and Measure for Measure. SQ 43 (1992), 51–66.
  • Yates, Frances A. Astraea: The Imperial Theme in the Sixteenth Century. 1975.
  • Yates, Frances A. The Occult Philosophy in the Elizabethan Age. 1979.
  • Yates, Frances A. Queen Elizabeth as Astraea. JWCI 10 (1947), 27–82.
  • Yoch, James J., Jr. Subjecting the Landscape in Pageants and Shakespearean Pastorals. Pageantry in the Shakespearean Theater. Ed. David Bergeron. Athens, Ga., 1985. Pp. 194–219.
  • Yoshioka, Fumio. Shadows’ Shadows in A Midsummer Night’s Dream. Stud. in English Literature (Eng. Literary Soc. of Japan) 76 (1999), 107–23.
  • Young, Alan R. Te Stante Virebo: Thomas Hardy’s The Ivy-Wife and Emblematic Tradition. Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts. Ed. Karl Josef Höltgen, Peter M. Daly, & Wolfgang Lottes. Erlangen, 1988. Pp. 327–47.
  • Young, David. The Living World for Text: Life and Art in The Wild Swans at Coole. The Author in His Work: Essays on a Problem in Criticism. Ed. Louis L. Martz & Aubrey Williams. Introd. by Patricia Meyer Spacks. New Haven, 1978. Pp. 143–60.
  • Young, David. Something of Great Constancy. New Haven, 1966.
  • Yuasa, Nobuyuki. The Art of Naming: A Study of Fictional Names as an Element of Style in Chaucer, Spenser and Shakespeare. Poetica 41 (1994), 59–83.
  • Zander, Andela. Sit Still, My Lord, and Marke the Commedie: Friar Bacon and Friar Bungay und A Midsummer Night’s Dream. SJW 128 (1992), 114–24.
  • Zesmer, David M. Guide to Shakespeare. New York, 1976.
  • Zimbardo, R[ose] A. Regeneration and Reconciliation in A Midsummer Night’s Dream. ShakS 1970 6 (1972), 35–50.
  • Zitner, Sheldon P. The Worlds of A Midsummer Night’s Dream. SAQ 59 (1960), 397–403.
  • Zukofsky, Louis. Bottom: On Shakespeare. Berkeley and Los Angeles, 1987. (First pub. 2 vols. Austin, 1963.)
New Variorum Shakespeare

(BETA)

CODHR TAMU Liberal Arts
Contact : Center of Digital Humanities Research (CoDHR) at Texas A&M University, 448 Liberal Arts and Arts & Humanities Building (LAAH), TX 77843-4213. Phone: 979-458-1552 | Fax: 979-862-4334 | Email: torabik@tamu.edu.
CC0
To the extent possible under law, Texas A&M University has waived all copyright and related or neighboring rights to The New Variorum Shakespeare (NVS). This work is published from: United States. 2021 Center of Digital Humanities Research. Updated Fall 2022.